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Jordan Peele Us Themes

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Recommended: Elements of film mise en scene

The horror film Us directed by Jordan Peele in 2019 is a masterpiece and visually stunning work in the art of storytelling through cinematic techniques. This film tells the story of a family on vacation in Santa Cruz, California. The family is attacked by doppelgangers called "The Tethered." The Tethered are revealed to be clones created as part of a government experiment. The film explores themes of identity, class, and the shadow self, while the family fights to survive against their Tethered counterparts. In Jordan Peele's horror film Us the themes of identity and duality are central to the story. It uses the interaction between mise-en-scène and cinematography to create a sense of duality and tension. The film explores themes of identity, …show more content…

One notable example is the use of mirror shots, which are used throughout the film to create a sense of doubling and reflection. In one scene, when the Wilson family is forced to confront their doppelgängers, the camera switches back and forth between the two groups, with each shot framed in the same way. This creates a sense of unease, as the viewer is forced to confront the idea of a second self that exists in parallel to their own. The use of tracking shots also contributes to the film's exploration of identity and duality. In one notable scene, the camera follows Adelaide Wilson (Lupita Nyong'o) as she runs through the carnival, with the camera following her movements and the environment around her changing as she moves. This use of tracking shots creates a sense of disorientation and confusion, highlighting the tension between the two sides of Adelaide's identity and the world she …show more content…

The use of color and contrast in the film's mise-en-scène serves to emphasize the differences between the two groups and the concept of duality. Additionally, the use of setting and props reinforces the film's themes and creates a sense of vulnerability for the characters. The film's cinematography is equally important in creating a sense of tension and unease, with the use of camera movement, framing, and lighting serves to highlight the duality between the two groups and create a sense of ambiguity and uncertainty. Overall, Us is a masterful example of how the interaction between mise-en-scène and cinematography can be used to convey complex themes and create a powerful cinematic

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One of the massive aspects of movie making is the movement and angles at which the camera is held. One film that does a great job of creating this form of cinematography is Raising Arizona, directed and produced by the Coen brothers. This fast paced crime comedy does an excellent job of capturing the audience’s attention by making them feel as though they are actually a part of the action. An example of the great camera movement is when the camera bobs up and down as it gets closer to the Arizona’s house, this creates the effect that the viewer is actually the person who is approaching the house.

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The storyline for the movie is unique and interesting, and the mise-en-scene enhances the story, especially through the use of set design, costumes, camera shots, and lighting. The most distinguished element of mise-en-scene in the film was the set design. The contrast between the suburban neighborhood and the mansion that Edward lived in immediately showed the vast differences between the two worlds. The set design showed Edward’s life as isolated and withdrawn compared to the suburban’s extroverted and gossip-filled atmosphere.

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The affordances of the specific medium chosen helps to assist the narrative in different ways. Film and text are two examples of different types of media that can be used. One could compare Erik Larson’s book The Devil in the White City and Christopher Nolan’s film Memento. The comparison of these two media, which both show the protagonists committing murder, is able to portray the advantages and disadvantages of each medium. By comparing the murder scenes in each of these works, one is able to define the aspects in which each medium succeeds or fails.

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Strategies of Mis-en-scene in The Coen Brothers’ No Country For Old Men The Coen Brother’s films are always created in a particular way; a way that makes you look and think extra hard about what’s being presented, and how even the simplest of visuals and presentations could be connected to a broader picture or idea. Through their creation of films, the Coen Brother’s craft an unequitable mis-en-scene that captures the audience and draws them into the film itself unlike any other picture can. Through analyzation of the sets, props, lighting, and characters, this paper will show how strategies of mis-en-scene are overwhelming in the Coen Brother’s No Country For Old Men by way of “The Coin Toss” scene (No Country For Old Men), what elements

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By the utilization of this technique, the film’s mise-en-scene brings the audience’s attention to the space as a sort of institution of relaxation, in times of

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Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.

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This film is one of the important movies in America cinema and it was also known as the first modern horror film in the 1960s. Due to many researches this movie was symbolic to the Civil Rights movement and the Vietnam War “Argue that this film can be read as a subversive critique of 1960s American society with most of them interpreting the film as dealing with racism, the Vietnam War, a patriarchal society, and distrust of authorities.” As my personal reference this quote is valid because in the movie Ben Huss (Duane Jones), played by African-American, he is known as main protagonist but the director’s also make Ben the antagonist of this film by not

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In this paper I hypothesize that A Voyage to the Moon was most innovative in cinematography and editing. Although mise en-scene was the main focus of the film, I hypothesize that mise en scene wasn’t as innovative as the other two. As mentioned earlier, mise en scene made A Voyage to the Moon easy to understand and follow along. In the first scene of the film, this power

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The idea of mise-en-scene refers to the idea of using a variety of visual components in films to help an audience grasp a better understanding of the meaning behind a film, a film’s characters, situations, etc. For example, this technique involves the usage of costumes, makeup, sets, props, lighting, weather, character movement, etc. The use of mise-en-scene shows the audience the importance behind characters and situation as seen in the production of Singin’ in the Rain (1952) directed by Gene Kelly and Stanley Donen. In this entertaining film, some examples where mise-en-scene applies is in the introductory scene where the big Hollywood premiere is shown, through the juxtaposition of two women, Kathy and Lina, and the scene where the main

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By interweaving the use of eye level and close-up shots, the viewer is able to partake in two different outlooks within seconds of one another. For instance, when Jane “fails” her boss the viewer is immersed in the sympathetic position (00:07:15). This shot strives to create an intimate moment between the audience and character, by zooming in to capture every detail of Jane’s hand and eye movement that reveals her emotional disconnect due to her hostile treatment at work (00:17:30). Nonetheless, seconds later the viewer is forced into the passive position. Having her co-worker help construct an apology letter, in regards to her failure, and then immediately walk away while stating “You okay,” displays his decision to disregard Jane’s emotional distress (00:18:33).

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The most apparent themes in this film are loneliness and isolation. Based on the cinematography, it is evident that wide shots of the characters occupy a small space alone or an extremely large space with many people who are completely unaware of their existence. Both of these things work to portray the idea that Murray's character, Bob, and Johansson's character, Charlotte, are lonely, isolated, and missing something. The director also uses the concept of balance to pass the message on the emotional state of the characters.

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The first shows lighter, brighter shades like grass and leaves. During the war green color is presented by more “gloomy” hues like military uniform or a rocket in the night sky that Doss saw in his nightmare. The film often shows characters’ faces in close up; these frames constitute a majority of the movie. Camera focuses on characters’ faces and moves slightly following their heads’ motions. This approach makes viewers focus on people’s expressed emotions and interactions rather than their environment.

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