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Sigmund Freud's Theory Of Inception

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This research is essentially guided by the psychoanalytic concepts of Abjection and The Uncanny propounded by Julia Kristeva (1982) and Sigmund Freud (1919) respectively. These concepts complement each other on the different analytical aspects of the texts under study. In some stages of the study, the analysis is reinforced by Propp (1968)’s narratological functions to examine the textual narrative processes that generate a horror world. An overview of these concepts is therefore necessary in order to understand how they relate to the texts the study is concerned with.
The concept of abjection developed in Powers of Horror: An Essay on Abjection is a psychoanalytic concept that was brought forward by Julia Kristeva in 1980 in her analyses on …show more content…

Barbara Creed (2009) notes that “the place of the abject is where meaning collapses,” the place where one is not (p.128). It is not easy to understand how a mother takes a saw and cuts deliberately her own baby that she indeed loves as the baby itself is a reflection of the mother’s own self. Yet, Sethe does so as her ego experiences an abject state that transforms her being into a strange mother. Creed maintains that the abject threatens life; that “it must be radically excluded from the place of the living subject, propelled away from the body and deposited on the other side of an imaginary border which separates the self from that which threatens the self”(p.111). Creed’s observation asserts the grim nature of the abject in which a person experiences the collapse of their …show more content…

Basically, ‘The Uncanny’ is a psychoanalytic concept propounded by Sigmund Freud in his essay The Uncanny (1919) on the effects of the return of the repressed. In the essay, Freud indicates that things which are most terrifying to an individual are perceived in such a way because there used to be a time when these things were known and familiar to the person (p.195). By the time they resurface, they become strange producing horror and decay. Freud maintains that “the subject of the ‘uncanny’...belongs to all that arouses dread and creeping horror” (p.195). It is the dread which is the basis of

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Uncanny means a sense of estrangement in a place showing something which is threatening and tempting to outlay in the bounds of the intimate. It is signified in the Sigmund Freud’s story which elaborates on the modern human condition (Freud, 1955). Freud describes more about the psychological developments and its effects to human beings. Similarly, uncanny elements are also demonstrated in the epic of the Joyce Carol Oates’ Where Are You Going, Where Have You Been, which is illustrated by the character, Arnold Friend. Oates addresses how psychological challenges are brought on by an obsessive love and uncanny habits.

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