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Katherine Anne Porter's The Jilting Of Granny Weatherall

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“The Jilting of Granny Weatherall Analysis” In the short story, “The Jilting of Granny Weatherall, Katherine Anne Porter uses rhetoric and diction to guide her audience into discovering Granny’s conscious state of mind, accounting for the various situations that over time made her bitter. Granny Weatherall fears her upcoming death, so she attempts to gain authority over her situation by controlling her doctor and her daughter, Cornelia, her primary caretaker. Granny imagines Cornelia as a little girl, as she is in more control of her life contrary to the situation she is in currently. Granny persistently pursues to belittle her illness to prove that she still has youth. That example illustrates death versus life and old versus young. Furthermore, …show more content…

Porter uses figurative imagery and bombast language to illustrate to her audience what Granny visualized. For example, “Then Hapsy melted from within and turned flimsy as gray gauze and the baby was a gauzy shadow (Porter)…” Using the phrase “gray gauze” illustrates, perhaps, what Granny has seen in her hallucination. Furthermore, Porter uses figurative imagery like “Where were you forty years ago when I pulled through milk leg and double pneumonia (Porter)”? This was a further indication of Granny’s former independence and strength, portrayed by Porter’s use of figurative …show more content…

However, this abandonment still affects Granny, as she promised herself that she would forget him, as the idea of him was a “smoky cloud from hell (Porter).” This occurrence was her first jilt. Her second jilt involved a man named John, who died and left her with their young children. Unfortunately, her final jilt was when Jesus never showed up, even as she was waiting impatiently for a sign. The moment she needed God most, He abandoned her. Soon after, she “stretched herself with a deep breath and blew out the light (Porter).” Her blowing out of the lamp symbolizes a reflection of her spirit, as she chooses to terminate her life according to her

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In “The Jilting of Granny Weatherall,” Porter uses multiple allusions to three of Emily Dickinson’s poems to show the change from total, unwavering Christian faith, to the absence of Jesus as Granny dies. In the story, Porter describes Granny stepping into a cart, whose driver Granny knew by his hands, and whose face she did not have to see, because she “knew without seeing” (Porter). This scene is almost identical to the scene in Dickinson’s “Because I could not stop for death-.” This allusion aids in conveying the Christian idea of death as Granny has come to accept it: a tranquil figure, Death, calmly and peacefully carries one’s soul to an eternity where centuries feel like days.

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The story is a metaphor because it is comparing the family’s current situation with the situation of the suicidal man. For instance, in the story she does not like that the suicidal man’s privacy is being invaded and Granny is mad that the cameramen are invading her privacy as well. The diction she uses shows that she is unhappy that the man’s privacy is being invaded through the use of words like “misery”, which indicates unhappiness with a situation, and “messin with him” which has a disgraced or even angry tone. The diction within the story solidifies the metaphor between it and her current situation because it reveals that she does not like that the suicidal man’s privacy was being invaded, similarly to her current situation and how she is mad about her privacy being invaded. The metaphor is important because it shows that Granny believes that she deserves privacy and a suicidal man does as well.

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It is not until Jody dies that Janie finally realizes the impact that Nanny had on her. As Janie reflects by herself in her room, she realizes she had hidden her true feelings about her grandmother and that she hates her for what she did. Nanny had taken her horizon, and rather than let Janie free to find it, and tied it “about her granddaughter’s neck tight enough to choke her” (89). Janie describes it as if she “had found a jewel inside down inside herself” (90) and rather than let it shine, she was “set in the market-place to sell” (90). These thoughts show significant growth in Janie’s character, as before she had just gone with what her grandmother said, and did not let herself truly feel.

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Janie grows up shaped by the rules of the people and society. Never in her life is she free of expectations, opinions, and rumors. As a child, she is governed by her protective, often overbearing grandmother, Nanny, who did her best to give Janie her idea of the best future. When Janie angrily questioned her, Nanny defended her choices for Janie’s future, saying that she “‘can’t always be guidin’ yo’ feet from harm and danger… Don’t you set dere poutin’ wid me after all Ah done went through for you!’”

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She interprets the idea as if the reader does not believe on a God. O’Connor also carefully draws out her characters. O’Connor made the Grandmother a women so that any reader felt lower than and feel below in authority. The grandmother is shown as a pushy woman with characteristics of selfishness. These characteristics show when she insisted on going to the old house.

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