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Krusty's Use Of Satire In The Simpsons

2237 Words9 Pages

Since its premiere in 1989, The Simpsons has continued to earn popularity among young and adults, and simultaneously, the show has gained a place in the iconic hall of fame of the American cult. Currently in its twenty-seventh season, the cartoon became the longest-running TV show and situation comedy ever. Doubtless, The Simpsons play a major role in criticizing the American popular culture; therefore, it has a significant impact on our perception of society and reality itself. Moreover, The Simpsons can be also seen from a different viewpoint regarding the connection between popular culture and philosophy since philosophy is engaged in finding answers related to distinct arguments such as existence and human behavior. It also interesting …show more content…

Krusty is the depiction of a children television entertainer who does not enjoy his own work. His wicked attitude and behavior are shaped by the fact that he is a smoker, a perverted and does not like children's company. In addition, his main interests are money and fame. Krusty's desire was to become a clown, but he finishes up stealing edgy jokes steeled from other shows. Another instance of satire is The Itchy & Scratchy Show, which is a cartoon within the cartoon. Mainly watched by both Lisa and Bart, the TV program is prohibited to Flander's children, who are the catholic neighbor of The Simpsons. The show is presented as a comic and satirical representation of cartoons. The Itchy & Scratchy Show aims at emphasizing the violent aspect of animation by broadcasting cruel scenes of death and torture. Another manner of the media attacked by Groening's show is journalism. Kent Brockman is the local newsman and works for Channel 6. Brockman embodies the worst side of his profession. The TV presenter is frequently biased and judgmental, and over emotional. Moreover, he presents another news program Eye on Springfield, which centers on Springfield entertainment news; on the contrary, Brockman airs useless and personal driven reportage on subjects such as the History of the Bikini. (Jonathan Grey, 224) The media is only a part of what the show criticized and thanks to its aspect The Simpsons are what they are. It is not only about the people that live and make the American popular culture, but it is also on the popular side of it. Politicians and journalists are two cases and perfectly demonstrate how a cult has created an

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