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Female gender roles in literature
Female gender roles in literature
Macbeth's character change
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This quote exemplifies the lengths that Lady Macbeth is willing to go to get exactly what she wants. She goes further by saying “Come, you spirits That tend on mortal thoughts, unsex me here, And fill me from the crown to the toe top-full Of direst cruelty” (Shakespeare 1.5). This quote shows the reader that Lady Macbeth wants any qualities associated with being female to be stripped away from her. She believes that these qualities are what make her weak and unworthy of holding any power. Rosenblum adds, “She so dominates the scenes in which she appears that her role at times seems equal to, perhaps even larger than, Macbeth's” (Rosenblum).
Looking at Act 5 Scene 1, the start of Lady Macbeth's downfall, we can see many points which are wrong according to the Feminist point of view. Why is Lady Macbeth portrayed as weak? Why cannot Lady Macbeth look past the deaths? Why does Macbeth not get affected as much as Lady Macbeth does? How come Lady Macbeth is being tormented mentally, physically and emotionally?
Shakespeare, like any other man in the 16th and 17th century, saw ambitious and dominant women as evil and even disturbing or disturbed. From Macbeth, we can see Shakespeare feels women should be challenged and punished because they are trying to change society. Nowadays these ambitious and dominant women are regarded as brave and respected because of their ambition, such as Lady Macbeth’s ambition to become Queen. Shakespeare presents Lady Macbeth as mentally disturbed.
In As I Lay Dying and Macbeth, certain characters naturally readjust the extent to which they reveal their true selves to the outside world following the demise of their leader. This culminates in a shift of power and leads the characters on a distinct and troubling journey. The death of a matriarch or patriarch in both As I Lay Dying and Macbeth shifts the power by revealing individual agendas and the justification of unsavory actions. In As I Lay Dying, Addie’s death as the matriarch of the Bundren family shifts the power by uncovering the true intentions of Anse, her husband.
Here, Macbeth’s insecurity and lacking of self-confidence display his traits of negative femininity. In fact, his feminine side gets him so emotionally fraught that he has to run off to Lady Macbeth because he is unable to finish off the plan on his own. He fully depends on Lady Macbeth for giving him confidence and telling him what to do. He lacks self-confidence because he knows
In Act 2 of William Shakespeare’s Macbeth, Lady Macbeth can be characterized as determined, by using any method to kill Duncan - even if it’s in his sleep, and also by doing whatever she has to do to cover up the very bloody evidence of the murder. Lady Macbeth shows she is determined to kill Duncan, even if it means murdering him while he is sleeping, which to her is cowardly. After Duncan goes to sleep, Lady Macbeth proceeds to start making plans on how to kill him, saying, “Alack, I am afraid they have not awakened, and tis not done. Th’ attempt and not the deed confounds us. Hark!-I laid their daggers ready; He could not miss em.
William Shakespeare portrayed the character Lady Macbeth to be extremely ruthless, malicious and manipulative. Thus, being the reason she could easily convince Macbeth to do her will, yet still put on such a convincing performance in front of those who knew nothing of her and her husband’s actions. Lady Macbeth shows her complexity constantly throughout the story when she shares her view-point on masculinity by demasculinizing her own husband, when she strategically plans the murder of the King Duncan, and finally when she finally goes crazy because of the guilt she possesses for not only her own actions but also turning her own husband into a
At the beginning of the play, Lady Macbeth’s weakness is clearly displayed. Lady Macbeth cries out to the witches, begging to be truly evil and purge her of her natural feminine weakness. “Come, you spirits that serve the thoughts of mortals: rid me of the natural tenderness of my sex and fill me from head to toe with direst cruelty!” (I, v, 39-42)
4. The character of Lady Macbeth changes from act one to act three. Throughout the first act, Lady Macbeth outwardly shows her cruelty but in the third act, she acts calmer. 5. As soon as Lady Macbeth finds out that Duncan, the king of Scotland, is coming to their castle, she acts crazy, wants to be “[unsexed] and [filled] from the crown to the toe topfull of direst cruelty” since her husband has received a prophecy that he will become king (Shakespeare 1.5.40-41).
What seemed like a fearless soldier soon would have his life turned around by his own innocent ambition that furthermore evolved into blinding greed, need for power, and selfishness. This soldier was Macbeth, he didn 't realize the toll this had on his mental health and others. Macbeth had many distinct layers to him that he personally didn 't know he acquired over the course of time. This is what you 'd call a complex character, one who can 't be cognized yet till you fully get to know their mindset and thoughts. Traditionally this would be a great way to describe Macbeth, throughout this book readers slowly started to comprehend his intentions and actions .
It makes her more ferocious than her masculine counterpart and hence her dominance over Macbeth. As well as she invokes the spirits to deprive her of feminism and make her as volatile as men, so that she can fulfill her dream of being the queen. Lady Macbeth is a bold and ambitious woman. She has implicit faith in herself. She wants to remove every obstacle in her pursuit of becoming the queen.
As the Macbeth’s portray the opposite of social constructs and expectations in the play, they eventually fall into their belonged stereotype after Lady Macbeth slowly starts to spiral downhill. Once Macbeth feels as though someone is in the way of him becoming King, he instantly creates a plan to murder them like Lady Macbeth did with Duncan. As they eventually take up each others common behavior, Lady Macbeth drives herself to insanity due to her womanly feelings. “I have seen her rise from her bed, throw her nightgown upon her, unlock her closet, take forth paper, fold it, write upon ’t, read it, afterwards seal it, and again return to bed; yet all this while in a most fast sleep.” , she is seen sleepwalking and participating in strange activities due to the insanity driven from guilt (5.1.4-6).
In the play Macbeth by William Shakespeare, the main character Macbeth, in many cases, is portrayed as being evil. However, his character is not truly the evil force driving the actions of the play. His wife, Lady Macbeth, as well as the witches and their misleading prophecies, are the real driving forces of Macbeth’s unspeakable actions. Macbeth is driven mad by the evil around him, causing him to turn to the violent behavior displayed throughout the many murders of the play.
She is a loyal though misguided wife, not without tenderness and not without conscience. Lady Macbeth’s willingness to sacrifice her femininity exposes her loyalty towards Macbeth. After reading the letter regarding the witch’s prophecies, she decides she must do whatever it take to make Macbeth King: Come you spirits that tend on mortal thoughts, unsex me here, and fill me from the crown to the toe top-full of direst cruelty.
On many occasions she rules her husband and dictates his actions. Although near the end of the play Lady Macbeth’s personality and strength begins to deteriorate. Later committing suicide after having many detailed memories and thoughts from the murder. Shakespeare not only shows how guilt can change a person’s personality but he also portrays untraditional gender roles.