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Lady Macbeth's Dominance

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Possibly one of the most influential characters of William Shakespeare’s Macbeth, Lady Macbeth takes the definition of female dominance to an entirely new level with her ability to manipulate, yet love her husband, and her ability to accuse, yet reassure him of his actions. Though Lady Macbeth is not well described anterior to her introduction, it is immediately apparent that she holds her dominance using her cunning skills, fuelled by ambition, which makes her one of the cruellest characters in Macbeth. Her portrayal of cunningness, upon Duncan’s arrival to Macbeth’s castle, is shown when she allows the king to “Have theirs, themselves, and what is theirs, in compt, / To make their audit at [his] pleasure” (1.6.31–32), in order to give him a false sense of security, when in reality, she wants to ensure that “[her] keen knife see not the wound it makes” (1.5.55) on Duncan. As a result, Lady Macbeth is able to let the king into their castle without hesitation, just like a serpent underneath an innocent flower. While her cunningness is a character trait to fear, it is what fuels it that gives Lady Macbeth her power; ambition. Her determination to achieve her goals is heavily emphasized in Macbeth, and it is obvious that nothing can get between her and her …show more content…

Immediately after reading Macbeth’s letter, she recognizes that Macbeth “[should] be / what [he is] promised” (1.5.13–14), and she will do everything it takes for him to become “Greater than both [Glamis and Cawdor], by the all-hail hereafter” (1.5.59). Evidently, Lady Macbeth has a large influence on the plot of William Shakespeare’s Macbeth, greatly affecting the mindset of Macbeth and manipulating him against his true desires through the use of her cunning abilities and her ambitious attitude towards her goals. Without doubt, Lady Macbeth is surely one of the cruellest characters that Macbeth has to

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Thesis: In Macbeth, Shakespeare’s juxtaposition of his characters’ “deepest desires” with their “false face[s]” furthers the motif of deception and treachery, setting the stage for Macbeth’s ultimate regicide. When the audience sees Lady Macbeth act like a traditional hostess despite her murderous desires, her treachery becomes amplified. Before Duncan arrives, Lady Macbeth is seen on stage planning to influence her husband, who is “too full [of the] milk of human kindness,” to change his nature and murder his cousin and king, Duncan (1.5.17).

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Although critics argue that Lady Macbeth was a ruthless character from the start, Shakespeare chooses to have her display actions over time that can be characterized by modern medicine as displaying a mental illness. Right from the start, Lady Macbeth displays a lack of humanity due to her burning passion and ambition to become queen. Through dramatic irony, readers are able to see through her amicability towards King Duncan, characterized by letting him into her own home with open arms, and ultimately, not displaying her true intentions. This passion to gain more power only becomes stronger and stronger over time as she persuades Macbeth to commit murder, even going as far as questioning his “lack of courage” (Jamieson). Once there is an

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Lady Macbeth uses demeaning language to assert dominance over her husband. Lady Macbeth is a willful woman that takes on the role of a male character in the beginning scenes in order to instigate the ambition in her husband. She exploits Macbeth's masculinity when she says, “Glamis thou art, and Cawdor, and shalt be What thou art promised. Yet do I fear thy nature; It is too full o' th' milk of human kindness To catch the nearest way. Thou wouldst be great, Art not without ambition, but without The illness should attend it”(Macbeth, 1.5, 15-20).

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Lady Macbeth has great influence on her husband in this play. Lady Macbeth is a manipulative, ambitious, and determined woman whose sole desire is to make Macbeth the Thane of Cawdor. She does not care about any consequences that may come from her plans. She is too blinded by selfish ambitions to consider the morality of her and Macbeth's intentions. When she is alone, Lady Macbeth embraces her evil thoughts and to the spirits states, "And fill me from the crown to the toe top-full, Of direst cruelty!

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In Shakespeare’s play The Tragedy of Macbeth, Lady Macbeth is very ambitious and manipulative. To begin with, Lady Macbeth shows how ambitious she is when she receives a letter from Macbeth informing her about the prophecies that he received from the three witches. The prophecies stated that he will become the Thane of Cawdor and later the King of Scotland. I her eyes she believes that Macbeth should have more. “Glamis thou art, and Cawdor; and shalt be/ What thou art promised” (1.5.14-15).

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At the beginning of William Shakespeare’s ‘Macbeth’ the protagonist Macbeth is described as ‘brave’, ‘noble’ and ‘honourable’, however Lady Macbeth’s and Macbeths desire for power consumes them. Macbeth’s ambition overrides his conscience and transformed his greatest strength into his greatest weakness. Macbeth’s inability to resist temptations that led him to be greedy for power, Macbeth’s easily manipulative nature which allowed his mind to be swayed, Macbeth having no self control and his excessive pride was what allowed him to renew his previously honourable and celebrated title into one of an evil ‘tyrant’. Macbeth is led by the prophecies of the witches after they foretell he will become the Thane of Cawdor. Not only the witches, but also his wife easily manipulate Macbeth as she attacks his manhood in order to provoke him to act on his desires.

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William Shakespeare portrayed the character Lady Macbeth to be extremely ruthless, malicious and manipulative. Thus, being the reason she could easily convince Macbeth to do her will, yet still put on such a convincing performance in front of those who knew nothing of her and her husband’s actions. Lady Macbeth shows her complexity constantly throughout the story when she shares her view-point on masculinity by demasculinizing her own husband, when she strategically plans the murder of the King Duncan, and finally when she finally goes crazy because of the guilt she possesses for not only her own actions but also turning her own husband into a

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Lady Macbeth plays a key part in driving Macbeth’s motivations and encourages Macbeth to overcome his strong sense of guilt and take action on the prophecies. Lady Macbeth tells Macbeth that he is “green” (I.VII.40) and “a coward” (I.VII.46) and that he resembles the proverbial “poor cat”. (I.VII.48) The willingness of Lady Macbeth to reach the epitome of betrayal is displaced that heightens the understanding of the overpowering and strong nature of Lady Macbeth as well as the deep and murderous motivations she wishes to impose on her husband. Shakespeare exposes to the audience to the persuasive and emotive techniques Lady Macbeth uses to manipulate and drive Macbeth's motivations. This

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Lady Macbeth begging for evilness, proves that she never was evil to begin with. Although Lady Macbeth appears strong and evil through her words, her actions throughout the play demonstrate differently. Lady Macbeth initiates the plan to kill King Duncan and convinces her husband to take part. However, when the time comes, she is unable to bring herself to follow through.

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She is malicious not only in words but also in her intent. Her sole object is to obtain power and wealth, with its attendant treasures. Lady Macbeth lacks humanity and regrets that she was not born as a man. She understands that power and violence are synonymous with manhood and bravery. Additionally, Lady Macbeth interests’ and ambition, override her love for even her husband, Macbeth.

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Throughout most of the play, she is portrayed as powerful and confident, and more daring than Macbeth himself, though this image changes when she shows signs of weakness, resulting in her death.   In Lady Macbeth’s first appearance in the play, Act 1, Scene 7, she behaves in contentious ways that might lead the audience to question her morals. After reading the letter in which Macbeth shares the news, the first words in her soliloquy show her determination and ambition: “Glamis thou art, and Cawdor - and shalt be what thou art promised!” The fact that she states that he shall be what is promised and become king, shows that she is aware of her own strengths and influence over Macbeth.

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As Lady Macbeth continues to hide her “weak” attributes by displaying a stronger shell, she also reveals her sense of ambition. Although Macbeth and Lady Macbeth both seek power, it is obvious that power is what drives Lady Macbeth. From the second she knew about the witches’ prophecies, she made it her goal to become King and Queen. When she creates a plan to murder King Duncan, Macbeth shows he is nervous, Lady Macbeth finds this problematic and asks him to “project a peaceful mood, because if you look troubled, you will arouse suspicion.” (1.5.63-65).

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However, Lady Macbeth’s power depends on her husband’s, due to her disempowerment in the realm of the political. She believes her husband’s political power relies on him conforming to a more masculine identity. In order to convince Macbeth to undertake this transformation, like she did, Lady Macbeth must subvert the stereotypical role of a submissive wife and become domineering. This leads to her exercising power in the only form she can, that is, attacking Macbeth’s masculinity as she states: “When you durst do it, then you were a man; And to be more than what you were, you would Be so much more the man.”

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She is a loyal though misguided wife, not without tenderness and not without conscience. Lady Macbeth’s willingness to sacrifice her femininity exposes her loyalty towards Macbeth. After reading the letter regarding the witch’s prophecies, she decides she must do whatever it take to make Macbeth King: Come you spirits that tend on mortal thoughts, unsex me here, and fill me from the crown to the toe top-full of direst cruelty.

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Celia Beyers Tinti Period 1/5 12 April 2015 Literary Analysis: Macbeth In Shakespeare’s play Macbeth, he presents the character of Lady Macbeth. Lady Macbeth is shown, as a character that schemes into making rebellious plots. She reveals the desire for wanting to lose her feminine qualities in order to be able to gain more masculine ones.

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