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The letter that Laura had written before she hung herself, whit quotes which closer explaining her difficult condition. She was bitten and rapped by her father. Scene 4: We have a picture of the home from the beginning, and Eliza who is burning the house down.
“Anyone can have a child and call themselves “a parent”, is someone who puts that child above their own selfish needs and wants.” How can a parent neglect their own children? Jeannette Wall’s memoir, The Glass Castle tell a mortify, heartbreaking, yet whimsical at sometimes about her childhood. Wall’s go into extensive detail about the struggle she and her sibling faced. Jeannette had a love and hate relationship with her parents.
Compassion in the Camp Night by Elie Wiesel is a story about himself when his family was sent to a concentration camp. He and his family go through life or death situations. Throughout the book, Elie explains the horror of concentration camps and how they affect emotions. In this book,Wiesel shows how relationships change during tough times. One of the relationships that changes is with his father.
I made the mistake of reading the first Little House on the Prairie book once again after finishing the series. It was just so hard to believe that the distinguished Laura Ingalls Wilder was once a naughty five-year-old, always secondary to her flawless older sister. This transformation made me realize that in reality or literature, characters change as they grow. Their change depends on the events taking place in the book, which explains how and why Laura Ingalls rose up to be the head of the family when her older sister was unable to do so. Many literary works portray growth or refinement of certain characters; physically, mentally, or emotionally.
In her memoir, “The Glass Castle” she writes about how she sometimes grew up without things like a place to live, clothes to wear, food on the table, electricity to power the house and keep her warm. In her upbringing, her parents never really supplied her with the things she needs or took very good care of her so she learned how to survive with the little she got. She learns throughout her life that she should never take anything
“Believe in miracles…. Hope is never lost” (Elder Jeffrey R. Holland). Believing that the worst is behind them and that they will come upon a better life is the only way that Jeanette Wall’s family is able to stay afloat. In Jeannette Walls’ memoir The Glass Castle, the symbol of hope is portrayed through a Glass Castle: a real home in which everyone is important and loved.
Lastly, Sarny was unbroken, she learned to tolerate people, and she had the characteristic of understanding. In the novel the author states, “We each live in our own times...best we can”(p.92). Sarny believed that life will not always be fine, but the only we can to is to accept our time and live the best as we could. This shows that Sarny has tolerance to trouble, and the world’s evil. She understands that Miss Laura and herself have different lifestyles, different classes.
Maggie in Alice Walker’s short story “Everyday Use” plays the role of being the nervous and ugly sister of the story, however she is the child with the good heart. Maggie was nervous ashamed of her scars “Maggie was nervous… she will stand hopelessly in corners, homely ashamed of the burn scars down her arms and legs”. Living in a house with a pretty sister and being the ugly sister with scars could be the reason why she picked up on a timid personality, being ‘ashamed’ of her own skin shaping her in a way that she degraded herself from everybody else. Maggie was not this way before the fire, her mother stated, as it is quoted that she had adopted to a certain walk ever since the fire.
Miller is able to instill sadness and pity in her unintended
In Confession of Dorothy Day’s, The Long Loneliness, on pages 9-10 it states, “Going to confession is hard – hard when you have sins to confess, hard when you haven’t… You do not want to make too much of your constant imperfections and venial sins, but you want to drag them out to the light of day as the first step in getting rid of them.” This relates to the CIT question, “What does it mean to be human?” As humans, we all makes mistakes, no one is perfect.
There is a sharp contrast between shame and self-acceptance. One must psychologically determine which they will let dictate their actions. Shame tends to impede one’s own progression of this self-acceptance. This is an apparent feature in Dorothy Allison’s “Trash”, as she navigates between the two interchangeably by giving the reader a taste of her personal life. In this autobiography she allows the reader to delve into the personal and dark times in her life.
She shows her low self-esteem referring to her leg when she tells Jim, “To me it sounded like-thunder!” (The Glass Menagerie 1.7.35-36). Not only does she have low self-esteem, but her self-esteem is so low that she could not handle finishing Business School as she drops out. Through Laura’s small lies to Amanda, her mother, Amanda finds out and explains while quoting Laura’s teacher, “ And she said, “….. The first time we gave a speed-test, she broke down completely- was sick at the stomach and almost had to be carried into the wash-room!...”.”
A Psychoanalytical Approach to A Doll’s House Sigmund Freud, a well known psychologist, argues that childhood experience influences adult life in the pursuit of happiness. Henrik Ibsen’s A Doll’s House is a prime example of Freud’s theory as the protagonist, Nora, regresses to her past childlike habits of happiness within a voiceless marriage. Nora is limited to mental developmental growth because she is fixated in an adolescent state. In order for Nora to truly find her identity in the end, her illusions of happiness must be shattered.
Henrik Ibsen’s A Doll’s House is a play set in 19th century Norway, when women’s rights were restricted and social appearance was more important than equality and true identity. In A Doll’s House, Nora represents 19th century women entrapped by society to fulfill wifely and motherly obligations, unable to articulate or express their own feelings and desires. Ibsen uses Nora’s characterization, developed through her interactions with others as well as her personal deliberations and independent actions, language and structure in order to portray Nora’s movement from dependence to independence, gaining sovereignty from the control of her selfish husband, deceitful marriage and the strict social guidelines of morality in 19th century Norway. Initially, Nora appears to be a dependent, naïve, and childlike character; yet, as the play unfolds, she appears to be a strong, independent woman who is willing to make sacrifices for those she cares about as well as herself.
In Katherine Mansfield’s “The Doll’s House” there is a much bigger story then what is being told. There is a lesson that can be learned by reading this story. Being prejudice isn’t always about people who are different colors or of different races, it can also be about people who are rich and people who are poor. People who have more money can be negative towards people who are not as well off, and people who have finer things and more money can have a negative personality, also Kezia appears to be a young girl with a still pure soul.
