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During Jeanne’s stay at Manzanar, she had first handily experienced her first meal, which then made a big impact during her stay at Manzanar. She was given apricots over her rice, something that was out of her cultural norm which is why it had impacted her stay at Manzanar. Traditionally, the author explains that rice is to be served with savory or salty food, but she was given apricots instead. This can be assumed that her own culture consisted of a different cuisine, and to receive something outside of that, would have given her a feeling of disgust and unease at Manzanar. Jeanne had also implied how she felt horrified when she had and wanted to comment, but her mom had prevented her from doing so.
Uncovering Deeper Meaning in Andre Dubus’ “The Fat Girl” In the critical period of forming her identity, Louise battles with her obesity. Criticism from her family and friends cause her to question her body image and consequently, her self worth. Louise is not the only adolescent to struggle with her appearance; with his depiction of her transformation, Andre Dubus addresses those whose view of themselves is marred by society. After years of her weight and emotions fluctuating, Louise realizes a deeper change. Through Louise’s journey, Dubus communicates that the power to change oneself emanates from one’s self control and ability to surpass societal pressure.
She could have choose other options and consider the fact that she was involved with Joe before committing to Spunk. Her inability to sacrifice was shown when she said nothing standing next to Spunk as Joe plead his love for her, “‘Lena, ain’t I yo’ husband?’” (Locke, “The Harlem Renaissance”). Lena was determined to have things the way she wanted. She refused to leave her house as Spunk advised, but didn’t want to struggle financially with her husband.
LENAS CHANGE OF ATTITUDE The attitude of Lena about the system changed a lot since she started seeing Alex. In the beginning she was clearly a follower of the governments system because in the book the author describes how Lena could not wait for the cure and be finally safe. But as soon as she became close to Alex she got infected and started to do illegal things. Before she met him she would never have gone into the wild and do illegal things like passing the fence and going to the wilds or even lie to her aunt just so that she is able to see her boyfriend.
Tan that despite its evident differences to Cofer’s memoir is discussing the same trials ethnic, culturally diverse people experience. On page 881, Cofer recounts her first public poetry reading where an older woman mistook the Puerto Rican author for a waitress that ignites passion to the reading, “her lowered eyes told me that she was embarrassed,” [4] at the sheer power and conviction of Cofer enforcing that she is an educated Latin woman that deserves respect for her identity. While academically Tan’s teachers would always direct her to STEM subjects as viable career options which contradict the author's passion for writing despite not being on-par with the typical standard of what’s expected of a Chinese-American girl. However, what sets both pieces apart is that Tan does this examination through her mother and her own experiences as Chinese-Americans, while Cofer’s memoir encapsulates her own struggles that intertwine with the vast Latin woman’s
The food is a part of the Wah’s family culture that not only keeps them connected to their roots, but more importantly, to one
For instance, her famous novel ‘The Joy Luck Club’ depicts the Chinese mother and her American daughter relationship where they go through various circumstances trying to understand each other including the evolvement that comes in their relationships as the daughters know more about their mother’s life stories. Secondly, Tan considers the theme of identity in terms of Chinese immigrants and their life experiences as an immigrant in the United States. She reveals how the children born to the immigrants strive in an environment which is a mixture of American and Chinese influence. Moreover, Tan is found to have explored identity issues through her fictive creations and tackled the issue of authorial identity (Becnel, 2010). Similarly, romantic love is another subject included in the literary artworks of Amy Tan which considers the relationships and romance an important aspect of human’s life.
In her novel, The Joy Luck Club, Amy Tan focuses on the fact that the bond between a mother and daughter can overcome any ethnic barrier. Despite there being many disagreements and arguments about the ways to live their lives, Tan defies this issue by creating a bond that is unbreakable even though the experienced different upbringings. Certain disagreements keep the novel interesting and create a conflict depicting the problems stemming from this barrier. Through her use of similes, metaphors, and flashbacks, Tan shows how the bond between a mother and daughter can withstand even the strongest cultural differences.
Lena is a caring woman who loves her family. She is understanding of the problems of others, and can look past their mistakes no matter the gravity of what they've done. Even though both of her children are grown adults, she still has the motherly drive to protect them as if they were still young children.
The line on the wall is not always clear. The vast majority of people like to think they will stand against the masses if they believe they are right, unfortunately this is far from the truth. Asch wanted to investigate what drove people to act the way they do in group settings, like in the concentration camps of Nazi Germany. Asch took a simplistic approach looking at what drove the need to conform and follow directions. He proves with his conformity experiment, just how completely our need to follow the crowd is, we are driven by the masses and our need to conform to the group standards of behavior.
Since her husband died she has taken charge. In every decision she makes she shows how much she cares about her family and puts them first. After her husband unexpectedly died the dreams he had for his family were placed into her hands and sprouted from there. Lena is very caring supportive, not only of her kids and
Lena describes her mother as being very timid and apathetic to her circumstances, especially after she loses a baby. Although she is always technically around, Ying-Ying is a very absent mother to Lena. Lena realizes this upon observing the life of her neighbor, a girl about her age named Teresa, who comes from a loud Italian family. Lena believes that Teresa’s mother is going to kill her, as they are always yelling at each other. However, upon talking to Teresa, Lena finds out that they yell at each other so much because Teresa can be reckless, and her mother cares about her well being.
Mama's Famous Loaf Bread and Terrific Risotto Food is ubiquitous. Every individual requires its nutrients to live their lives. It chemically provides the human body with the needed glucose in order to convert ATP to useable energy in cells. This means a person literally cannot live without it.
While both sex and sibling behavioral issues aren’t often related to cooking, both Elaine Magarrell and Sally Croft are able to integrate these themes into their poems. In both of the poems “The Joy of Cooking”, by Elaine Magarrell, and “Home Baked Bread”, by Sally Croft, the authors use different types of imagery and figurative language in order to convey a completely different idea through the art of cooking. Both authors use rather explicit ideas and themes in their writing, and use remarkable figurative language and imagery in order to convey their themes. The poem “Home-Baked Bread” is an obvious play on words.
Lily Wong, in her article about food, entitled “Eating the Hyphen,” states, “Perhaps this combination (ketchup and dumplings) has something to do with the fact that since both my parents grew up in the States, we’ve embraced many American traditions while abandoning or significantly modifying many Chinese ones” (95). Wong expresses how being a Chinese American has affected her life in a positive way. Wong eats some of her food Americanized, with ketchup, but also eats food that the majority of American’s would not touch (i.e. jellyfish and sea cucumber). Comparatively, Wong eats dumplings (which derive from the Chinese culture) with a fork, knife, and ketchup (which are all culturally American). Geeta Kothari, who wrote the article, If You Are What You Eat, Then What Am I?