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Loss Of Innocence In Frankenstein

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. Additionally sensing the thought of being unwanted due to the fact that he was unsuited to live in the community because society believed he was gruesome and ruthless was in volume II, chapter VIII when finally conversing with a human whom wasn’t his flawed creator. When greeted genuinely with the old blind man “de Lacey” living in a cottage he did not arbitrate the monsters appearance for the reason that of his disabilities but was pleased with the monster’s soothing verbal communication. Rather he was willing to be hospitable to the monster’s need that he thought was a “human creature”. (94) This made the monster feel secured and trusted by the old man. He felt that he would be treated equally, as a human; he also felt that he would fit …show more content…

The monster could have shred him limb from limb, as creatures would do, however he refrained because he of his strength and capabilities which can kill a human, and his motives were never to commit a hateful crime, but developing communications and relationship with them therefore he escaped from the cottage. Moreover his determination of gaining acceptance and his fascinating persona will not be visible to anyone’s eyes due to his despicable exterior. The monster enters as Brooks said the “ Social chain” (377) where first he was thought he was accepted and admired not by a dangerous, horrid beast, but a timid, and peace like creature that did not have anywhere to go. He wonders to act as human, but society would not accept that, everywhere he witnesses is full of happiness, however excluded to take part of it In the Peter Brook’s essay he made the effort into capturing the reader’s attention that Frankenstein creation very opposite of what humans believe to describe what a monster is. A monster is born as a vicious savage, with no development and nurture to shape them thus being brutal to kill anything with no

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Throughout the story Frankenstein’s monster is on a search for love and acceptance from his creator and society. When the monster is brought to life he is abandoned by his creator because he is deformed and hideous. So he pursues his creator for love and acceptance, yet he also searches for those things in the society he observes around him.

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Frankenstein’s Monster is not categorized as evil by his malicious behavior and is sympathized with due to his creator abandoning him and the role of nature versus nurture taken place II. Monster’s Nature and alienation A. Monster originally had an inquisitive nature yet gentle nature a. Information on the German family was “each interesting and wonderful to one so utterly inexperienced as [he] was” (105) B. With the rejection and alienation from society, the only interactions the monster experiences, he becomes full of hatred a. Rejected by De Lacey family by his looks and labeled a monster b. Tries to save a child but is shot by child’s father C. Reader may feel sympathy towards the Monster’s actions because the readers know that his true nature was not evil and he was misjudged III.

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From the moment the Monster is created by Victor, he is treated as an outsider and is excluded from participtating in communal interaction. Despite the neglect he faces, the monster continues to attempt to integrate himself fully into human acknowledgement, but when anyone lays sight on the creature, he is immediately shunned and falls into outcast status. However, the only character that accepts the monster wholly is De Lacey, a blind old man who lives in the forest all by himself, who is also shunned by society, particularly his family, who has had similar experiences to the monster. De Lacey’s blindness is a blight on his family, drawing comparisons to how the moster’s

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The monster was innocent, born with a blank state of emotions. But unlike a newborn the monster was already physically developed and emotionally evolved very quickly. From the start when he interacted with humans he was met with scorn and rejection this included his own creator. Due to this the emotion of loneliness is planted at the very start of his life and would stay with him to the end. He experiences emotional development when ever he has interactions with humans for example, he came to the love the cottage dwellers shown when he stated “Now allow me to the return to the story of the cottagers, whose stories excited in me such various feelings of indignation, delight and wonder, but which all terminated in additional love and reverence for my protectors (for so I loved, in an innocent, half painful self deceit to call them)”

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The old man didn 't judge him for having no friends or for being unable to see him, but instead said “Do not despair. To be friendless is indeed to be unfortunate; but the hearts of men are full of brotherly love and charity."(105) This encouraged the creature to take more action by asking him and his family to be friends, but since the creature was only seen "monster" because of his appearance, the couple had begun to punch him, where he started to dash out of the cottage and was overcome with pain. This shows that the creature is only judge as not being a human, but if you stop to think and hear him, he is close enough to becoming a human being with his knowledge and

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The novel Frankenstein outlines the loss of innocence best through two characters, Frankenstein and his monster. Innocent characters would have lived and the monster would have never wanted revenge if Frankenstein had not rejected him. When Frankenstein lost his innocence, the family and friends in his hometown became endangered. Frankenstein losing his innocence also resulted in the creation of a monster, whom took his anger out on the people Frankenstein loved. The downfall of Victor Frankenstein resulted in the destruction of his own creation and the deaths of innocent people he held close to his heart.

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Mary Shelley’s Frankenstein indulges within the dark depths of Victor’s world, yet fails to feature the rest of the Frankenstein family more specifically Ernest. It is safe to believe that the novel’s audience will unlikely recognize or even acknowledge the existence of Ernest throughout the novel. Regardless, there is a questioning aura concerning Ernest, and Mary Shelley's use of “conspicuous absence” through his character. Within the two-hundred and seventy seven pages of the intriguing Frankenstein the name Ernest is mentioned a whooping thirteen times throughout the entire novel. It would seem that as Victor began to detach himself from his family, so did the existence of those most irrelevant to him at the time, such as his middle brother.

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He tried many times to feel included with the people, but it got him no where. He then began living in the backyard of the De Lacey family,where he stalked them to sudy and see how they live in their house and seen how secure and happy they were. One day he gives up hiding and waits unil the children left so he could try to talk to the old man living there with the others. It was going good and the monster was feeling happy for once because he was being heard and not scarred off, but the man was blind so it was just honesty from him.

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The Monsters innocence seems to be already pre-determined that it will be lost because of Victor. When the monster was first created or born, he can be compared to a human baby. The monster like a baby, being very dependent and unknowledgeable. His views of the world were already negatively skewed because of the actions of his creator. The Monster just thirsty for love, like the love given by a parent, is instead unfortunately plagued with isolation.

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This monster also shows that he has similar cognitive abilities as man when he found delight in knowledge. This knowledge lead to him reflecting upon the nature of man, as well as the meaning of his existence (85). In many ways such as these the monster is the same as any other person, however the monster differs in that he is the first of his kind and has been continuously rejected. Unlike a normal human this monster didn’t have to physically grow up, but he did have to learn the ways of survival. Where we usually have a parent or somebody to teach us, this monster was left alone to fend for himself.

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After his birth, the creature's genetically advanced survival instinct allowed him to gain a clear thought process almost spontaneously. This draws an insight that the monster was able to learn the morals of life himself. While one might believe that since he was independent with no parent figure, the monster was unable to learn what was morally correct. However, while living in close quarters with a cottage family in a rural area, the monster learns a sense of delight as “the trait of kindness moves [him] sensibly” after closely watching the every move of his new neighbors (99). This illustrates that using the absence of his father is not an excuse for the monster to commit heinous crimes as he was initially exposed to the warmhearted family.

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1025 Words | 5 Pages

I did not yet entirely know the fatal effects of this miserable deformity”(80). The monster is desperate for society connection, he's desperate for the love and warmth of people and when he experiences the trauma of rejection countless times he becomes vengeful and shows his hatred towards the world of men. For instance when the monster grows love for the people he watched in the cottage, he attempts to make friends with the blind father, who, in the monster's advantage, cant see his ugliness rather just to hear his kind words of plead for acceptance. Shelly wrote, “I formed in my imagination a thousand pictures of presenting myself to them, and their reception of me. I imagined that they would be disgusted, until, by my gentle demeanor and conciliating words”(81).

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“Many people who’ve never read Frankenstein know of Victor Frankenstein’s creature as one of the most famous monsters in literary history. Adaptations of the novel have contributed to this misinterpretation by portraying the monster as a horrifying character who provokes fear. However, part of what makes Mary Shelley’s novel such an impressive accomplishment is her ability to portray the monster as multi-dimensional and complex. The monster is responsible for many violent actions throughout the novel. He is also legitimately frightening and grotesque because of his enormous size and composition from parts taken from corpses.

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The monster depicts his otherness when he wonders: “Was I, then, a monster, a blot upon the earth, from which all men fled and whom all men disowned” (Shelley 85). The monster evidently remains in isolation and is dehumanized. The monster attempts to get integrated into his society but his appearance and lack of social skills hinder his success. The monster strives to be accepted but is incapable of acceptance. The monster reiterates this feeling of isolation as he says: “I felt as if I were placed under a ban- as if I had no right to claim their sympathies – as if never more might I enjoy companionship with them” (Shelley 108).

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Frankenstein’s creature initially shows no signs of ill will or malice when first encountering human beings (Shelley 72-73). On the contrary, through careful observation he is able to learn more about human society and personal relationships. He begins to admire the close connection between the people he observes and respects their virtue. This, however, makes him realise what he is missing. Observing the love and affection between others only increases the effect his own solitude has on him.

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