ipl-logo

Man With A Movie Camera Analysis

599 Words3 Pages

Editing and Cinematography Analysis
Introduction
The selected movie for this analysis is the "Man With a Movie Camera" produced by Vertov, 1928. The film presents a man traveling around the city with his camera and capturing different scenes. The man carries the camera over his shoulder and seems to document the life people are leading the urban area. Looking at the movie, we can see the camera man shooting but there is no one footage of what he was capturing is presented in the film. It shows that during the production of the "Man With a Movie Camera" movie, editing and cinematography were useful techniques that contributed to coming up with a meaningful film. Some sequences depict the use of cinematography and editing by Vertov during the making of the movie. The essay utilizes a selected sequence from the movie to discuss the editing and as applied by the producer Vertov. Specifically, the article explains the intended effect of the editing, as well as cinematography, is on the scene.
The selected sequence
One of the compelling sequences from the film appears after playing of the orchestra. Here, the film shows a series of different events that are unrelated. For example, after playing the band, the movie presents a portrait of two people followed by still pictures. A person sleeping on a bench, …show more content…

Through publishing these pieces of different shots to create a series, I think Vertov wanted to present the effect of making the audience understand the difference between a narrative film and a database movie. The notion that the "Man With a Movie Camera" is not a theoretical film emerges as it does not have a basis on a traditional story line. The editing of the database shots also served to change the view of films as not only based on traditional narratives commonly known to be comfortable when

Show More
Related

Citizen Kane's Citizen Kane: The Classic Hollywood Industry

389 Words | 2 Pages

There are many things that make “Citizen Kane” considered as possibly one of the greatest films every made; to the eyes of the passive audience this film may not seem the most amazing, most people being accustomed to the classical Hollywood style, but to the audience with an eye for the complex, “Citizen Kane” breaks the traditional Hollywood mold and forges its own path for the better. Exposition is one of the most key features of a film, it’s meant introduce important characters and give the audience relevant details and and dutifully suppress knowledge in turn. “Citizen Kane” does not follow this Classic Hollywood style exposition, instead going above and beyond to open the film with revealing as little information as possible and confuse/intrigue

Read More

Mise En Scene In A Voyage To The Moon

1562 Words | 7 Pages

In this paper I hypothesize that A Voyage to the Moon was most innovative in cinematography and editing. Although mise en-scene was the main focus of the film, I hypothesize that mise en scene wasn’t as innovative as the other two. As mentioned earlier, mise en scene made A Voyage to the Moon easy to understand and follow along. In the first scene of the film, this power

Read More

Casablanca Cinematography Analysis

697 Words | 3 Pages

Cinematography is critical to the success of any movie. Cinematography uses composition, lighting, depth of field, and camera angles to determine what the audience sees. Casablanca’s cinematography directs the audience’s attention, shapes the audiences feelings, and reveals the theme of the movie. Cinematography directs the audience’s attention and acts as the viewer’s eyes. The cinematography highlights Casablanca as a dangerous place filled with deception.

Read More

Cinematography In Raging Bull

1097 Words | 5 Pages

“Raging Bull” displays great work of cinematography which basically means the art of making motion pictures. Its the recording of light that

Read More

What Makes An American Film Intolerance By D. W. Kuleshov

232 Words | 1 Pages

For Kuleshov the essence of the cinema was editing, the juxtaposition of one shot paired with another. To illustrate this principle he came up with what we know today as the ‘Kuleshov experiment’. This led Kuleshov to experiment with making his own short film (The Expressionless), he took an image of a man

Read More

Singin In The Rain Editing Analysis

1847 Words | 8 Pages

This essay will discuss the uses, strategies and the meanings that are generated by editing in cinema. The films that this essay will be focusing on are Psycho and Singin’ in the Rain. Both of these films are very different to each other and therefore use editing in varying ways in order to give the audience a different perception of the characters as well as the setting that these characters are involved in. Psycho focuses on building suspense for the audience throughout the film using editing, camera work and sound. This essay will be primarily focusing on editing with the discussion of camerawork where relevant.

Read More

Aesthetic Of Astonishment Analysis

1441 Words | 6 Pages

In “Aesthetic of Astonishment” essay, Gunning argues how people first saw cinema, and how they are amazed with the moving picture for the first time, and were not only amazed by the technological aspect, but also the experience of how the introduction of movies have changed the way people perceive the reality in a completely different way. Gunning states that “The astonishment derives from a magical metamorphosis rather than a seamless reproduction of reality”(118). He uses the myth of how the sacred audience run out the theater in terror when they first saw the Lumiere Brother Arrival of the train. However, Gunning does not really care how hysterical their reaction is, even saying that he have doubts on what actually happened that day, as for him it the significance lied on the incidence--that is, the triggering of the audience’s reaction and its subsequence results, and not the actual reactions and their extent. It is this incident, due to the confusion of the audience’s cognition caused by new technology, that serves as a significant milestone in film history which triggered in the industry and the fascination with film, which to this day allows cinema to manipulate and

Read More

Rashomon And Citizen Kane Analysis

2098 Words | 9 Pages

Two films, although created years apart yet have a lot in common, including their content of it’s narrative techniques. Both films, even though black and white with strokes of genius of cinema offer a vast stretch for study. I will be looking at Sir Orson Welles “Citizen Kane” (1941) and Akira Kurosawa’s “Rashomon” (1950). We see in Citizen Kane he values for the American life. The three abstract themes that constantly follow through Citizen Kane are Wealth, Power and Love.

Read More

Auteur Theory Essay

2178 Words | 9 Pages

Mise-en-scene is often cited as one of the most important indicator in a film of the director’s personality. It is the way how the director control and create his individuality into his own film through expressive cutting skills, camera movements, slow or face pacing, the direction of the characters and their placement in the film and decorations, the angle and distance of the camera, and even the content of the shot. Nowadays audience would observe and detect the mise-en-scene of the film as a way to determine or indicate whether the film is directed by the same particular person. On the other hand, Almodovar film’s normally can be spotted easily for its striking mise-en-scene, its bold attractive colors and glossy decorations. He also sometimes may uses unusual and shaky camera angles, specially costumed made outfits and his prevalent uses of LGBT themes in the film.

Read More

Tom Gunning's The Great Train Robbery

687 Words | 3 Pages

Instead of depicting the story development gradually like most modern films do, it only captures the most essential plots, making the pace much faster and more intense, thus successfully catches the spectators’ attention and arouses their emotions. Additionally, this film applied innovative techniques including on-site shooting and frequent camera movements, rather than fixed position shooting, thus breaking the traditional stage drama restrictions. The style of the whole film style is compact, and montage editing techniques also contribute to the construction of atmosphere. This film is a great success in the cinematic history and an great example explaining the concept of “cinema of

Read More

Cinema In The 20th Century: Mise-En-Scene Analysis

792 Words | 4 Pages

Cinema in the early 20th century evolved in many ways. The addition of sound, the development of the Production Code Administration to view films before release, and the development of many new and exciting modernizations in how cinema was produced, viewed, and discussed. In the mid 20th century the motion picture Citizen Kane challenged the traditional narrative and technical elements of classic Hollywood cinema. Citizen Kane challenged the traditional narrative by use of story telling and flashback as well as new technical elements such as the use of deep focus, also known as Mise-en-Scène, to shoot many scenes within the film and the wipe motion to change scenes within the film (Barsam & Monahan, 2013).

Read More

Comparative Analysis Of Dziga Vertov's Man

2150 Words | 9 Pages

Elizaveta Samodurova Professor Joseph Dorman History of Documentary
November 25 2014 Comparative Analysis of Dziga Vertov’s Man with a Movie Camera and Walter Ruttman’s Berlin: Symphony of a City The heavily planned and edited footage of what we call reality television today has a very humble predecessor which truly attempted to capture the daily life of humans, substituting a rehearsed plot line for the purity and chaos which is inherent to human life. City symphonies placed themselves within the world of cinema as an attempt to recreate the essence of city life through kaleidoscopal glimpses of the daily life of its inhabitants, resembling a musical symphony through its structure as a visual composition of so many different elements.

Read More

A Man With A Movie Camera Analysis

2638 Words | 11 Pages

In the article, Eisenstein: ‘Intellectual Montage’, Poststructuralism, and Ideology’ written by Jason Lindop, he explains that montage can be seen as ‘a central concern in these works us how a series of images can, when correctly composed by the filmmaker and then interrupted by the viewer, produce and abstract concept not strictly present in each of the composite images.’ (Lindop, 2007). Intellectual montage is when we see different images that are different to each other but can be connected in the conveying of meaning and a metaphor that can be visually seen. In another article written about A Man with a Movie Camera, Eisenstein states its ‘different forms ‘Cinema of Attraction’ and experimented with a form of film editing which attempted to produce the greatest emotional response in a viewer by conflicting two different shots side created by juxtaposition.’ (“Man with the…”,

Read More

The Ontology Of The Photographic Image Analysis

1223 Words | 5 Pages

Film takes photography to another level. Film, or the cinema “is objectivity in time.” For the first time with film “the image of things is likewise the image of their duration, change mummified as it were”. Bazin argues "only the impassive lens, stripping its object of all those ways of seeing it, those piled- up preconceptions, that spiritual dust and grime with which my eyes have covered it, are able to present it in all its virginal purity to my attention and consequently to my love.

Read More

Essay On Documentary Film

912 Words | 4 Pages

Documentary filmmakers strive to capture the real in their documentary films – a convention used by both fiction and non-fiction films to immerse their audiences into the issue. There are a few common methods used by filmmakers to capture the real, all stemming from Dziga Vertov’s theory of Kino Pravda, which explores the idea of truth in films. Realism is important to filmmaking as it helps question the relation of a film to reality. More often than not, our disbelief are suspended the moment we are exposed to a documentary, and we believe what we see much more easily than when watching, say, a movie or television program. A documentary’s main concern is to present a film taken from reality, and to show that reality to audiences as closely as possible.

Read More

More about Man With A Movie Camera Analysis

Related Topics

Open Document