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Maniera Greca Analysis

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The term Maniera Greca refers to the Italo-Byzantine style. Works of art of this style are often formal, flat and highly stylized. The most important figures are located in the front and are elongated and unnaturally drawn over a golden background. Among the artists who adopted this style is Cimabue, who painted the Santa Trinita Madonna for the main altar of the Church of Santa Trinita in Firenze and coincidentally brought this style to its highest refinement. The Santa Trinita Madonna painting is symmetrical with divine, enthroned Madonna and Child located at the center, surrounded by angels and drawn over a group of prophets. The Byzantine tradition often involved the figures being stacked unnaturally on the sides of the throne
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The di Credi's "Madonna and Child" (c. 1500) image is one of the earliest Florentine panel paints, known to have been produced with a paint medium that comprises of oil for color pigments. This method of painting, supposedly, appeared first in the northern painting in the first half of the 15th century which spread quickly until his time. This painting technique was first adopted in Italian who developed it up to the mark. Florentine type of depiction spread widely due to the painting. Its popularity among the masses can be understood by the fact that the image has been used by most religious foundation in expression of Jesus and His mother Marry during the child’s tender age (Gelfand, 2000).

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Prior to the Renaissance, art was centered around religion and biblical figures, but as patrons began to become more common, the norm for art began to shift. “Madonna Enthroned Between Two Angels,” by Duccio di Buoninsegna, as shown in Document A, depicts Mary holding a baby Jesus. The unproportionate and dull colors of the painting

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actin influences are held in check by opposing forces,” has two categories: symmetry or asymmetry. Giacometti’s piece displays symmetric balance because if the figure were cut in half where the middle man is, both sides would look alike. Symmetrical balance is defined as, “the near or exact matching of left and right sides of a three-dimensional form or a two-dimensional composition,” a definition which exactly fits The Three Walking Men. Along with balance, The Three Walking Men also has the design principle of repetition. Repetition is usually used in art to express a sense of unity making the art more visually appealing.

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4) is another outstanding example of Raphael’s Roman portraits. At the centre of this harmonious composition Raphael adds a curious psychological note in the melancholy eyes that illuminate the cardinal’s pallid and exhausted countenance. The portrait has been drawn in accordance with Leonardo’s opinion that portraits can be drawn best with a dark background. A reference to dark backgrounds may remind the reader of Raphael’s Florentine period under the influence of Leonardo when he produced “Granduca Madonna” (fig. 5), the masterpiece where he was able to draw exquisite rhythmical modulations out of the motionless simplicity of the design. Giorgio Vasari noted that Raphael excelled in creating effects of drapery folds disappearing into shadows and coming forward into light, and that he knew how to relate the colours of drapery to the flesh tones so that semi-nude figures did not seem cut into two.

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Madonna del Magnificat was created by Botticelli in the early 1480s. It is said to be one of the most famous paintings of the Madonna during his time because of the five contemporary replicas which were created. The painting was covered with gold paint and if you see it in person the figures appear to be life size. The virgin which is slightly almost at the center of the painting is crowned by two angels and is depicted as the queen of heaven. Two wingless angels are crowning her.

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This painting was framed around the Christian Religion, and has an emphasis on

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Madonna and child are amongst the most popular yet controversial topics in the Christian art. Most of the pieces of art done on this topic usually have Mary and Jesus either surrounded by angels or saints who pay respect to them. It is an important figure in Catholicism as it reminds the believers about their faith. Both the two artworks were done during the Renaissance period with Madonna and child with the two angels being done around 1465 while Madonna and child with the saints being done around 1505.

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Comparing both of the paintings, Cimabue is the first Italian painter that created the Renaissance style of the Virgin and Child Enthroned in Florence, Italy in 1280 which was twelve feet tall and was created with a wood panel and gold. The gold was flattened and glued down onto the painting. The gold that was all over the painting

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