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'Martyrdom of Saints Perpetua and Felicitas' summary
'Martyrdom of Saints Perpetua and Felicitas' summary
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'Martyrdom of Saints Perpetua and Felicitas' summary
'Martyrdom of Saints Perpetua and Felicitas' summary
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She uses Roman literature, to find more information about the ruling classes. The chapter goes through the jobs women held and how they varied by social status. The final chapter of the book reviews the effects of Religion on Roman women. It relates the topic to modern day Italian customs today.
The works of Q. Lucretius Vespillo's "The Prasie of Turia" and Livy's "The Rape of Lucretia" are two literary documents that allow modern historians a glimpse into the values surrounding the femininity of the Roman Republic. During the Roman Republic, the traditional female virtues in the Roman Republic were to remain chaste and modest to protect their household's reputation. Q. Lucretius Vespillo's Q. Lucretius Vespillo best illustrates this ideology when he declares in his wife Turia's eulogy that "while you were engaged in these things, having secured punishment of the guility, you immediately left your own house in order to guard your modesty, and you came to my mother's house, where you awaited my return" ("The Praise of Turia," p. 376).
In this paper I will argue that the text was intended for Christians instead of the Romans based on the way Perpetua is praised in the text and how Perpetua’s disobedience towards her father who was the paterfamilias was most shocking to the Romans. Essentially this autobiography was written for Christian’s, particularly for those who were or later
Baldassare Castiglione wrote about how a woman's sole purpose is to amuse and entertain men (3). Castiglione’s ideas reflect the patronizing attitude towards men that was seen throughout the era. This book is a reliable source because it is aimed at women seeking to become the proper lady as it gives advice on how to achieve that status, while showing historical truth because the author genuinely wants all women to behave in this manner. John Knox attacked women in positions of power by saying that they are cruel, weak, and insulting to God (5). This idea is not an uncommon one as female leaders were continually mocked throughout history.
“…they found Lucretia still in the main hall of her home, bent over her spinning and surrounded by her maids as they worked by lamplight. Lucretia was the clear winner of the contest. She graciously welcomed her husband and the Tarquins as they approached.” (Livy Lucretia, 2). In this account, we find the pedestal example of what a Roman women ought to be.
It represented typical behavior that one finds in that period. In Johnathan W. Zophy’s text, “A Short History of Renaissance and Reformation Europe: Dances Over Fire and Ice”, he discusses at length the Italian Renaissance. For example, he writes, “the age started with females generally subordinated to males and restricted by law and custom” (Zophy 3). This way of live was set in in motion, women were to serve their husband and daughters listened to their fathers. At this point, it is fair to question the relationship between men and women.
Throughout his “Divine Comedy,” Dante Alighieri encounters with two women, who are antithetical to one another in terms of their roles in the context of love. These two women; Francesca di Rimini and Beatrice, have similar emotional experiences since both have relationships outside marriage; yet, they have different roles when Dante explores the notion of love. The reader meets Francesca in Inferno, while meets Beatrice in Paradiso. In other words, one of them is being punished, whereas the other woman is placed at a divine level. Thus, the female characters within the poem represents two distinct roles of women: either as a pure and holy being, or as a sinful entity.
Women in The Decameron are portrayed as being more long-suffering and more independent than men. Although it does not apply to all the female characters, Boccaccio demonstrates that women can endure difficulty easier than men do. Basically women do not have the enough power to overcome the whole problem that they tolerate hardship. The Bible, however, asserts on the equality of gender on the matter of patience.
Throughout his “Divine Comedy,” Dante Alighieri encounters with two women, who are antithetical to one another in terms of their roles in the context of love. These two women; Francesca di Rimini and Beatrice, have similar emotional experiences since both have relationships outside marriage; yet, they have different roles when Dante explores the notion of love. The reader meets the first woman, Francesca, in Inferno, while meets the second, Beatrice, in Paradiso. In other words, one of them is being punished, whereas the other woman holds divine position. Thus, the female characters within the poem represents two distinct roles of women: either as a pure and holy being, or as a sinful entity.
As Simone de Beauvoir said that '' one is not born, but rather becomes, a woman''. As we can see, in this periods, male-dominated authorities rendered/defined women in a way how they want for their own interests. Briefly, women were defined/created by men rather than nature which in turn creates a critical question that is what was the women in Early Modern Europe? Wives, mother, daughter, sister; nun, heretic, saint, witch, bitch; queen, martyr, seeker and so forth.
Different societies view women in different lights. Therefore, a woman’s position is greatly different from one society to the other. The societies in question do not necessarily have to exist at the same time. Even in the same time frame, two societies could exist, where one treat women as equals to men, and another that treats women differently than men, whether better or worse. The societies in question are: Mesopotamia, Greece, China, Rome & Europe, and this essay aims to study different societies’ viewpoints on women, and to compare and contrast them against each other.
During the Roman Republic and Roman Empire, women were restricted to domestic life in a male-dominated society. Egypt’s capital, Alexandria, formally passed into Roman rule in 80BC , and was the greatest of the Roman provincial capitals, with a population of 300,000. In comparison, the Italian city of Pompeii had a population of only 20,000. To examine the role of women in Roman society, I will need to investigate the literature that survived from the period. This essay will compare and contrast the role of women in Alexandria and Pompeii.
In the essay, "Did Women have a Renaissance?”, Joan Kelly-Gadol, presents a feminist insight into women's role in society during the Renaissance and how women did not have a Renaissance. While Margaret L. King, who wrote, “Women and High Power”, offers the roles of women and learning from 1300-1800 and argues that women did . The question of, “did women benefit from the Renaissance?”, is an extremely loaded question. Like every argument or question there are two sides to every story. One way, like Margaret L. King to look at this argument is that women experienced the Renaissance just like men did.
Psychology of Religious Martyrdom Another incomprehensible act happen again. Twenty-two young children and teenagers were out enjoying an Ariana Grande concert, singing and dancing along with her. Then their lives were abruptly cut short by a young man around their same age. Detonating a sophisticated bomb in a crowded public event, taking his own life along with 22 others.(CB,Pg6) When most people hear the term martyrs they think of crazy, uneducated, and poor psychopathic men out for blood, however it is quite the opposite.
The Young Martyr, a painting by French painter Paul Delaroche, is currently housed in the Musee de Louvre in Paris, France. It was finished in 1855 and was painted during the Romanticism era. Although it is not as famous as the Mona Lisa, it is still a beautifully done oil painting that continues to enchant museum visitors. After the French Revolution in 1789, everything about society in Europe was changing.