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Essay on photographers
Essay on photographers
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More handpicked essays just for you.
Essay on photographers
Essay on photographers
Don’t take our word for it - see why 10 million students trust us with their essay needs.
There's an old saying that says; “A picture is worth a million words.” Photography is an important
Similarly, Susan Sontag’s On Photography provides a modern version of Plato’s teachings, prompting the audience the question the candidness of photographs. Her essay discusses how photography limits one’s understanding of the world, and she strengthens her argument through the use of rhetorical devices. Sontag demonstrates a thoughtful tone, which enhances her credibility. At the beginning of the passage, she acknowledges the importance of photos in preserving culture and their irreplaceable role in society.
John Wolseley and Andy Goldsworthy are two contemporary artist, displaying similarities as well as differences between their artworks, in particular, Wolseley’s artwork ‘Camel Gate, Border Track’ and Goldsworthy’s ‘Rowan Leaves’. Both the artists have their own style to present their artwork but still while analysing the two artworks, not only differences but also similarities, such as those in the structural frame, materials, and processes of production along with symbolism of their works, are clearly visible. Both the artists have valued the natural environment from ecological as well as philosophical angle. ‘In every work of art, the artist himself is present’ (Christian Morgenstern). John Wolseley artwork has been influenced by the Australian
Eadweard Muybridge 's first motion pictures of equine via magic lantern maybe... thus, I suspect my prose which naturally searches for plausible affiliations is giving Redhill 's playwright too much credit, for he neither comprehends photographic in the creative sense or experimental. In retrospect, no being could ever relive the painstaking methods Muybridge engineered, or any photographer who practiced their art in the 1850s - only the 'fictional ' genre tag
He discussed how throughout the project where he made sure to use particular methods like using an 8x10 camera. While this is an older technology, he still used new technology such as photo-shop and digital scanning. When having a detailed discussion with Myren, he stated that he uses different technologies because, “it renders the world in a way that helps me see it”(Myren, lecture). This quote means he wanted to portray every picture as he personally saw it, to show that beauty is everywhere. These methods also allowed him to alter the photos so that he could emphasis on certain points to illustrate the idea of beauty.
The article allows its readers to understand the importance and limitations of photography while showing the significance of new inventions during this era. The author makes two central claims throughout the article relating to the camera’s effect. Firstly, they say “His images
It is clear that the author lists her ideas thoroughly at the beginning of the essay so the reader can justify what arguments the author will be discussing. The author starts by stating her points in chronological order. She organized her points into the following sections; the history of photography, portrait comparison between Sir John A. Macdonald and Aboriginal people, and photographs from the Charles Camsell Indian Hospital. She drew upon theories of how photography was and is still a subjective medium. She concluded her article with varying degrees of success in that she allowed Aboriginal figures who are resisting the assertion of imperialism and authority into the foundation of her assertions.
The use of photography was still frowned upon by traditionalists. Few painters took it seriously, but Eakins believed that photographic technology was a better tool to represent the physical world than painting. In the 1870s, he was introduced to the photographic motion studies of Eadweard Muybridge, which led him to become interested in using the camera to study movement. Eakins’ motion studies usually involved the nude figure and he even created his own method for capturing movement on film. Muybridge’s system used a series of cameras that when triggered, would produce a sequence of individual photographs.
The introduction of photography during the early Americas was very important and had affected America in many ways. Photography impacted American society during the 1800’s - 1860’s by documenting historical events and allowed the Americans to see themselves from a whole new perspective. Photography captured significant events in American history such as the Gold Rush, the construction of the railroads and also daily lives of the American citizens. By capturing the way of life from different perspectives of American lives, this increased the sharing of ideas, different cultures, and ways of life that helped promote these ideas to other people. Photography also captured portraits of people and places which allowed people to see faces of people
In this essay I will look at Cindy Sherman’s Untitled Film Stills discussed in A WOMAN’S 69 LOOKS by Daria Ioan (2011), the purpose of this essay will be to argue that her photography can be seen as a form of simulacra, how this effect is constituted by both the creator and the viewer, and as a result how this is an instance of “the death of the author”. Cindy Sherman is an American photographer who, between 1977 and 1980, released upredicted and unusual photographs portraying femininity. The complete untitled film stills – in which Sherman created a mix of film culture and photography, the series consisted of 69 untitled portrayals with herself as the subject; mentioned by Ioan (2011) as “the film still”, this photographic approach has not been used by others before her. “The series deal with the baroque theme of the qui pro quo and the everlasting quest of the wandering feminine
As a photographer myself, the theory of punctum is not unknown to me; however, the application of the concept of punctum towards the perfomativity of a photograph is unchartered territory. The photograph I chose to analyze is Dorothea Lange’s renowned portrait Migrant Mother, which is a Great Depression-era photograph featuring a migrant farmer, and is among the most famous photographs from this turbulent chapter of American history. The raw emotion in the mother’s face, paired with her body language and grimy appearance, captivates viewers; however, it is not the mother that makes this image so powerful to me, but rather, the turned away children framing their mother. This detail adds a new dimension to the portrait for me.
“The course of love never did run smooth” In the Midsummer Night’s Dream, love isn’t easy to live out, there is always that one person or event that places an obstacle in its path. Shakespeare portrays love through a series of obstacles, suffering and heartbreak. It is almost rare to see a couple that didn’t face barriers throughout the course of their love story. One will find that almost all the couples face and overcome the obstacle in order to live out their love. Truly, the course of love never did run smooth as shown through the relationships of Hermia and Lysander as well as Titania and Oberon in the Midsummer Night’s dream.
These photographers and filmmakers are significant for the blending of science and art that criticized culture and ideology. As we shall see later in this book, photos (and media) with a purpose live on and documentarians continue to emulate many of these stylistic techniques practicing the science of ecology of the
Human expression from early civilizations provides insight into the culture of the party creating it, and additionally offers a glimpse into what ideas and beliefs captivated the minds of such groups. Without a direct line of communication, however, it is difficult to definitively construct the meaning of the creation. In "The Trouble with (The Term) Art," 2006, Carolyn Dean argues the phrase, "primitive art," and other labels used to describe non-western works before the concept of art developed, are troublesome because the definition of art itself is flimsy. In addition, Dean questions whether western civilization is doing a disservice to pieces from regions such as Africa, the Americas, and Oceania, by attempting to decipher their significance from a notion that was not established "until at least the 18th century. " She further explores the idea that art scholars perhaps say more about themselves then the pieces they study when interpreting ancient fragments of communication, and she encourages the discussion of western influence in the field of art history,
"The photographic image is the object itself, the object freed from the conditions of time and space that govern it. No matter how fuzzy, distorted, or discolored, no matter how lacking, in documentary value the image may be, it shares, by virtue of the very process of its be- coming, the being of the model of which it is the reproduction; it is the model." "Photography does not create eternity, as art does, it embalms time, rescuing it simply from its proper corruption. The aesthetic qualities of photography are to be sought in its power to lay bare the realities."