Both Nineteen Eighty-Four and A Clockwork Orange present their protagonists as memorable losers through the use of history, the distinctive language and the chronological structure emphasising contrast. The “protagonist” is the leading character of the story: which is Winston in Nineteen Eighty-Four and Alex in A Clockwork Orange. The phrase “memorable losers” is a paradox, as losers are often the ones who are forgotten, which is the opposite of the heroes who are remembered. Winston and Alex are both memorable because they dare to challenge social norms that others mindlessly obey, but they are losers because whilst they have courage, they lack the ability to achieve lasting change. Winston is the only one who dares to challenge the totalitarian …show more content…
It is questionable whether this has also caused them to become arrogant and leads to their failures in their quests, but this imperfectness has definitely caused them to become memorable as they become closer to real human beings rather than the perfect traditional heroes. Winston’s rebellion only exists in his mind rather than his action, but he does have a strong sense of superiority over others. The fact that he calls Julia “a rebel from the waist downwards” shows the flaws in Winston’s personality, we can see his lack of respect to female, and it seems like their relationship is more likely to be a minor fight back to the party rather than something out of romantic love. Winston also stated that “She knew when to cheer and when to boo, and that was all one needed” suggesting that they lack real communication as well. All Winston wants Julia for is the sexual relationship they can have and the fact that she is someone that can listen even though she does not understand or have an interest in it. As Critic Sue Lonoff suggests “Winston and Julia cannot make love without remembering that someday they will be destroyed” and how this is a hedonism action for Julia but Winston is inviting the party “to destroy him” through sexual behaviours. For me this idea that Lonoff is what makes Winston even more memorable because although this might be just a small-scale minor rebel, but he is daring to risk his life for it. (CONTEXT, 1984) Burgess illustrates Alex’s rebellious heart through the 1st person narration. From Alex’s mention of “with the shortage of police and we fine young malchickiwicks about, and this prof type chelloveck was the only one walking in the whole of the street” we see that Alex has no care about the consequences of his actions. Critic Skye Sherwin believes that “Alex from A Clockwork Orange is one of fiction’s