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Michelangelo's David Analysis

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The art work I selected for the Museum project was an engraving of Michelangelo’s David by Jean-Baptiste de Poilly. This art work is made in Rome, Italy, Europe in 1704. In is an engraving in plane tone. It is an art work of a standing nude male (Philadelphia Museum of Art). David is one of the most famous art works of Michelangelo. Jean-Baptiste de Poilly made an engraving of the sculpture of David made by Michelangelo. This art work was done in 1704 (Philadelphia Museum of Art). In this art work, we can see that David is standing with a stone and slingshot in his hand. He is looking calm but he is getting ready to throw a stone at a giant man, named Goliath. David’s body is very muscular and looks very powerful and also his body is looking …show more content…

He believed that any image that an artist is making should be coming from the thoughts of the artist. He also believed that an artist should get those ideas of an image from the natural world around him, so, he thought that it is like finding the reality that which is hidden in the nature. He believed that images are hidden inside a stone and that an artist has to remove all the extra stones from the stone to find out the hidden image within the stone. He made the statue of David from 1501- 1504. The statue was located inside a public square in Florence, Italy. The height of the statue of David is 5.16 meters (Accademia.org). The statue is made of marble. The statue of David by Michelangelo weighs 12,478.12 pounds (Accademia.org). The story of David and Goliath is from the Bible, from the Book of 1 Samuel. In the story, Goliath is a giant man and David a small boy, is trying to fight with the big man, Goliath. In this sculpture, David is holding a stone in one hand and a slingshot in his other hand. Even though looks calm, he is about to aim the slingshot towards the giant man, Goliath. He is looking relaxed but he is preparing for the battle with Goliath

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Second, David shows the physically small instead of big figure and delicate figure of humans. This is important because he has the ability to beat Goliath even though he is much bigger than David (Allen

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The biggest similarity between both sculptures is the delicate detail provided to the both figures. The big muscles, tilted brow and the beaten up look of ‘Seated Boxer’s’ body shows the nature rule of human figure and the strength of the human body. ‘David’s’ lean and smaller form show the little details of the male form, and ‘David’ is very balance between confidence and strength of male with the arrogant emotional and combined part of male and female (Allen, 2014). In both the Hellenistic and early Italian Renaissance periods; the human form became a study for artists and sculptors, because of the difficulty in accurate to recreate it, so that the perfection becomes a goal to achieve by the time. Furthermore, the Greeks also find a fact that successful sculptures are those pieces that actually could imply the religion and show strength of men in both physically and mentally.

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Michelangelo famously carved many sculptures throughout his lifetime. One of his most famous pieces is the Rome Pietà. The French cardinal Jean de Bilhères Lagraulas commissioned Michelangelo to carve a memorial piece for his own burial in 1497 (Wallace, 243). The Pietà is currently on display in St. Peter’s Basilica on a pedestal as an altarpiece. William Wallace’s article “Michelangelo’s Rome Pietà: Altarpiece or Grave Memorial?” discusses whether the Pietà should be viewed as an elevated altarpiece or at eye level as a memorial through historical context and the intention of how the work was made to be viewed by an audience.

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Its individual components are tied together to be visually appealing and show who Elijah was. The statue is of him carving a small object, leaning up against a baseball bat, in front of an oversized book that has the words “Elijah your life is a book and everyday is a page –E. Peirce” written largely on the left page. The statue is of him when he was 91 years old, and is made entirely of bronze. This artist did not idealize Elijah in his sculpture. This was most likely because he wanted to capture Elijah’s influence up until the time of his death.

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The text states that David said “Sir, I have killed lions and bears that way, and I can kill this worthless Philistine. He shouldn’t have made fun of the army of the living God!” and he did those tasks by himself so this means that he can battle Goliath by himself too. From the story “Casey at Bat” the crowd and Casey said this “If only Casey could get but a whack at that – We’d put up even money, now, with Casey at the bat” to show that Casey alone can win the game. That is some of the reasons that the poem “David and Goliath” and “Casey at Bat” are alike, now this is why they are different.

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Before Jacques-Louis David traveled to Italy, he was working alongside Francis Boucher, a renowned Rococo painter. In order to pursue his career further, he traveled to Rome, Italy with Vien after receiving a scholarship to an academy. He closely observed the Italian artwork and noted its variation on lights and shadows, and liveliness. He was mainly influenced by Caravaggio's style of artwork and similar artists like Valentin de Bologne and Nicolas Poussin. He replicated Bologne's The Last Supper which helped him learn how to play with different lighting and sketch sculpted figures.

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People have told stories with marble, as well as ink. The focus of the Renaissance was the arts. Artists had evolved their skillsets since the Middle Ages, for example, their paintings weren’t 2D and they focused on people rather than just gods. The detail of sculptures and paintings became more realistic than it had been during the Middle Ages. In Michelangelo's sculpture David completed in 1504, he sculpted an image of David from David and Goliath holding a slingshot, before he kills the beast with a stone.

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David is a topic from the Old Testament, which is widely repeated and done by many artists. David is a story where it shows that not only does strength wins in a battle but also wits. Each artist depicts David in different views and moments, like Michelangelo who is an Italian sculptor painter, architect, and poet of the High Renaissance, another is Gian Lorenzo Bernini who is an Italian architect and sculptor, and he was credited with creating the Baroque style of sculpture. Although both artists depicted David, but each one had different style where Bernini’s is more expressive then Michelangelo’s. Looking at both sculptures of David, there are some similarities which can be noticed.

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David uses imagery by saying, “He makes me lie down in green pastures,he leads me beside quiet

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Roger noted that, Michelangelo, together with Leonardo da Vinci, are the most-documented artist of the 16th century. Michelangelo created numerous breath-taking art works; however the Sistine Chapel in Rome art works in remains one of his most celebrated works. The work consisted of various paintings but the ‘Creation of Adam’ is particularly fascinating, it presented utterly realistic representation of human

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Another reason for decorating Florence however, was so that the citizens could show their solidarity towards their community and give back to city which they so dearly loved. Such civic values not only inspired the citizens, but also the sculptors, especially Donatello, with his creation of David. He stood for Florence and her liberty. For triumph over tyranny. However, the fight was not over yet, as Florence would have to face off against tyranny once again in the next

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The interpretation is up to the reader, but one thing is for sure that the Israelites saw only an undefeatable giant when David was ready take on the

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Each artist paints and or sculpts pieces that show human emotions, religious symbolism, and extreme detail. Leonardo da Vinci is the first artist to be discussed because of his popularity. He is best known for the Mona Lisa. The Mona Lisa was a portrait of a woman that developed a meaning, people said it’s a symbol of the Renaissance information which came from this quote. “The Mona Lisa was originally this type of portrait, but over time its meaning has shifted and it has become an icon of the Renaissance perhaps the most recognized painting in the world.”

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