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Miss Emily And Joy/Hulga Character Analysis

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Leroy Moffit, Miss Emily, and Joy/Hulga, three totally different characters from three totally different back grounds. These particular characters are worthy candidates to be thoroughly analyzed by their actions and given characteristics. All three characters will be analyzed in order to create a precise Psychological profile. Leroy Moffit, an ex-truck driver that is now acquiring a temporary disability from a tractor-trailer jack-knife in Missouri. Frightened from this incident, he now will not ever get back behind the wheel of his old rig. With this response of never wanting to go back to such an occupation says that he enjoys being back at home and even enjoys his life in particular. Whenever Leroy wants to let any steam off or relax, he
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Mrs. Hopewell’s Denial Discombobulated, deranged, or in denial? In Flannery O'Connor's short story, “Good Country People”, Mrs. Hopewell’s character reflects a life of denial as she lives with her still at home, thirty-two year old daughter, Joy. Throughout the story, Mrs. Hopewell denies Joy’s physical as well as mental state by treating her as an unknowledgeable child and by believing that Joy will one day be a successful woman, all because her own desires for Joy do not become reality. This story opens with Mrs. Hopewell and an overbearing neighbor woman, Mrs. Freeman talking over breakfast.

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Brianna, your point about the change in the protagonist’s focus is interesting; I like that you recognized a clear moment Mrs. Ames shifts her focus from catering to her husband, to instead working with the plumber instead (as she ignored the professor calling out, and instead descended the stairs with the unnamed worker). I completely agree that we even see a physical change in her as she begins the story with little thought to her appearance, and then vanity begins to reawaken as she takes note of the state of her hair, as you mentioned. I believe this tell-tale sign of flirtation may have been in response to the plumber repeatedly holding eye contact with the astronomer’s wife (another flirtatious gesture, whether unconscious or an affectation).

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