Even though she and Hero are close, they are not much alike. While Hero is polite, quit, respectful and gentle, Beatrice is feisty, cynical, witty and sharp. Although Beatrice is outspoken and seems hard she is vulnerable. Once she hears Hero talking about how Benedick is in love with her she opens herself to the sensitivitis and weaknesses of love. Unlike Hero who is will do anything her father asks and will agree to an arranged marraige to marry anybody that her father picks, Beatrice refuses to marry because she feels that she has not found the perfect man for her?
Furthermore, Benedick changes his views on women,love, and marriage as the play goes on. In addition, Beatrice shows a side of her that the readers/audience never see. In act one scene one Benedick calls
When the messenger tells the townspeople that Don Pedro and his soldiers will be arriving in Messina Leonato says, “There is a kind of merry war betwixt Signior Benedick and her. They never meet but there’s a skirmish of wit between them” (1.1.59-62). This is evidence that Beatrice is a strong character because she is able to bear the sarcasm from Benedick, and the mirth that comes from her uncle and many other characters. She is not demure and withdrawn like Hero, who did not have much to say through the play. Hero only really spoke when Claudio and Don Pedro accused her of being unfaithful and
Through these scenes in Much Ado About Nothing, Shakespeare effectively conveys the power women had throughout this time period by addressing Hero sacrificing her virtue. He communicates the idea of women standing up for their beliefs, shifting away from the formal rules that society
This shows the blatant sexism present in the time period and further proves the point that women were seen as lesser and only an extension of a man. However, although these stereotypes of the time are presented, it can be argued that Shakespeare was fighting these stereotypes with the character of Beatrice as ultimately, Benedick loved her as she was his equal, despite all of his previous jabs at her expense, “I do love nothing in the world so well as you. Is that not strange?” It is said that in Much Ado, “the real block that needs to be overcome is the characters’ own resistance to commitment and their
These upper classes constantly navigated the court theatre with the goal of increasing their status through marriage or flattery, whatever means necessary. In Much Ado About Nothing there are aberrants that choose not to follow these social norms. For women, there were two ways that they could bring honor to their parents and household. The first was by marrying someone of equal or greater status to build up family wealth and connections. Hero does this by attracting and agreeing to marry Claudio, who has close ties to the
Beatrice is an outspoken woman in the play. Beatrice’s
When considering the portrayal of gender roles is worth taking a look at the minor characters in Nothing Much To Do. Although the male characters are of as much interest as female ones, it is the minor roles that leave much room for creativeness in adaptations, but are often overlooked by criticism. In Much Ado About Nothing, Ursula and Margaret are Hero 's waiting women and make few appearances in the play. They are present in the dance scene (2.1) where they have a more or less comedic function; While Balthazar and Margaret flirt playfully, Ursula dances with Antonio, Leonato 's brother who has been dropped completely in Nothing Much To Do, and addresses the issue of masquerading and pretending, a reoccurring topic in the play; Ursula recognizes Antonio by his mannerisms despite the mask covering his face.
Knowing Beatrice would listen to their conversation, they lured her in a similar way that Benedick had been seduced, by speaking of how much Benedick loved her and how he could not express his feelings because of his fear of being ridiculed by her and others. To disarm her of any suspicion of a ruse they mix with their lie some specks of truth, Hero speaks honestly about Beatrice’s character, “Oh god of love! I know he doth deserve as much as may be yielded to a man but nature never framed a woman’s heart of prouder stuff than that of Beatrice. Disdain and scorn ride sparkling in her eyes, misprizing what they look on, and her with values itself so highly that to her all matter else seems weak. She cannot love, nor take no shape nor project of affection she is so self-endeared.”
The comedy in Much Ado About Nothing derives not just from the subversion of gender and romantic norms through the characters of Beatrice and Benedick, the couple who went against all the standards of the day, but some comedy also comes at the expense of those who do conform to society, Hero and Claudio. In Elizabethan times, women played a very small part in comedies, and normally The audience are conditioned to laugh at those who conform, but laugh with those who subvert it. Gender stereotypes play a large role in the text, and from the subversion of the norms of gender roles comes much of the comedy. In the first scene, the audience of the time would not only be amused by the complex wordplay and clever comebacks, but also by the novelty
Equal treatment of the sexes is a cause many have been fighting for, for decades, and in this case, centuries. Slight rebellious acts of women bending gender norms can be seen as far back as Shakespearean plays, in particular, Twelfth Night and Much Ado About Nothing. Olivia from Twelfth Night, and Beatrice from Much Ado About Nothing showcase characteristics of being opinionated, assertive, and strong-willed; qualities that were rarely seen during that time period. Much Ado About Nothing was written around 1598 and Twelfth Night was written around 1601, which was the Elizabethan era. During the Elizabethan era, women were raised to think that they were inferior to men.
First, Shakespeare challenged the policies of the day was through examining the role of courtship using the single women of the play, Helena and Hermia. One way was through the belief that women should have the right to reject men. Hermia says: “I do entreat your grace to pardon me/ I know not by what power I am made bold/
Shakespeare’s play, Much Ado About Nothing, is a play about multiple relationships. Hero and Claudio are the first relationship, and Beatrice and Benedick are the other relationship. The play talks about the ideal traits of a couple in the Shakespearian time period. Times have changed, as couples have evolved and have generally become less “traditional”. Back in the day, the female would submit to the male.
William Shakespeare’s “Much Ado About Nothing” was a play about romance, misunderstanding and happiness. A modern audience would view this play in a different way to an audience in Shakespeare’s time, particularly in relation to the role and status of women and attitudes towards courtship and marriage. Two of the main ideas in the play include the fact that women’s voices aren’t heard and the role of the father in the relationships of their daughters are two topics that will be covered. As a 21st century viewer of this play seeing the treatment of women, and how their voices and opinions aren’t always taken into account, I believe that this sort of treatment wasn’t the right thing to do.
During the Mandatory period, which lasted until May 1948, “the social, political, and economic structure for the future state of Israel was developed. Two factors were instrumental in fostering the rapid economic growth of the Jewish sector: immigration and capital inflows” (Halevi, 2008). However, the major stages in the historical development of ancient Israel are historically known for the narratives in the Hebrew Bible and the Old Testament. “Israel” was named after the Hebrew patriarch Jacob during his encounter with the Angel of God at the river Jabbok (Genesis 32:28). “Israel developed into a kingdom under the leadership of King David, who consolidated the various tribes under his ruling.
