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Musical Analysis Of Carrie The Musical

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Another horror musical of the ’80s is Carrie the Musical. Adapted from Stephen King’s 1974 novel Carrie it opened on Broadway in 1988 but closed after 16 previews and 5 regular performances – Both the tryout shows and the opening on Broadway were riddled with technical problems and the show received terrible reviews, which caused the financial backers to pull out. Carrie the Musical earned the reputation of being one of the most expensive and notorious flops in Broadway Theatre history.
The 1980s was the decade of mega–musicals, which like Phantom of the Opera are all about spectacle. This more than anything was Carrie’s downfall. Carrie follows much more along the lines of Sweeney Todd, where the horror element takes precedence over the spectacle. …show more content…

A musical can’t sustain a tone with silence, because it’s a musical. Elevating fear through music is evident in many horror movies but creating jump scares with singing is highly unlikely. Horror musicals tend to use songs as a prelude to malevolence rather than being used to create moments of terror.
Music can evoke a range of emotions, however horror is not something necessarily considered with regards to music.
We only need to examine the work of Billy Eilish, to establish that this is not the case.
Her hushed vocals combined with dark lyrics, led to collaboration with Michael Chaves, director and visual effects artist behind horror movies such as The Conjuring and The Curse of La Llorona. Eilish has demonstrated that there is potential for a new horror-pop music genre. Her Bury a Friend music video is unnervingly creepy. Scary horror music is a real and present phenomenon, which in combination with the correct elements proves a very exciting prospect for the musical theatre horror …show more content…

It started as an antithesis of the traditional haunted house. As audiences looked for more evocative, personalized and powerful frights for their entertainment, immersive horror creators expanded and innovated their experiences, adding touch, interactivity, and exploratory elements (while not being too extreme). Whether they aim to scare, terrorize or psychologically impact, immersive horror experiences look to create a potent emotional response for an audience member.

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