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Essays on film music
Essays on musical score in movies
Essays on film music
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I know I have been pulled up on stage to sing Okeechobee Whisky a time or two. The performers are all in tune and in step as a typical rock band would be. The other band members feed off of Greg’s energy that he extracts from the crowd. The more the crowd participates the more fun Greg and the band have performing. The band seems to get in sync with the crowd and the performance is driven by the band and the crowd together.
The Art of Racing in the Rain Pg. 155 “Yes one more lap. One more lap. Forever, one more lap. I live my life for one more lap.
After the narrator goes with Sonny to the Jazz club, he meets Sonny’s friends and sees how they appreciate him and his music in a way he never did. He then begins to see the importance of music to his brother and makes a discovery about himself and Sonny. He listens to Sonny play and is delighted and starts to accept his brothers wanting to be a musician. The narrator realizes he was wrong to try and make Sonny change and he sees the power of Sonny’s blues as he is playing. The acceptance over Sonny’s dream not only strengthened their relationship, but also helped them gain a better understanding of each other.
The spots that call for song are interesting because they lighten each one and provide a bit of comic relief. In the third act likewise the musical aspect helps take away from the serious nature of what’s going on and understand the world the play takes place in. In the third act, Mr. Burns is preparing to kill Bart, which in nature is a serious thing; however, there is singing that takes place. This distracts from the serious nature of the scene. The play’s sounds all have an essential role in
The narrator describes the nightclub as a dimmed place where it is difficult to see, whereas the darkness is symbolized as a safe haven for Sonny. The narrator tells the readers that the musicians are “careful not to step into that circle of light too suddenly: that if they moved into the light too suddenly, without thinking, they would perish in the flame” (Baldwin 115). Though the musicians started to play, the narrator claims, “…the lights on the bandstand, on the quartet, turned to a kind of indigo. Then they all looked different there” (Baldwin 116). For this purpose, “on the quartet” is emphasized as an importance to work in groups.
Bob Fosse fictionalizes and examines his own experiences and their meaning through the character of Joe Gideon in the musical film All That Jazz. All of this character’s actions, regardless of their perceived morality, or lack thereof, and potential ramifications, relate to his work as a director and a choreographer. The sum of his experiences revolves around his art and expression. When the audience sees within Gideon’s headspace, it is always centered on theatre and various productions.
The singer here is very good and molds this sad classic into a fun upbeat jazz tune. This is were the main problem of the cover comes in. The beat and singer are so happy it contrast with the lyrics it makes it so the person in the song does not care that the relationship. If that is what the cover was trying to convey it would not make scenes because if the person is happy to be out of the relationship why would there be stormy weather around him wouldn’t be sunning and bright
Starting in 1922 Paul sang in the chorus of Eubie Blake’s and Noble Sisle’s play Shuffle Along, which jumpstarted his professional performing career (Boyle and Bunie 98-101; Duberman 51-56). In 1924 Paul started his career in motion pictures by starring in three films, Eugene O’Neill’s Emperor Jones and All God’s Chillun Got Wings and the historic black filmmaker Oscar Micheaux’s Body and Soul (Boyle and Bunie 132-33; Duberman 77). The following year Paul and his longtime accompanist Lawrence Brown perform a historic solo concert featuring for the first time consisting entirely of African-American songs composed by Africans-Americans (McGinty and Shirley 106-07). Through the ensuing years Mr. Robeson continued to perform in motion pictures, in stage plays, and perform concerts worldwide, Although, he was denied being able to reside in many hotels eat in many restaurants, he once refused to perform before a segregated audience, showing that he would not submit to the prevalent racial policies. His stirring performances of spiritual songs such as: “Deep River,” “Go Down, Moses,” “We Are Climbing Jacob’s Ladder,” and the song he is most associated with “Ol’ Man River,” truly reflect the depth of his character as well as his immense talent.
There Will Come Soft Rains by Sara Teasdale shows nature’s apathetic viewpoint on the actions carried out by humanity. The poem opens with a beautiful description of nature, with “ Swallows circling with their shimmering sound” (Teasdale 2) accompanied with “Wild plum trees in tremulous white” (Teasdale 4). Juxtaposing the beauty of nature, Teasdale continues to describe in the second half of the poem, how a war that completely obliterated the human race had just occurred; thus, revealing a human on human conflict. The poem ends with nature being either oblivious, unaffected, or indifferent to mankind’s absence.
Music is the most significant of symbols in Oates short story to the point that it is dedicated to Bob Dylan. Bob Dylan was a popular singer of the 1960’s and many of his songs spoke out in favor of the civil rights movement and anti-war movement, perhaps Oates felt inspired by his work when she created this story. Considered a window to the soul, music plays a large role as the backdrop of the story. Throughout the entire story, the type of music and the songs playing are listed such as at the dinner and Bobby King’s radio station playing in Arnold Friend’s car. These types of music are conflicting as the music in the dinner is described as “background music like music at a church service” and the station in Arnold’s car is “hard, fast, shrieking songs” (pg 1056-1058).
Then maybe Alex Supertramp was not human. The movie includes a handful of songs played by a considerable number of artists, one of whom is called Eddie Vedder. He has a full album dedicated to the story of Chris McCandless and the movie Into The Wild. These songs that play during the movie were chosen for a purpose.
When the narrator accompanies Sonny to the nightclub to listen to him play his music; Sonny’s music portrays his wisdom as he plays about his brother’s frustrations with the trials and sufferings they both endured. Sonny’s artful playing of the blues opens the narrator’s heart to listen genuinely. If one listens to what lies on the inside that is the key to finding oneself. Joseph Flibbert states in the article “Sonny’s Blues” Overview, “In the music he hears, he sees his mother’s face, and that of his little girl … The powerful incantations of Sonny’s art reaches his soul, and for the first time, he listens to the dark voice within”.
Some times we just want to start over again and the song perfectly portrays that. Also it saids “… screams but no one hears a thing” Guy Montag was trying to tell his wife about books but as much as he tried she wouldn 't listen to him like the song. In the story theres a lot of conflict that had happen but like the song saids that after a hurricane theres a rainbow. When all the bad stuff that is happening in his life its like the hurricane and the rainbow can be when he found the hobos that weren 't just hobos. Set fire to the rain by Adele expresses the feelings that Guy Montag could have been feeling.
In this concert, the audience is most likely going to be feeling a multitude of feelings, because of how different the songs we are singing are. For this reason, I tried to space out the upbeat songs from the ballads. This is why I have “Where Your Barefoot Walks” right after “Tiny King”. The audience will also be in a very “Christmasy” mood. “The children were nestled all snug in their beds, while visions of sugar plums danced in their heads.”
In The Sound of Music, Rodgers and Hammerstein created fourteen pieces tailored to the various scenes: The Hills Are Alive - The Sound of Music, Overture, Morning Hymn, Maria, I Have Confidence, Sixteen Going on Seventeen, My Favorite Things, The Lonely Goatherd, Do-Re-Mi, Something Good, Processional, Edelweiss, So Long Farwell, and Climb Every Mountain. While I won’t deal with each of these individually, as it could take years to properly analyze each piece of music in the movie, my point of focus will be directed towards the opening piece, “The Hills Are Alive – The Sound of Music”. The movie’s opening visual, which happens to be one of the most iconic scenes, sets a positive and carefree mood showing Maria Von Trapp (Julie Andrews) innocently dancing on top of a majestic mountaintop with breathtaking views behind her, and the sun glowing on her face. The song, which happens to be named after the film, compliments this image well, as it too, sounds innocent, positive and playful. The piece has a high pitch and a strong melody, setting an upbeat and positive mood, creating excitement and intrigue to continue watching.