Benh Zeitlin’s Beasts of the Southern Wild is a film about a six-year old girl go through some lessons to learn how to be strong. It is an American fantasy drama film that released in June 2012 after playing at film festivals. The film was film with the eye level shot with the main character Hushpuppy (Quvenzhané Wallis) and hand-held shot. Through these technique Zeitlin uses, audience can see and understand the movie through Hushpuppy’s perspective.
When the children first arrive, the negative description of the place sets the tone. The tone created is dull and boring. For instance, the narrator describes the town as colorless and plain. “A string of houses, weathered grey or peeling gray paint” (39-40). The addition of cold weather also sets the tone since cold weather creates a gloomy atmosphere.
When they joined the town however, everything started to change. It was mainly little things here and there, but as Jennifer started teaching the kids new things like what to do at lover’s lane, color started coming into the
Children laughing showing the happiness that is supposed to occur in youth. Even the lack of sound in the movie theatre gives you the impression of contentedness as the crowd watches a film. All these sounds add emotional depth to the scene that cinematography
Throughout the movie, the setting is littered with the contrast of light and dark colors in the backgrounds, costumes, and lighting to portray and produce certain
The colors and lighting are very unchanging much like the town Endora. The only exception is when there are strong emotions within the film. There is a warm glow of lighting by the sunlight or fire whenever there is a time of love, be it brotherly or in a romantic way. During the melancholy times of the story, the lighting is either dim when it relates to death, but when a character is feels lost in their emotions the director
Tim Burton is a famous director who puts a lot of originality into his work. Burton uses editing techniques, music and sound, as well as shots and framing and camera movements to determine the mood of the scene. Editing is one of the techniques Burton uses to create emotion and suspense in the audience. One way Burton does this is by using fade in Big Fish, Edward crosses paths with Karl who was waiting for him on the longer road.
In a castle high on top of a hill lives an inventor's greatest creation, he was a near-complete person. The creator died before he could finish his hands. Instead, he is left with metal scissors for hands. Furthermore, he has lived alone, until a kind lady discovers him and welcomes him into her home. A well as he shows his true talent by cutting hair, grooming pets and making beautiful ice and topiary sculptures.
The short-length feature Gerald McBoing-Boing, which tells the story of a boy who only speaks in sound effects, has been regarded as an exceptional example of what could be described as the cartoon style of heavily design-oriented and abstract-based 1950’s animation. It was one of the first cartoon shorts to gain widespread attention for its usage of limited animation. In comparison to the features of Walt Disney, which were recognized for their concrete simulations of reality and exquisite, frame-by-frame details, shorts like Gerald McBoing-Boing utilized symbolism, abstract art, and simplicity to create their own interpretations of real-life situations. This particular style of animation depended heavily on the animators’ abilities to emulate
This is probably one of the most famous sequences in The Wizard of Oz (1939). In minute nineteen of the film, it is the moment in which the Technicolor world is revealed, merging the black and white (or sepia) world with the coloured one. Thus, depicting the change from black and white to colour film (both metaphorically and literally) there is no wonder that this film will attempt at a wide exploration of colours. In this essay I will explore the usage of colours in The Wizard of Oz, attempting to show how colours are used for different purposes and how their meanings can be changed.
In Burton’s films, lighting is used to show happiness or sadness. For instance, in the movie “Charlie and the Chocolate Factory”, it is shown how dark and gloomy the town is while the factory is disconnected from society compared to when Charlie's grandfather was younger, working in an upbeat and colorful environment. Nevertheless, the lighting in his movies are manufactured for you to think a certain way of something when it could actually mean something else. With the accompany of lighting, Burton’s films
Therefore, the color can give audiences totally different feeling when the director use different type of color in different moments because the colors can present characters’ emotions even the characters do not need any
This part of the movie is shown in color, to show the beauty of what is past the walls of their closed-in community. For many patients, musicophilia is developed at an older age, and for some of them, the time before they noticed it was black and white. After, it was all in color. I argue with the idea that musicophilia is a disorder. The American Psychiatric Association (APA) has wrestled with the definition of a disorder.
The Wizard of Oz has revealed to be an exceptionally well thought out film when analysed. The film has made use of stylistic elements such as colour, light, sound and mise-en-scene which coincide with the various twists and turns of the plot as Dorothy moves from Kansas, to Oz, and back again. In The Wizard of Oz, the directors have employed the use of different unique editing techniques despite being an early film. It is obvious that the audience is able to notice the absence of colour in the beginning and ending of the film. The audience is able to identify the mood and overall feeling for Dorothy when she is in her family farm in Kansas.
What’s initially eye catching, however, is the amount of yellow there is on the stage. The producers deliberately utilized symbolism to establish logos by producing a contradictory relationship between the lyrics of the song and their choice of color. In the late 1860s, the Women’s Rights Movement was led by Susan B. Anthony, a Kansas resident. Because of this, Susan B. Anthony decided to lead her campaign based on the color of her state’s flower: the sunflower; thus she symbolically utilized the color yellow throughout her Suffrage movement campaign. This becomes especially
