Dick did not have any second thoughts about the murder. He had firmly wanted to walk-in and kill the Clutter family despite their innocence. Dick viewed the Clutters’ as an opportunity that was going to make him rich. There was not any
In Truman Capote’s “In Cold Blood,” Dick and Perry have murdered the Clutter family and are on their way to Mexico. In this passage, Dick makes an astounding statement. In the passage, Dick claims that he’s “a normal” but that is far from the truth. He is a conniving, manipulative son of a bitch who thinks he’s normal in comparison to Perry.
Everyone is born with the capability to do evil, however, the events and environment in our lives shape our psyche to such an irrefutably extreme extent that they define our character and our conscience, redefining what we see as right and wrong. Perry is very sensitive by nature due to his family’s troubles and his father’s behavior. The pressure that Perry feels to impress Dick, who he makes into a faux father figure, combined with the weight of his past push him to the breaking point which happens to be the Clutter murders. Perry was bound by his experience, he could never fully escape the horrors of his childhood as they were the limits of his apprehension. Regardless of Perry’s traumatic childhood, justice must be equally upheld to everyone, despite the differences in the ways we were raised.
Certain sentences that Dick conveys give off an emotional response known as connotation. Most of the feelings are anger towards the way Dick manipulates Perry, “On that point they were in accord, for Dick had said, “If we get caught, let’s get caught together. Then we can back each other up. When they start pulling the confession crap, saying you said and I said.” Moreover, if he broke with Dick, it meant the end of plans still attractive to Perry, and despite recent reverses, deemed possible by both----a skin-diving, treasure-hunting life lived together amoung islands or along coasts south of the border”(Capote 91).
Character Analysis- In Cold Blood In the novel In Cold Blood, Perry Smith, a dynamic antagonist with a cruel past, acts upon his built up resentment when he commits the vicious murders of the Clutter family. Although he did not receive any education exceeding the third grade, he wished to further his knowledge and eventually developed a deep love for literary art as well as music. As a child, Perry and his siblings were dragged off to California by his mother, a year before his parents divorced.
Page 4-5 Destiny & Fate, Effects on dreams Destiny and fate correlates with the theme that dreams will fail and die. Characters do not decide their destiny. However, they do decide their dreams. A character's fate and destiny affects their dreams. Whether their dreams come true or not, has many contributing factors.
Days before they committed the murder, Dick and Perry met up and Dick made the choice of going into the Clutters’ household, invading their safe to get money and killing the Clutters. Many months later, the two men are caught in Las Vegas, put in jail for interrogation, brought back to Kansas for their verdict and then to finally be executed. While being brought back to Kansas, Perry shared with officer Duntz and Dewey what happened on the night of November 15, saying that “ He [Dick] was holding...knife to Dick” (Capote 244). This quote goes in depth of who and how the killing of the Clutter family really happened. In other words, Perry did the killing while Dick’s main goal was to question the Clutters about where the safe was, get the money and watch Perry kill the Clutters.
Normality in Capote’s Text ‘In Cold Blood’ Truman Capote, in his non-fiction journalistic narrative, gives readers the opportunity to reconsider the dichotomy of ‘normal’ and ‘abnormal’. Capote also suggests true normality differs from society’s concept of normality. The concept of normality is challenged throughout the entirety of ‘In Cold Blood’, first in the Clutter family, then in Dick and Perry and in sexuality throughout the text. The Clutters, a seemingly ‘normal’ family who have obtained a wealthy and successful life, are polite and hardworking, community-driven and respected.
Some people might say people inherit traits from their parents, and some say they learn them based on an upbringing, but In Truman Capote’s account of the brutal murders of the clutter family in In Cold Blood, he uses the argument of Nature vs. Nurture to further explain the life behind murderer, Perry Smith. After hearing the accounts of the brutal murders, Capote goes on to explain the story behind both Perry and Dick’s lives, But Perry’s childhood stands out more. After being abandoned, beaten, and left to survive alone, Perry’s cards were stacked against him. By showing the complexity of criminals, Capote uses Perry to show the example of a non-nurturing childhood creating a person capable of murder.
Truman Capote, the author of In Cold Blood, creates sympathy for almost every character the reader comes across. Through the use of manipulating the reader's emotions and connecting them to each character, Capote successfully pulls it off. There are four main groups that Capote chooses to create sympathy for the murder victims, the murderers, the law officials involved, and the ordinary citizens of Holcomb, Kansas. Truman Capote created the most sympathy for two characters, Perry Smith and Detective Dewey. From the beginning of the novel, Capote showcases Perry Smith a likable character.
Perry’s erratic spontaneous outbursts is what caused him to go through with the murders and slit Mr. Clutter’s throat which put him on the killing frenzy that ended the rest of the Clutters lives. Capote highlights Perry’s sociopathic tendencies by comparing them to that of Dicks Psychopathic tendencies which exemplifies how when put together they are at each others fault for the
Perry “It starts at home”(Alaina Thomas). Most murderers come from broken homes, some hardly have a place to call home. Perry Smith, a character from the book In Cold Blood by Truman Capote, was one of those people. Throughout the story it is evident that pieces of his childhood reflected on his behavior later on. It is possible if not factual that if Perry had been raised differently, the Clutter family would not have been murdered.
Willie Jay is the antithesis of Dick: Willie Jay encouraged Perry to strive to his fullest potential (although Willie Jay did not think that was much, based on his condescending attitude towards his lack of education). Dick attempted this, he “ had always encouraged him, listened attentively to his talk of maps, tales of treasure, but now-- and it had not occurred to him before-- he wondered if all along Dick had only been pretending” (Capote 100). Perry noticed that Dick did not actually respect him.
In In Cold Blood, the issue over the death penalty is prominent. Did Perry and Dick deserve to die? Should the severity of one’s crime determine one’s fate? Although Truman Capote writes the novel in a straightforward, “from a distance” way, he conveys, through his characters, theme, and plot development, that the death penalty is an issue that should be looked at from all sides and that the legal system itself is the real issue at hand, and that the death penalty is used as a means to suppress the distress and indignation of the citizens surrounding the case, instead of suppressing the victim himself.
He is portrayed as a mastermind in the cold-blooded killing of the Clutters family, a man with little respect for the lives of others, which can be seen through Dick’s expression before the murder of the Clutters when he converses Perry, “We’re gonna go in there and splatter those walls with hair” (Capote 234). This sudden tone shift enables Capote to depict Dick as a cruel and immoral character. Dick’s lack of empathy and concern for other people beside himself allow him to commit crimes without remorse, which is in contrast to Perry’s moral contemplation after each bad actions they committed. Moreover, Dick is represented as the true criminal with evident motives in murdering the Clutters, while Perry is seen as a vulnerable victim who depends on Dick for validation and acceptance, something in which Dick happily provides in order to manipulate Perry, as Capote writes, “Dick became convinced that Perry was that rarity, ‘a natural born killer,’—absolutely sane but conscienceless, and capable of dealing with or without motive, the coldest-blooded deathblows. It was Dick's theory that such a gift could, under his supervision, be profitably exploited” (Capote 205).
