Pompeii And Herculaneum's Ethical Issues
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"The Deeds of the Divine Augustus" was written in AD 14 by the ancient Roman Emperor Augustus. It was an autobiographical piece of literary work that lists the various deeds that Augustus performed throughout his reign as Emperor, but it was merely written so that the people of Rome would remember Augustus as a great leader who went out of his way in order to create a better society for Rome. Within the text Augustus utilizes the first person singular in which "I" mostly occurs at the beginning of every paragraph. He is making a clear analysis of his own accomplishments ranging from, raising an army, waged war, spared citizens, and first rejected an oppurtunity at dictatorship (paragraphs 1,3,5). Although it may seem that Augustus
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The Odyssey The Odyssey is an ancient story with many smaller stories within it. Although the entire story is a a good and fascinating one, there is one section of the story that is particularly interesting. When Odysseus and his men are trying to get home from Aiaia, they encounter the Scylla.
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Cleopatra’s story was told in many ways, but the best found was written by a historian named Plutarch, who lived about a century after Cleopatra. Cleopatra was born in 69 B.C. Although her family ruled Egypt, Cleopatra was Macedonian Greek. She became queen of Egypt at eighteen years old in 61B.C. She led Egypt with her younger brother Ptolemy XIII, who was ten. She did not get along well with her brother, and they started a civil war in Egypt.
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In Aristotle’s Nicomachean Ethics, he outlines the different scenarios in which one is responsible for her actions. There is, however, a possible objection which raises the possibility that nobody is responsible for their actions. Are we responsible for some of our actions after all? If so, under what circumstances?
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In the play "The Tragedy of Julius Caesar" by Shakespeare, two individuals named Brutus and Antony give a funeral oration to the people of Rome in concern of the justification of Caesars death. Both of them share an opposite view towards the death of Caesar, Antony thinks his death was unjustified, while Brutus believes in the opposite. Despite the fact that Brutus was able to deliver a better ethical appeal. Antony delivers a more persuasive rhetorical speech since he appeals to the crowd more with his emotional and logical appeal Ethical appeal was used by both individuals in their funeral orations, evidently Brutus was able to execute a better ethical appeal than Antony. Brutus wanted to make the people of Rome feel like the death of Caesar was necessary for the sake of Rome.
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Aristotle’s Nicomachean Ethics begins by exploring ‘the good’. Book I argues that, unlike other goods, “happiness appears to be something complete and self-sufficient, and is, therefore, the end of actions” (10:1097b20-21). In other words, happiness is the ultimate good. But how does one achieve happiness? Aristotle formulates this in the context of work, since for all things, from artists to horses, “the good and the doing it well seem to be in the work” (10:1097b27-28).
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Throughout history, many incredible civilizations have risen and fallen. Among them was Ancient Rome. The Roman Republic started in Italy in around 800 BC, and became a grand and powerful civilization. It was ruled by the people and they voted for leaders. Ancient Rome would go on to dominate much of the Mediterranean.
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The two concepts, idealism and realism merge together to form the concept of idealistic-realism. Idealism in art, is the poetization and spirituatualzation of a theme, belief and ethos, realism on the other hand is the act of recreating any scene, object or action in the form art. The concept of idealism at a deeper glance is the comprehension of the idea or ideal created by the artist, and was the foundation of all great Greek and Renaissance art. Augustus of Prime Porta is a great example of the peaceful co-existence of idealism and realism, since the sculpture is ideal and conceptual in its composition and realistic in its execution. The marble statue of Augustus at Prima Porta was discovered in the villa of Livia in Prima Porta and was constructed to celebrate the Roman triumph over the Parthians in 20 B.C.
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The Nicomachean Ethics begin with a simple concept-- everyone wants happiness. In Book 1 of Nicomachean Ethics, Aristotle explores what happiness is and how to achieve ultimate happiness and good life. In the passage, 1097b22-1098a18, also known as the “function argument”, he further explores the happiness as the chief good concept by examining human function and the good that comes along. In this passage, Aristotle’s thesis is that the good of humans resides in human function of activity with reason (rational activity). From this thesis, we can imply that the good performance of function can lead to ultimate happiness.
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Role of Spectacle in Roman Culture Spectacles governed the way of life in the Roman culture in many ways. The use of spectacles in the Roman culture was widespread, especially during the performance of blood sports, such as the gladiatorial battles. The spectacle was an essential element in the amphitheatre games, which featured wild animal hunts in the morning, executions at noon, and the gladiatorial games in the evening. In this paper, I will examine the role of spectacles in the Roman culture, where the theme of violence and death will be featured. Predominantly, spectacles were used for entertainment reasons, to punish miscreants, serving as an example to the citizens, promoting interaction between the people of Rome and the rulers, and providing food for the ancient society.
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When identifying and articulating ethics, one may conclude that the best way to express one’s values is through speech or literature, bluntly stating what they believe. However, this is simply untrue, for there are limitless theories, and a multitude of ways to express them. The Greeks, for example, exhibited their values in multiple ways. The Greeks were undoubtedly humanists, displaying their humanistic values through government, art and architecture, and philosophy.
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Sometimes while writing a historical fiction, events become more factual than fictional. A perfect example of this happening in a historical fiction, is the book Pompeii by Robert Harris. Pompeii takes place in 79 AD during the days prior to the destructive eruption of Mount Vesuvius which destroyed all of the Roman town Pompeii. The location of the book are the cities or towns that surround the Aqua Augusta, such as Misenum and Pompeii. Harris’s exceptionally descriptive anecdote of the events leading to the volcanic eruptions implores readers to wonder if some of the events in this fictional story could have actually happened.
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