The novel Enders Game by Orson Scott Card is compelling with its characterizations and futurist plot line. Written in 1985, the story shows a boy, only 6 years of age named Ender and his journey through battle school with his companions and altercations with enemies to defeat the supposed “threat” of the buggers: alien invaders. A common practice by the characters in the novel is lying and deceiving to gain power; oddly however, the lies and deceit are more useful than telling the truth. Card shows this theme through the motif of power and how those above Ender such as Graff, Valentine and Mazer Rackham lied to him to help Ender gain power.
In Dr. Philip Zimbardo’s psychology experiment called the Stanford prison experiment, he came to realization without rules and structure of the guards, they can take matters into their own hands and do whatever they want. The prisoners were deindividualized and were just called by their number on their uniform. The cruel and unusual punishments that the guards inflicted got too out of hand would cause the prisoners to have a mental breakdown and wouldn 't be able to finish the experiment. Zimbardo called this the lucifer effect. In William Golding’s novel “Lord of the Flies” and Sheryl St. Germain’s poem “In the Garden of Eden,” Lucifer and evil are also temptations, which eventually creates the fall of man.
All books that young adults read have power. Their power results in their ability to sway and to change the reader in so many ways, not the least of these is morally. These books can create a moral sense in the young by demonstrating what is morally right and what is morally wrong. They can raise and resolve ethical issues. The reader may not agree with each resolution, but is certainly forced to think about issues he or she may never have thought about before (Smith 63).
St. Cyril of Jerusalem made the analogy that life is like a road that must be traveled with a dragon on the side, waiting to devour any who stray off the road. Within the analogy, the dragon represents the personal temptations everyone has struggled to overcome in order to reach God, who waits at the end of the road. Although everyone struggles with their own personal temptations, most can be put into one of the seven deadly sins: pride, greed, anger, sloth, envy, lust, and gluttony. Flannery O’Connor focused on these in her short stories by creating characters that embodied certain sins. In some of her most known stories, such as “Good Country People,” “The Life You Save May be Your Own,’’ and “The Displaced Person,” she focused on pride, greed, and anger, respectively.
Brandon McCormick Ms. Headley English 2013 8 December 2014 Allusions to Paradise Lost in Frankenstein In the nineteenth century gothic novel Frankenstein, Mary Shelley uses numerous allusions within her novel that can easily be interpreted by the reader. These allusions make it easier for readers to understand the characters and compare their circumstances throughout the story. The most significant and most used was from John Milton’s epic Paradise Lost. It is known that, “…Paradise Lost stands alone in the eighteenth and nineteenth centuries atop the literary hierarchy, and Milton’s epic is clearly rooted in the history of Puritanism and in the bourgeois ideal of the individual, the ‘concept of the person as a relatively autonomous self-contained
A beautiful view of mountains and a sunset in the background or running up hill for hours. Two distinctive perspectives showing different sides of a story. The mountain having power to make something beautiful or feel like it is slowing you down and is just in the way. Power can be argued to be good or bad in certain situations because with power it can mold the person we will become or how we will live our life. Power can motivate us or it can lead to actions that could cause regret.
Shakespeare brings into this soliloquy a brief allusion from the bible to show the deepened emotion of Wolsey. Initially, Wolsey states “and when he falls, he falls like Lucifer,” comparing his fall to Lucifer’s. Their fall is devastating that they both will “never… hope again.” Before Lucifer's downfall, he was a magnificent being whom helped out God.
The devil is the supreme being of all evil. The villain, once called Lucifer and was the greatest of all angels l, rebelled against God over his jealousy of man. Turning evil and fighting the Almighty, he was destined to lose and thrown out of heaven, along with his army. In Dante’s Inferno, he resides in the deepest bowels of hell, where he tortures the three worst traitors in human history: Judas Iscariot, betrayer of Jesus of Nazareth, Cassius and Brutus, slayers Julius Caesar. In hell, contrapasso rules, and the appearances of the fallen angel Lucifer agrees with it.
Therefore it can be said that power gives evil the need to feed off the fear of others, it drives them to suppress their emotions and mindset providing them the opportunity to commit such acts that would previously be considered “sins”. Mr. Zimbardo’s theory on the Lucifer effect can been seen in action through the entire movie. The lucifer effect begins to tell us a couple of reasons as to why sometimes good eggs can turn bad. One of those reasons being authority, while the other relies on dehumanization, or the process of stopping to see someone as fully human. The process of dehumanization can be said to eliminate guilt or human feelings toward a misdeed, it takes away need to be moral and do good evil and opens the dam for the evil lurking to lash out.
My knowledge of the Bible is limited to what was reiterated to me in church. Growing up, I was taught that Satan was once a good angel who rebelled against and disobeyed God because he was jealous and wanted to be more powerful than God. I never questioned this because I thought seeking answers and clarification would be going against God. For some Christians, Satan is the
The Burning Monk 1963 Malcolm Browne Context “I was to see that sight again, but once was enough. Flames were coming from a human being; his body was slowly withering and shriveling up, his head blackening and charring. In the air was the smell of burning human flesh; human beings burn surprisingly quickly. Behind me I could hear the sobbing of the Vietnamese who were now gathering. I was too shocked to cry, too confused to take notes or ask questions, too bewildered to even think…
Geoffrey Chaucer’s satirical collection of stories called The Canterbury Tales, develops an insight of his criticism for the Catholic Church members during the medieval period. During the time period, the Catholic Church could be considered as the head of the society. The church held power over education, politics, economy, as well as the everyday lives of the citizens. Fear of excommunication kept the people from arguing with the ideas of the church. Some members of the church used this power to influence others to follow the rules of Catholicism; however there was a growing number of church members who were corrupt.
The Canterbury Tales, by Geoffrey Chaucer, reveals that religion does not make moral individuals. Chaucer goes on about telling how several of the characters on the pilgrimage had questionable lifestyles yet the characters were taking part in a religious journey. Religion can only influence a moral character but does not make its followers untouchable to the imperfections found on earth. In The Canterbury Tales, Chaucer’s character, The Pardoner, is a church official who altered the peoples mind by cheating the people into believing any nonsense.
As Louis L. Martz dictates in his piece titled, “Paradise Lost: The Realms of Light,” Satan’s descent into Hell, following banishment from Heaven, catalyzes the entrance of light and dark imagery into the novel. Satan, now barred from the, “happy Realms of Light,” recognizes his separation from his former alliance with the divine essence (qtd in Martz 72.) In his brief period of grief, Satan finds himself struggling towards the light that radiates from Heaven, signaling the presence of innate light still within the fallen being. However, this light soon becomes squandered when Satan finds it, “better to reign in Hell, than serve in Heaven,” (1.263) In his decision, the prevalence of darkness within Hell increases and eventually seeps into the secular realms created by God.
To begin his mission, Milton devoted his first book of Paradise Lost to introduce Satan along with his falling angels in Hell attempting to plan a revenge on God. So, Satan is the central figure of book 1, a figure that Milton presents with plenty of epithets and with a magnificent energy and a personal pride. To what extent did Paradise Lost present Satan as a moral agent? Given the politics of the English revolution and restoration, how precisely should we interpret Satan’s language and policy in Hell? Did the spiritual poem reveal the 17th century religious beliefs or Milton’s ones?
