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Prejudice And Racism During The Harlem Renaissance

748 Words3 Pages

Using a combination of rallies, films, paintings, drama, music, art, sculpture, and literature, the movement revealed fundamental issues affecting the experiences of Black Americans. The different circumstances and circumstances of the past were the cause of the creative burst among black authors of the era. As racism affected every aspect of the black experience, the Harlem Renaissance was much more than a literary movement (Harlem Renaissance | Iowa Department of Human Rights). It was also a remarkable social interpretation of that experience. The significance of the literary creativity campaign lies in the authors' motivations to honor African Americans' contributions while using their varied experiences as a framework for reframing African …show more content…

They received something which held differently in Harlem than it did in their own neighborhood. State-level recognition, esteem, and preservation of African American ideas, music, art, and history. African Americans were for the first time regarded as academics. Formerly, this convention was unqualified, unskilled, and had few options save being a worker (Harlem Renaissance | Iowa Department of Human Rights). African Americans began to come together to demonstrate their strong notions of national self-esteem and individuality several years after witnessing racism through incarceration and dominance from White people. African Americans' self-confidence was strengthened by this effort, which also gave them the opportunity to appear attractive and at ease. As a result of that campaign, every journalist and analyst embraced Black American literature and started engaging with the white community. The Harlem Renaissance had a profound impact on African American literature; although it wasn't primarily studied …show more content…

Moreover, publications like "The Opportunity: A Journal of Negro Life," "Crisis," and "The Messenger" were particularly important because they exposed acts of prejudice (The Harlem Renaissance). Certain literary elements were seen as symbols of control and authority by Black Americans. The main goal of the writers of the Harlem Renaissance was to show that black people were capable individuals deserving of the same respect as white people. The approach African Americans outlined in theaters and on records was refined by writers like Langston Hughes and Claude McKay, who also paved the way for the following generation. The poem changed a nation of Black Americans to significant heights during the Harlem Renaissance (The Harlem Renaissance). It continued to be a significant, effective weapon used to advance and acknowledge African American political, cultural, and historical consciousness. The emergence of various middle-class and lower-class black people in the northern ghettoes, who could then go out and buy magazines and books and migrate to theaters and organizations, assisted the business in promoting the skilled black individuals who contributed to the Harlem Renaissance. Langston Hughes was one of the top writers that emerged at that time. In 1921, he

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