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Proteus Play Analysis

629 Words3 Pages

Shakespeare's plays are known by millions of people, because they were taught it in class or they were paid enough to see it performed on stage. Just like the plot stories of every Shakespeare play, every show produced seem to look the same, feel the same, or sound the same in every theatre it is showcased, except Two Gentlemen of Verona at theatreVCU. The design was rebellious with colors and letters marked everywhere as if it was an abandoned underground subway in NYC. The costumes, music, and language were all culturally designed to be somewhere in the 21st century era. For once, I've seen a Shakespeare play screamed "different." But, I continue to ask myself, "Why?" The design was absolutely eye-candy that threw a hipster vibe on the …show more content…

He was the clear antagonist of the play, betraying his love for Julia and only to steal the lover of his best friend, Valentine. But, in the beginning life is well and Proteus is seen playing around with his best friend and romancing with his lover Julia. The interactions are believable as he is portrayed as a kind gentleman who would go to great lengths for Julia. When in the same room, they embrace the space, unafraid of being in the moment as they gaze into each other's eyes as if it was their last time together. When Proteus is forced to leave by his father, he happens to fancy Sylvia which did not seem believable whatsoever. The moment of their first encounter, no beat change was seen after his friendly encounter with Valentine. You would think for someone to completely forget his girlfriend and betray his best friend, that he would at least notice Sylvia that is somewhat different from him noticing the Duke. Later, his objective is told through an internalized monologue, but not enough tactics are seen that were created by Trevor that shows the risks he's willing to take. He wins the heart of the Duke, but the play can tell you that by just reading it. The actor should have internalized tactics that are clearly displayed to the

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In Liz Flahive’s play From Up Here, she explains how a family deals with the aftermath and acceptance of a school shooting at the hands of their son/brother. In some way or another they all deal with the acceptance, or lack thereof, from those that are around them. Many themes are covered in this play such as betrayal, acknowledgment and looking deeper than what is on the surface. In the beginning of the show you get this overwhelming feeling that this family has does not listen to each other.

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Final Essay ACL The Laramie Project and Hillbilly Elegy both focus on major real life issues that are good to be exposed to. Laramie Project is a play that starts very slow, giving a lot of details in the start that are not very intriguing. The story focuses a lot on character descriptions while introducing new characters at the same time. Some of the characters didn’t even have major parts but some ended up making sense.

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Plautus was a play writer and an actor born in Italy in 254 BCE and died 184 BCE, he was a great Roman comic dramatist whose work was sparsely adapted from Greek plays; he began his carrier as an actor. Pseudolus is one of the works of Plautus which was first shown in 191 BCE at the megalesian festival. Pseudolus is play about a soldier who put down 60 pounds of token to come back later to pay the balance of 20 pounds for a girl whose pimp wanted 80pounds for her to be sold. She sends a letter to her lover (Calidorus) who is heartbroken and confused because he can’t afford to watch her leave and also couldn’t afford to buy her from the pimp.

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Rikki is an upstanding character, but he did not always demonstrate these qualities. Teddy invited him in, but he was disrespectful in their house. He was excellent in the hour of need, but he still was not always a honorable character. Rikki was not a very good house guest. Teddy and his family welcomed him into their home and he didn’t even say thank you.

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The Monologue I chose to do on the play “Selkie” involves the mother, Margaret, the mother of Ellen Jean. The Setting is in a small town but the monologue takes place on the beach at night. Also it takes place around a hundred years ago like it said….though I don’t exactly remember where I read it. Margaret is also a “Selkie” creature but had her pelt taken away from her so she couldn’t go back home, which is in the sea!

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Lastly the movie in the play both reacted very weirdly to viola coming out they didn't freak out like was expected in both Twelfth night and She's the Man. The movie and the play are pretty much based off the same thing love, but the movie started off with soccer, where the play was just mainly about love and the shipwreck. Most parts in the movie and play have the same concept. There is a difference between the way they spoke back then versus how they speak right now. The play was written in more Shakespearean text like it was when the play was written and the movie has more modern language more like how people speak now.

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Sasquatched was the longest play that I have seen in life so far, as an un-experienced musical watcher. From the beginning to the end of the musical production I was hooked, whether it was from jokes that were incorporated into the story, or from the message that the story was trying to portray to the audience members. The book, music and lyrics were written by the very talented Phil Darg, who is a North Hennepin Community College Alumnus. The musical Sasquatched was directed by the one and only Mike Ricci, the acting was done by the talented and few theatre artists from North Hennepin, along with a couple other people from the community. All of these individuals helped create the magical musical that is Sasquatched.

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Actor William Daniels—known for roles such as Mr. Braddock in The Graduate, John Adams in1776, the voice of Knight Rider’s KITT, and the stern, yet caring, Mr. Feeny of Boy Meets World—has written a memoir titled, Still At Play: My 75 Years in Show Business and the Roles that America Embraced. Daniels, who recently turned 88, has been able to create an iconic role for every generation, from his work in the golden age of Hollywood, to influential characters in classic ’90s sitcoms. He expounds on these memories in his forthcoming book, and while he has yet to disclose the publisher or publishing date, he shared an exclusive excerpt with us.

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All of this put together further supports the idea that Valentine wouldn't forgive Proteus for his un-gentlemanly, dishonest action of hurting a women. Proteus is Valentine's opposite on the spectrum, a villain meant to serve as an obstacle. Thus, Valentine's acceptance of Proteus's amoral actions are mind-boggling as it goes against his entire

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“William Shakespeare’s Impact on Theater” says that “Theater, in particular, has experienced many changes due to his influence,” and without any major influence like Shakespeare to guide the changes of theater, it would be extremely different (Octane 1). Shakespeare introduced many new elements to theater because of how his writing was unique in his time period. Despite this, his writing appealed to many different audiences. For instance, Octane says that “The way in which Shakespeare’s plots move forward has helped define modern play-writing. Similarly, Shakespeare’s complex characterizations have brought forth a new type of storytelling in which characters’ choices drive plots forward” and “His plays were often imbued with universal truths of human existence, rather than acting as mirrors of the privileged life.

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In the essay “Shakespeare Meets The 21st Century” (297), Michael Kahn believes that all renditions of Shakespeare’s plays are “interpretations” that reflect the approach to acting and producing at the time of production. In recent times the productions of Shakespeare’s plays have undergone changes to the manner of speaking to be more “conversational” while attempting to retain the rhythm and tone of the play. He explains that Shakespeare’s plays were themselves adapted from those of other playwrights. He marvels at the experience of those who originally witnessed and had no prior knowledge of Shakespeare’s plays must have had. Kahn states “I believe all theater artists who approach these plays envy that encounter and explore strategies to re-create

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In the twenty-first century, the plays of William Shakespeare may at first appear dated and irrelevant: they use archaic language, are set in the age of Kings and Queens, and the Kingdom of England. However, it would be plainly mistaken to construe that Shakespeare’s works do not still remain integral to a twenty-first century society. Shakespeare’s plays gave the words and expressions one uses every day, revolutionized the art of theater as it was known, and forewarned about issues that would unknowingly still apply centuries later. Therefore, Shakespeare has had a profound effect on our lives by enriching our language and culture, as well as providing ideas that would still apply five centuries later, and it would thus behoove us to learn from his works and life.

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