There are several parallels between film and literature. The first parallel that I have chosen in continuity editing. The continuing editing in the literary form allows the writer to construct the story through sentences and changing paragraphs to give the reader a logical clear direction of how the story is growing and developing.
That is usually what the director does. This is the same thing to a political leader. They must make themselves stand out. If not, no one will notice them and people will be uninterested. Chris Hedge says, “They become unread.”
Likely the most iconic and quoted scene of the cult classic Pulp Fiction, the “Big Kahuna Burger” scene also offers a perfect example for how minor details in movies affect us subconsciously. Through camera work, prop placement and acting, Pulp Fiction can show the viewer everything they need to know about the characters and the world around them while simultaneously telling the story of the movie. The scene shows two men, Jules and Victor, headed to a rather messy apartment to retrieve goods for their boss, Marsellus Wallace. The walls are unadorned, shelves empty, the furniture bland, suggesting that the men do not live there or haven’t lived there for long, but stayed long enough for their clothes to be bunched in the corner and on the shelves.
Structure in narrative film can be thought of as the arrangement of scenes and sequences, however deconstructing sequences and re-ordering them can create a whole new theme and mood in a films sequence. Phillips, (2005). Casablanca’s narrative plot has a beginning, middle and an end. It has a certain symmetry about it and follows a set of norms and conventions. For a viewer, Casablanca is easy to understand and it simply tells a story that is not ambiguous.
For me, the storyline of a film is always paramount to my liking it or not. It can have the best actors in the world and be filled to overflowing with special effects, but if it doesn't have an engaging story, I lose interest pretty rapidly. With Hallmark, storylines are predictable but solid and sometimes touching. But I will admit that I rarely seek out the writer of the story unless it is an author I recognize or whose work I may be interested in reading at a later date. And when it comes to screenplays, the entire idea of penning them is a rather foreign concept to me.
A story is a written work used to entertain, provide knowledge and understanding, and to captivate an audience. In today’s society, several movies are based off of novels. The reader expects the movie and the book to be replicas, but that rarely happens. Most of the time, movies have different locations within the setting, while adding in scenes and characters to a story line to further tell the story. Due to this, the exposure of vivid details allows the audience to receive more knowledge from the work.
The three-act structure is the most widely used formula for writing movies in American cinema. Some swear that this structure is the perfect formula for creating a successful film that will top the charts and bring in the most revenue. As the name states, it is composed of three distinct acts: the setup, the confrontation, and the resolution. Each of these three acts has their own partitions called beats. The beats are checkpoints for important events that screenwriter and film analyst Blake Snyder says are imperative for writing a screenplay that will both captivate and entertain it’s audience.
but yet he still arrives home. Tarentino uses violence as a comedic device in Pulp Fiction, an experience is created that’s hyper realistic and because of this the audience doesn’t fully acknowledge the extreme nature of the violence. For example the scene where Vincent Vega accidently shoots Marvin in the face, even though someone is just after being shot and killed the scene itself is very comedic and
Did you know that Kurt Vonnegut’s famous novel Slaughterhouse-Five was created into a motion picture? The novel was published in 1968. In 1972, it became a major motion picture, directed by George Roy Hill and produced by Paul Monash within the Universal Pictures production company. It stars some of Hollywood’s greatests: Michael Sacks as Billy Pilgrim, Ron Leibman as Paul Lazzaro, Eugene Roche as Edgar Derby and Sharon Gans as Valencia Merble Pilgrim and Valerie Perrine as Montana Wildhack. While I was watching the movie, I quickly came to a conclusion that I’ve never seen a movie that is as this identical to a novel than slaughterhouse-five.
Pulp Fiction, a gangster film centred around crime and drama, was directed and written by Quentin Tarantino, staring John Travolta, Uma Thurman and Samuel Jackson. The Oscar award winning film details the lives of two hitmen, a gangster, and the gangster’s wife Jules Winnfield (Samuel Jackson) and Vincent Vega (John Travolta), are on a mission to retrieve a stolen briefcase from their employer, and mob boss, Marsellus Wallace (Ving Rhames). Mia, (Uma Thurman) plays the role as Wallace’s wife, who is spends some time with Vincent, while Wallace leaves town for business purposes. Even though the lives of these individuals seem interesting enough, each of them wove together to create a film involving a series of funny, bizarre, and suspenseful
Script vs. Film The script developed by Davis Show is easy-to-understand and imaginative enough to build bright pictures of the events. The script is well-written as it includes such essential constitutes as detailed descriptions of the scenes, consistency of actions with the value of each scene for the ongoing events, and the vision of how those scenes must be shot along with the camera positioning and movements. Moreover, he provides special notes for actors to reach the extent of feeling the role rather than just understanding or remembering it.
Pulp Fiction: A Postmodernist film Pulp Fiction is an American comedy crime film written and directed by critically acclaimed director Quentin Tarantino. The film came out in 1994 following the success of Reservoir Dogs by the same director. Pulp Fiction was widely praised for its unique narrative structure. The film consists of 7 major narrative sequences. There are multiple instances where the movie jumps backwards and forwards in timeline.
This example typifies the benefits of Quentin Tarantino 's obsessive nature, he passed up the temptation to cast someone who in his own words, would leave the character on the page (DrSotosOctopus, 2013) and instead pursued the right person while running the risk of staggering financial loss by threatening to cancel the film in the name of
If there is one thing that Quentin Tarantino is known for, it is his brilliant use of dialogue. In Pulp Fiction particularly, he does not just use conversations as a tool for advancing the plot, but he also as a way to establish characters’ motivations and identities. Pulp Fiction is a crime movie that binds together the stories of the hitmen Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson), along with their boss Marsellus Wallace (Ving Rhames) and his wife Mia Wallace (Uma Thurman), and boxer Butch Coolidge (Bruce Willis). The movie uses unorthodox changes between time and location of the film to tell all of their stories in a more engaging way.
Movies don’t have a complex storyline as movies shorten the story down to a simple plot with slight similarities to the book it is based off of. Most of the time, the script does not do the story justice. Movies are limited as it relies on visual stimulation and having to tell a story primarily through dialogue. It is tough for filmmakers to depict the inner conflicts of a character’s mind thus making it very shallow and lacking in depth. Furthermore, movies are visual and auditory.
