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Relationship Between Othello And Desdemona

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"I am not merry; but I do beguile The thing I am, by seeming otherwise" (Desdemona - Act II, Scene I). This quote was said by Desdemona when she was talking to Iago. She said that even though she pretends to be happy and active, she is still very worried about husband, Othello’s safety. Desdemona falls madly in love with Othello after he wooed her with his adventure stories. They eloped together because Desdemona 's father would not have approved of their relationship. She is used to people telling her how pretty and wonderful she is. By sating this quote, it shows that Desdemona shows that she truly care for her husband but she is so good at hiding her emotions.
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Moreover, Shakespeare presents Desdemona as a celestial figure at the start of Act 3 scene 3, as to when Cassio regards her as being ‘Bounteous’, meaning generous or plentiful. However, the word is often associated with agriculture and because of this; the word could also arguably be linked with the Cornucopia, or horn of plenty, which in Greco-Roman mythology was a personification of the Earth. This makes Desdemona seem ethereal and thus Goddess-like. This is further emphasised as to when Cassio almost dehumanise himself by referring to himself in third-person: “Whatever shall become of Michael Cassio”, which in contrast to Desdemona’s previous Goddess-like appearance, makes him seem almost worthless. Similarly, ‘La Belle Dame Sans Merci’

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Othello had a talk with Desdemona about cheating and knowing she been doing. Othello says, “By heaven, I saw my handkerchief in’s hand! O perjured woman! Thou dust stone my heart.

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Othello: A Close Reading This is an analysis of the lines 260-279 of the third scene of the third act of Shakespeare’s Othello. In an attempt to fulfill the incessant need for comfortable dichotomies, societies tend to be divided into two groups: the ‘in-crowd’ and the ‘others’. These strict dualities, constructed upon the inherent need for adversaries, are often as arbitrary as they are false and based on nothing but fear.

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In both short stories Othello and Antigone are both tragic heroes, they do great things and have great power or strength. In Othello he was hated by some people they tricked him and made him to things that he would never do everything he has done and in the end and ends up dying from false manipulation For example, Othello defeated the Venice’s enemies. Antigone makes sure that a Theban right is a Theban due. But in the end the other evil characters flaws destroyed the two heroes.

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The movie "O" is the perfect representation of a modern-day Othello, each element in the movie from the characters to the plot all correspond to the original play. Though they had many similarities in the plots, characters and even theme, they had minor differences that made it obvious which was the more modern version. For every character in the play Othello there 's a character in the movie that goes through the exact same thing. For example in the play Iago and Roderigo team up and plot against Othello, and Iago pretends that Desdemona and Iago are going to break up so Roderigo can come into the picture but the end of it all Iago ends up killing Roderigo. The same thing happens in the movie.

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Tragedy being a notable theme in both Antigone written by Sophocles and Othello written by Shakespeare, within the play the actions of the main character being Antigone and Othello lead to their own undoing. Antigone’s defiance toward the law Creon had set with the burial of her brother led to her committing suicide because of the punishment he had set for her. As for Othello, he was influenced by Iago to kill his wife Desdemona which then also resulted in him committing suicide. Antigone and Othello both were victims of the control from King Creon and Iago based on lust and satire.

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Prior to Othello’s speech, Brabantio expresses his concerns about Desdemona to the Duke of Venice. Brabantio’s main argument is that Desdemona could not have possibly fallen for Othello since he is dark-skinned and further accuses him of sorcery. Initially, the Duke agrees to support Brabantio’s request for the arrest of Desdemona’s alleged lover, but quickly changes his mind after learning that Desdemona plans to marry the admirable general, Othello. He then immediately confers power to the General and asks him to command the Venetian Army at Cyprus. Othello is aware that he is admired by the people of Venice, but still performs a lengthy speech to further gain support of his marriage to Desdemona.

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Iago uses very clever methods of persuasion and manipulation aimed to use Othello’s hamartia against him, pointing out that “ “She (Desdemona) did deceive her father, marrying you,” so much so that Brabantio “thought ’twas witchcraft”. Through this, Iago is subtly raising the issues of Othello’s cultural differences with Desdemona; a root cause behind Othello’s insecurities with his wife – along with inadequacy due to race, degree of sophistication and age. As Iago prompts Othello to think the worst, his utterances are short and uneasy, revealing the beginning to his downfall, whilst Iago’s dialogue is at length highlighting his growing power of

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Johann Kaspar Lavater once said, “The jealous are possessed by a mad devil and a dull spirit at the same time.” People who have become jealous are taken over by an evil greater than themselves, but are also taken by a insecurity they have inside of them, strong people taken over by jealousy so much- that they change so horribly no one wants anything to do with them. William Shakespeare’s Othello teaches us that in jealousy as either envy or fear, the only thing that could come out is the monster deepest inside of someone that even the best people wouldn’t want anyone to see.

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Most importantly, other lesson that we can gain from this novel is don’t listen to gossip. For instance, life was going pretty swimmingly for Othello as an awesome occupation as a general in the Venetian army, happy marriage to his adored Desdemona. It’s all until the point that he began listening to revolting tattle monger, Iago. The plotting deceiver dishonestly persuades him that Desdemona has been unfaithful: Othello covers her to death, discovers that she was innocent from the beginning, at that point commits suicide.

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The best way to analyze Iago and Emilia’s relationship is too first look at each of the characters separately, and what Shakespeare chose to develop through their relationship. With Emilia, Shakespeare used the relationship to develop her loyal and trusting nature. By showing her listening to Iago (stealing the handkerchief (3.3.336-337)) and believe the best in him (when she thinks Iago feels guilty for Cassio (3.3.3-4), it demonstrates how much capacity she has to be loyal, but only when she believes it is deserved. Furthermore, by showing this capability, Shakespeare sets Emilia up for her death scene. After learning that Iago broke her trust, and is no longer deserving of her loyalty, she chooses to stand up for herself and Desdemona against Iago and Othello; showing her

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Research on the following literary theories: • New Historicism - New Historicism is a school of literary theory that first developed in the 1980s, primarily through the work of the critic and Harvard English Professor Stephan Greenblatt, and gained widespread influence in the 1990s. - When I looked for a definition for New Historicisms I found that it is seen as the every expressive act that is embedded into a network of material practices. - When we look at the Historical Criticism in a novel or a movie it is important to look at the author’s biography and social background, the ideas circulating at the time as well as the cultural era. - New Historicism is concerned with the political function of the literature and also the concept of

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Nadia In the play Othello, by William Shakespeare, the title character is a valiant hero who is in love with his beautiful bride, Desdemona. The play’s villain, Iago, destroys this love by feeding Othello vicious lies about Desdemona, causing Othello to slowly go mad. By the end of the play, Othello, in a fit of jealous rage, murders his wife. This significant change in Othello’s character is not sudden; rather, it is a gradual transformation that takes place after a series of events that occur throughout the play.

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Olson, Rebecca. “ €Too Gentle: Jealousy and Class in Othello.” Journal for Early Modern Cultural Studies, vol. 15, no. 1, 2015, pp. 3–25.

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Othello is a scary and fierce warrior, his love for Desdemona makes him weak and lose control. One of the ways Othello shows his love for Desdemona is by giving her his sacred handkerchief that was passed on to him by his mother. Since it is the first gift that he gave Desdemona, it symbolizes his love. However, if the handkerchief were ever to be lost or given, it would imply that Desdemona has lost her chastity. It can be implied how important is it to Othello by how furious he was when he was Castillo with it, although, of course it was Iago who set them up.

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