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Rhetorical Analysis: The Horrible Waste Of War

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War reporter Ernie Pyle in a eulogy about the aftermath of D-day titled "The Horrible Waste of War" (1944) explains and details the events of D-Day before the beach is cleaned up. In order to communicate the scene before him, Pyle uses a cataloging of images, irony, and imagery. Pyle seeks to write a lasting remembrance of the sacrifice of the soldiers on that beach. In remembering the soldiers, Pyle is cognizant of the interest his audience will have, an audience of Americans, family member, friends, and loved ones. Pyle uses symbolism and repetition to organize his article. Like when he says he spotted jelly-fish with the design that looks like a four-leaf clover. Which is ironic because there are good luck emblems on the …show more content…

He discusses all of the items left behind by the deceased soldiers, such as jeeps, boats, typewriters, and filing cabinets. Then he moves back to the human element with life vests and rafts. Then finally he moves on to the human litter as in cigarettes and family photos. All the inanimate objects that use to mean everything to people now are just debris and destruction on Normandy Beaches shore. He goes in depth about some of the scenery around him on the beach, like the bloody abandoned shoes, broken-handled shovel, and smashed radios. Pyle chose this organization for his article because the audience needed to be eased into the picture of death and destruction. Pyles builds ethos by showing himself to be sensitive to needs of the audience because he has to be gentle for the people of loved ones that’ll read his article with tears in their eyes. Pyles also uses examples of pathos in his article. He shares the sacrifices of all the soldiers he is seeing upon the beach shore, all while honoring them. Ernie Pyle is currently in shock as he was walking down the beach but he's still trying to see the good in this terrible situation. Pyle describes a bible that he picked up that belonged to a soldier and then put it back down. He respected the soldier and the soldier's family that it just didn't feel right to keep the

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To appeal to logos she uses a fair amount of facts and statistics, “In the Army Air Forces, or AAF, there were 52,651 stateside aircraft accidents over the course of the war, killing 14,903 personnel. Though some of these personnel were probably on coastal patrol and other duties, it can be presumed that the vast majority were trainees, killed without ever seeing a combat theater. In the three months in which Phil’s men trained as a crew, 3,041 AAF planes--more than 33 per day--met with accidents stateside, killing nine men per day. In subsequent months, death tallies exceeding 500 were common. In August 1943, 590 airmen would die stateside, 19 per day (61).”

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The strategies of the World War II have been the key to complete missions. In the eyes of many people, the airplanes were one of the essential equipment of the battles in World War II. Also, it was a secret service under the water line of the ocean working like a shadow with targets like Japan supply and combat ships, which were submarines. Submarines were used first to block ships suspecting to have prohibited cargo throughout the British line by the Germans. In addition, they announce to the people aboard to abandon the ship and the submarine sunk the cargo ships.

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Rhetorical Appeals in the Wounded Warrior Project Advertisements The Wounded Warrior Project recruits the aid of the American public to honor and assist injured veterans of the United States armed forces. Through financial aid, the non-profit organization provides programs for the physical and mental injuries of soldiers with little or no cost to the warriors. The organization also offers support services for the warrior’s family (www.woundedwarriorproject.org). Through advertisements, the Wounded Warrior Project hopes to gain the public’s aid to finance the organization’s programs.

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Responding to Ryan H. Blum’s: “Dissent and Metaphor Surrounding the Iraq War” Ryan H. Blum’s (2003) rhetorical analysis, “Making the Familiar Foreign: Dissent and Metaphor Surrounding the Iraq War,” investigates the use of metaphoric criticism as rhetoric in the article “Captive Audience,” by Allan Gurganus (2003). Blum (2003) portrays the use of metaphors as an approach to “move beyond the polemic into the artistic” (p.295) and therefore effectively communicate a perspective avoided by the presidential administration. While Blum appears to recognize the use of metaphors he seems to exaggerate their purpose. Although metaphors may often be used to express hidden meaning, Gurganus’ use of metaphors may merely be to provoke thought and consideration

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A mortified United States Marine observes the dead body of the North Vietnamese as a victim of the deadly Vietnam War in October of 1966, photographed by Larry Burrows. In the photograph you see a soldier with a gun wearing little and torn clothing while looking down at a dead body. The dead body has blood on his chest and hands and is located in the middle of a grassy area. The U.S. Marine is standing over the dead body implying that he is more powerful than the body which lies helpless on the ground while the focal point is on the Marine whose hands are framing the gun he’s holding. The green color of the grass and leaves gives the photo an eerie tone and makes the soldier look helpless and lost.

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Deep in a swarm of 500,000 women, men, and children; a small huddle of girls headed by lead singer MILCK sang their song “Quiet”, loudly, for all the world to hear during the Women’s March on Washington in 2017. Their voices carried a tune of faith, hope, and power, which Jill Lapore echoed in her work “Wars Within”. Lapore’s writing is essential to providing significant insight into the election of 2017 by connecting to past historical moments which many members of James Madison’s student body can recollect and link to the severity of the election results. Lapore uses the connections between the civil war era and present day America to tie together the presence of inequality in simple historical terms. The usage of this connection allows for readers to compare cause and solution to possibly be persuaded to enact change as Fredrick Douglass did in the past.

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As the United States continues to participate in wars across the globe, more secrecy is prone to show up when people begin to wonder if what they see is truly what meets the eye. In the documentary Dirty Wars, directed by Richard Rowley and produced by Jeremy Scahill, a war reporter who is one of the many that tries to investigate the hidden warfare fought overseas. The documentary follows Scahill as he indulges into these cases as he begins to learn about the JSOC (Joint Specialization Operations Command) covert operations in which innocent men, women and children are eliminated with brutal force but for no reason at all. Throughout the film the viewer follows Scahill’s case about the dark side of wars due to the way the United States does not play by the rules. In the film Dirty Wars, Jason Scahill uses a wide variety of rhetorical appeals to inform the public of how every day JSOC forces eliminate the lives of the innocent while enacting a hidden war that goes against all that is right in terms of war, changing the perception of warfare.

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1122 Words | 5 Pages

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In a desperate attempt for peace, as ironic as it may be, we create chaos, resulting in the death of millions at a time. Firearms burn bright in the dim sun, exposing the vibrancy of blood-stained suits. As the bullets penetrate skin, the life of another innocent individual has already been lost. Families never to hear a last, “I love you” before their loved one tragically passes in a loud, chaotic mess. They run towards the danger, knowing exactly what result the soldiers might have gotten in the gamble of life or death.

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