In the introduction to Kendall Phillips’ book, “Projected Fears,” he discusses “horror films that made such an impression on American culture that they became instantly recognizable and, indeed, redefined the notion of what a horror film is.” (Phillips 3). This list of movies includes many favorites, such as Halloween, Texas Chainsaw Massacre, and Scream. Phillips later states his thesis, “...my argument in this book is that these [movies] are the most ‘successful’ and ‘influential’ in American history and that their level of success and influence can be correlated to broader cultural anxieties into which they somehow tapped” (Phillips 3).
Lights Camera Scissors In the story Edward Scissorhands by Tim Burton, the author shows in the establishing shot a big dark mansion. In the story, Edward Scissorhands had been living up there until Peg finds Edward and brings him home for him to adapt to a new life. Burton uses lighting and mise en scene to wrap readers around the suspense and drama shown by burton throughout the movie. Tim Burton, in Edward Scissorhands, uses low-key lighting to show suspense and evil.
The movies are similar to each other in some ways, such as color symbolism, love, and death. For these movies I will be analyzing
Dark Paradise On a smoky hill a huge mansion a man lived, he was isolated and alone. He was unlike any other man he was a creation of a Zany scientist. He had emotions as any other human and had the same body structure one thing was missing though, he had no hands. The scientist died before he could finish his invention.
Many movie directors make films to appeal to their audiences. That’s their job in the film industry. However, a director named Tim Burton stands out above all by his unique style of filmmaking. He gives off a bowl of mixed emotions that gets easily manipulated by his cinematic techniques. In any of Tim Burton’s films, he uses three cinematic techniques such as lighting, camera angles, and music and sound to create a darkness and gothic-like style that helps interfere with what the audience feels.
The concentration is on comparing and finding the changes that history made to this movie genre, especially considering the gender roles. Results will clearly explain the psyche of society in two different periods, which confirms that people reflect the movies as movies have an impact on people. The Introduction It is often said that the element of surprise makes the movie more interesting and leads the plot. There are many masters of storytelling
The Cultural Influences in Japanese Horror Film and Its American Remake (A case study of Ju-On: The Grudge (2002) and The Grudge (2004)) Abstract: Hollywood has produced a number of remakes of Asian horror films, especially Japanese horror films. As the remake is embodies the cultural aspects or American point of view, this research is conducted to see the cultural differences between Japanese horror film and its Hollywood’s remake. Using Joseph Champoux 's observational model and David Edelstein’s Hollywood adaptation rules, this research will identify the specific cultural elements in both movies. The result is separated into two subdivision where the cultural aspects of both country is depicted in both films; the clear explanation of the cause of
One film example that will have a sub-genre is a fantasy film. This type of film usually overlaps or crossover with other genres, like science fiction, and sometimes historical dramas (Goodykoontz & Jacobs, 2014). While going forth with my paper on “The Wizard of Oz”, I will help the viewers understand
Topic 1: Film genres Through the 1995 film “Clueless”, written and directed by Amy Heckerling, the idea that film genres are located in industry and texts and audiences is clearly shown. “Clueless” is an American typical romantic comedy. This film can be seen as a hybrid genre as it include different characteristics of two film genres. In this movie, elements of humour and romance are both illustrated by its generic formulas and story content. The film talked about the heroine Cher goes through her perplexed teenage and finally realizes she is interested in Josh, her stepbrother.
Going to the universities’ library earlier this month to rent three films, - 500 days of Summer, Annie Hall and High Fidelity- was the first step to my critical writing and analysing process. I spent some time at home, to watch these three completely different movies. Although there is one theme that captures the common motif in these three movies, the theme Romance. The standard model suggests that a film wherein the plot revolves around the love feelings and love between two protagonists can be defined as a romance film. It is a well-known fact that love makes people do strange things, Shakespeare himself even said: “Love makes blind”.
Furthermore, the shot styles between the films are reflective of each other. The extreme close-ups, slow moving camera, and mis-en-scene are impactful in creating atmosphere. In the third film, the slow moving camera takes on a presence rather than a character, which embodies the omens that are essential to the films
When vieweing horror media, there are many different techniques used to build the suspense. The technique of using artistic elements is used greatly when creating a suspsenseful mood. This technique is especially used iin “If Cornered, scream” and in “Lights Out.” In “If Cornered, scream” Thurmond uses the act of foreshadowing events to develop the mood. However, Sandberg uses sound effects to build the mood, in “Lights Out”.
Genre Analysis of John Woo & Ramesh Sippy’s Movies Genre is like a language that used by directors and it encodes some important messages about movies. If you understand the genre, you can decode the movies and you can have more information about subtle realities are related with the films. In this article, I will explain the genre differences between John Woo and Ramesh Sippy movies. John Woo is a Chinese director and he grew up in Hong Kong.
There are many things that make a film interesting. This include historical context (ex. social, government, econ, etc.) and the theory around it. Films represent their times and everything that comes with it. On the other side, is the aesthetic.
The romance genre consists of more fantastical, and more lovey dovey topics. Unlike the horror genre which mainly focuses on death and harm to a individual. Unlike the horror genre, the romance genre has less supernatural elements and tends to act more as a prop for many other types of genres. A main aspect of the romance genre is the love between two individuals. This love is often the main point of the story, and is the main theme of prominence throughout the story.
