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Lights Camera Techniques In Tim Burton's Edward Scissor

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In the story Edward Scissorhands by Tim Burton, the author shows in the establishing shot a big dark mansion. In the story, Edward Scissorhands had been living up there until Peg finds Edward and brings him home for him to adapt to a new life. Burton uses lighting and mise en scene to wrap readers around the suspense and drama shown by burton throughout the movie. Tim Burton, in Edward Scissorhands, uses low-key lighting to show suspense and evil. For example, when Peg enters Edwards mansion the lighting is very dark, spooky, evil, and low key. Unlike the high key lighting Burton uses in the beginning of the movie when he shows the neighborhood, the low-key lighting used in this scene makes the mansion have a sense
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Tim Burton uses his mysterious and creepy characteristics and expressed it through his film Edward Scissorhands Burton uses his unique style of editing that helps understand the main character’s, Edward’s, background. In comparison with the editing the sound helps understand the meaning of certain part such as the suspense of what would happen to Edward in the end. The costuming was a peculiar choice, it shows how in the town there was a lot of colors, but, Edward wore an all black steam punk like clothing showing how he was different. Therefore Tim Burton’s character, Edward, is a somewhat reflection of himself. Like Burton he has an imagination in order to create “art”, and the style of clothing is alike to that of Burton’s.

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The lighting used in this scene is lowkey, it makes it look scary which matches Jack SKellington’s

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The Different Ones Everyone is judged in today’s society and make the people who are different than everyone else stand out the most. These so called different people can choose to live a life of despair or grow out of their shell and be proud of who they are. Tim Burton is one of these people. Burton has taken what is different about him and turned it into a career which has made him one of those well-known directors in the movie community.

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For instance, many scenes with the rebels or Ofelia, have blue lighting showing that they are basically the heroes. Whereas the scenes with the fascists and captain Vidal are lit with orange or red lights which means they are the evil characters. It’s the same thing when pan goes to the fairy world where the lighting is very

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Jack and Joy go through their experiences together throughout the movie in different environments both in Room and outside of Room. The low-key lighting of Room represents the gloomy and rough environment they were imprisoned in, and the high-key lighting represents the freedom of escaping Room and exploring the real world. Jack also learns valuable life lessons throughout the film and realizes that there is more to life than just

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There are many distinct elements of a film noir. Strong lighting features, tough female characters, a twisted love story, and crowded yet simple sets. These are just a few of those elements and they all make Blade Runner a film noir. One of the more noticeable elements of a film noir is lighting. Throughout the film, lighting is used to set the mood and atmosphere of each scene.

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In the movie, Edward Scissorhands, Tim burton uses low-key lighting when Peg meets Edward for the first time in a castle. Edward was sitting in a dark corner and there was just enough light to see his face but not his clothes. This shows the amount of loneliness of Edward and that he was sad and frightened but also willing to make a friend when he approaches Peg. Also, in the movie, Charlie in the

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In Burton’s films, lighting is used to show happiness or sadness. For instance, in the movie “Charlie and the Chocolate Factory”, it is shown how dark and gloomy the town is while the factory is disconnected from society compared to when Charlie's grandfather was younger, working in an upbeat and colorful environment. Nevertheless, the lighting in his movies are manufactured for you to think a certain way of something when it could actually mean something else. With the accompany of lighting, Burton’s films

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Secondly, Tim Burton uses costuming as a device in his films to portray his unique style. In his film Edward Scissorhands, his peculiar style is shown through the main character’s wardrobe. Edward, the main character, has uncontrollable, big black hair, and stitched leather clothes. In addition to his crazy black hair and distinct clothes, his hands are made up of many pairs and pieces of scissors, and he has a pale complexion that contains many scars. Burton’s style is shown in Edward because this character is dark, mysterious, and scary.

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The use of background light was an important focus in this picture, there was less attention to lighting the actors faces but in almost every frame there is well placed background light often combined with a moving light source. Repetition was also evident within the visual composition of the frame, the actors were rarely positioned within the center of the frame but always to the left or the right with a light source covering them from behind. Ridley Scott perfectly matches colorful high key light with low key lights creating impeccable contrast, this lighting used could be described as a modern Citizen Kane style. Although this is overall a very dark and low light film, the motif of shadows and darkness allows the beauty of light to truly be

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Tim Burton 's use of this helps show the contrast of the insider and outsider world. When the viewer is watching they get a sense of suspense and start to second guess whether or not they should trust the outsider. In Edward Scissorhands Burton uses a high-key low-key light contrast when Peg is in her car and sees Edward 's house in her side mirror. When the viewers are watching they get a frightened sense and wonder whether or not Edward or whomever is in the house will

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On the other hand, Tim Burton uses low key lighting which is when the scene is flooded with shadows and darkness, creating suspense or suspicion. When Peg shows up to Edward Scissorhands mansion the whole audience is probably cringing in fear telling her to not go in because of the way it looks. Edward is a pretty intimidating character to draw near with but he is the opposite of what some people would think he is, he is actually gentle and friendly. With the use of low key and high key lighting, it is hard to interpret what an upcoming shot or scene is going to look like next. Burton manipulates lighting to create intended effects so your attention is directed to a “focal

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To represent this low key lighting is used in Charlie’s home to show that the reality of his life is there living in poverty. This pattern continues in the cult classic Edward Scissorhands. The town that Edward is welcomed into is in high lighting to signify that it is the life that he never had. He wants to be accepted and loved and this is the place that his wish comes true. Unfortunately we know that his fantasy is unrealistic and there is no way he can live normally.

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The film Lord of the Rings: The Fellowship of the Ring makes use of low key and high key lighting. The low key lighting is seen when Gollum is first introduced in an ominous dark blue lighting that creates suspense and suggests an air of mystery. Further on the unnatural chiaroscuro is created when the Nazgul on his horse stands on a cliff with a lit up background surrounded by a dark forest. This makes the Nazgul seem more mysterious and threatening to the audience.

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Compare and Contrast Romantic Comedy Movies vs. Horror Movies The procedure, order, and methods are always a crucial part of every film. Overall there are many properties, which help with not only making it but also completing it. While creating or watching the film some of the properties are more noticeable than others but that always depends on what the story of the film is. And not only is it that but it also depends on the genre, the date in time, the country, the director and all other small little aspect to show the unique way in which those properties are shown.

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