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Romanticism In The Late 18th And Early 19th Centuries

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Romanticism in the late 18th and early 19th Centuries.
Romanticism was the intellectual and artistic movement that evolved in the late 18th Century, deriving from previous ideologies such as Classical art and Enlightenment thought. Romanticism gave birth to a whole new age and mentality, focusing its intention on emotion, freedom, self-consciousness and imagination. It was ultimately a revolt against all previous social, political and religious conventions. Romanticism made way for balance, harmony and idealization, which reflected on the desire of self without any other systematic influence. Romanticism advanced throughout all of Europe, swaying artists in countries such as England, France, Spain and Germany. The Romantic thought was the …show more content…

An example of French Romantic style which was dominant in the first half of the nineteenth-century, revolved around the imagination of mythical themes playing dominant roles – in other words an illustration of a woman running over dead corpses with a French flag in hand, resembling victory. Eugene Delacroix created “Liberty Leading the People”, which signifies the events taking place during his time, identifying the struggle against repression and tyranny during the July Revolution in 1830. Delacroix 's use of color in this painting is undoubtedly prominent; the bright red, white and blue French flag at the center of the canvas is what identifies the subject matter. The figure of Liberty is the focal point of the canvas, as she commands attention. Delacroix uses this same colors below the flag, to identify the man reaching for Liberty. Delacroix had the same intention as J.M.W Turner, using art to express his emotion on the world around him and bring awareness to the unfortunate events that were taking place in France. In this case and in the case of the French Revolution, Delacroix was determined to influence a fight for freedom – to take the corruption of the political and social world and develop a new world order. The painting was an exaggeration, with the intention to spread a message instead of creating a natural …show more content…

German Romantics believed strongly in the nature of religion (not Catholicism), but the importance of believing in something that attracts you closer to a higher entity. Personal faith and religion was considered helpful for individuals who wanted to live a humble and graceful life. German Romantics also felt strongly about the aesthetics of life and the nature of all things; how they looked, how the simplest things could be the most beautiful. The mutual desire was to leave their viewers in awe, experiencing a sense of emotion that could not be put into words; an example of this would be the painting “Wanderer Above a Sea of Mist and Fog” by Casper David Friedrich. This painting is quite extraordinary, as it touches many bases and can leave any viewer wondering what the artists message is. It is limitless and beautiful. The travelers attire, posture and independence as he is standing alone in the painting, indicates that he is in full control and dominates the outcome of his life; the choices that he makes are his alone and will lead him to where he may desire. The wanderer, in relation to the importance of religion and self growth, can be related to the biblical reference of “sheep”. The wanderer can be perceived as the individual who separates himself from the herd, like

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During the 19th century there were a series of reform movements that occurred. Some of these reformation movements included; the Women’s Right Movement, Abolitionism (Slavery), The Romantic Art Movement and many more. The 19th century Romantic Art Movement was a time that artists and writers allowed nature to have a heavy influence on their works. In the 19th century, Thomas Cole was a romantic artist that expressed nature through his works. Some of these works include, The Voyage of Life, Romantic Landscape with Ruined Tower, and The Subsiding of Waters of the Deluge.

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He is known for doing roughly 1,100 portraits over the course of his career, all showing a strong Neoclassical style. His seven portraits of Washington were done from actual sittings and are constantly reproduced by various artists. His family also carried on an artistic theme, such as his brother James and nephews - Rembrandt and Rubens. He is notably considered a master of trompe l’oeil, which is a painting technique that dates back to the classical era’s of the Greeks and Romans and provides an illusion regarding the material of the object. For example, the ancient Greek, Zeuxis was reported to paint grapes so realistically that the birds would try to eat them.

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As Professor Brunsman stated in lecture, “The colonies had become more British than Britain.” This creates a sense of Christian on Christian homicide. At the time, the British and the colonists had finished fighting the French-Indian War. By placing the church in the center of the painting, Revere was conveying that, the soldiers who once protected the colonists now murder them in the streets. Undoubtedly Revere’s audience felt betrayed and cornered by the British and viewed rebellion as a valid option.

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Jacques-Louis David’s painting of Napoleon Crossing the Alps is a great example of glorifying war. Within the painting, it portrays Napoleon riding a horse pointing in the direction at which he intends on leading his men into battle. The overall image exemplifies a focus on being very strong, masculine, and superior. Napoleon’s superiority is shown through his clothing, and the horse standing up and being white.

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The romantic movement swept across Europe during the nineteenth century. Poets, artists, and musicians at this time encompassed romanticism’s characteristics into their works. These documents will help to gain a better understanding of the characteristics through analysis and explanation. Romanticism is significant due to its characteristics of emotional exuberance, unrestrained imagination, and spontaneity in both artistic and personal life. To begin with, the literary and artistic scenes during this period were filled with emotive individuals.

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The Romantics believed that imagination was the highest embodiment possible (Arpin 141). Amongst the Romantics it was said that imagination was able to discover truths that the rational minds could not reach(Arpin 141). They believed that being creative enough and having imagination would help solve their problems. The Romantics believed in this so much they thought the spiritual realm was real and that spirits would help find beauty and truth (Arpin 143). To the Romantics it was important that they didn't get so caught up in discovering through rational means.

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Joseph Wright of Derby’s painting displays as an artistic response to war primarily because it is a representation of all the soldiers who have died fighting for their country. It illustrates how so many of the soldiers had families of their own and how they were left to grieve with small children. The painting is centered over a family who is distraught next to the dead soldier. The soldier is wearing a red coat, which signifies that this is a depiction of a British soldier in the American Revolution. The fallen soldier face is not shown in this painting because it is meant to embody all the soldiers that have died during the war and the ones that will one-day fall victim to it.

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The Romantic Period was a pivatol and imperavtive moment in artistic histroy began in the late eighteenth and early nineteenth century. The Romantic period was the result of socail and politcal stressors of the French revolution. Individuals during this time period was searching for an opportunity to break from the social normalities and create a sense of indivudlaity in all aspects of their life. In doing so, many art forms broke away from previous norms and became more realstic. In this specific time period, there was a signnifant emphasis placed on expression in all art forms.

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Dark Romanticism evolves from works of the Romantic Period (1798-1870) with characteristics of horror fiction and death. It is taken as a reaction of the Transcendental Movement, which originated abreast the Romantic Period from 1830 to 1860. Known writers like Edgar Allan Poe, Herman Melville, and Nathaniel Hawthorne found that the ideas displayed in the Transcendental works were idealistic and rose-colored, as a result, they opt to alter these works adding their own element hence this was the birth of the subgenre. To explore more about this subgenre we have three Americans mentioned above that are considered as major Dark Romantics authors. Edgar Allan Poe was born in Boston, Massachusetts on January 19, 1809.

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During Jane Austen’s work on “Pride and Prejudice,” Romanticism started to reach its complex, and had strong influence on people’s life, but Austen chose to reject the tenets of that movement. Romanticism emphasized on the power of feeling, but Austen supported rationalism instead. She substantiated traditional principles and the established rules; her novels also display an ambiguity about emotion and an appreciation for intelligence and natural beauty that aligns them with Romanticism. Austen’s “Pride and Prejudice” is one of her most well-known works and even though the text is hard to understand, I would recommend it for high students because to me, it is the most characteristic and the most eminently quintessential work of Jane Austen.

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