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Michelangelo Picoletto Research Paper

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Michelangelo Pistoletto Michelangelo Pistoletto, an Italian Sculptor, Conceptual, and Performance artist was born on June 25, 1933 in Biella, Italy. Michelangelo Pistoletto was born into an artistic family. With an Affinity for drawing his mother enrolled him in Armando Testa’s prestigious advertising school at age 18. After being in school and learning, a more contemporary art style he began to experiment on works of self-portraiture. Pistoletto’s love for contemporary art grew and soon he found his true talent, his reflection. Creating paintings on mirrored surfaces in 1962 is what put his contemporary art career in motion. (Collection Online, 2017) As Pistoletto matured he began to make a name for himself and change …show more content…

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The rags, in contrast, are commonplace, many of them having been used by the artist himself while working in his studio. The placement of Venus so close to the pile of rags that her face can no longer be seen not only allows for the traditional to become eclipsed by ordinary materials, but shows the full spectrum of color and greater dimensions of the rag mound. The way venus is turned to look to the rags and the sort of tools used to produce her statue, shows credit to the art sit for his creativity. (Publicdelivery,2013) The Venus statue strikes a proportional and thin figure, like traditional delineation of Venus as a sexually developed and appealing lady. In fact, the nudity of Venus is rendered with an abnormal state of detail, with her back well defined. Her attractive quality is additionally upgraded by the nearness of the dimples on the back hip zone, over the rear end and underneath the back. This trademark is a notable and broadly utilized marker of physical allure in art.

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Michelangelo famously carved many sculptures throughout his lifetime. One of his most famous pieces is the Rome Pietà. The French cardinal Jean de Bilhères Lagraulas commissioned Michelangelo to carve a memorial piece for his own burial in 1497 (Wallace, 243). The Pietà is currently on display in St. Peter’s Basilica on a pedestal as an altarpiece. William Wallace’s article “Michelangelo’s Rome Pietà: Altarpiece or Grave Memorial?” discusses whether the Pietà should be viewed as an elevated altarpiece or at eye level as a memorial through historical context and the intention of how the work was made to be viewed by an audience.

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The statue's looming and towering presence suggests the goddess's power and reinforces the viewer's awe-inspiring and impressive experience. As I viewed the statue of Hygieia, I was struck by its impressive nature and intricate details. The voyeuristic aspect of viewing a statue of a goddess who is not supposed to be seen naked added to the sense of awe-inspiring and powerful presence. I felt a sense of reverence for the goddess and the role she played in the lives of ancient

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Later on, she was discovered by a magician in Chinatown. She is seen wearing a light blue bandana, which signifies healing, understanding, and softness. She uses a fan-like weapon called tessen. Venus was named after Venus de Milo, the famous statue depicting Aphrodite, the Greek goddess of love and beauty.

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However this is a notion that was likely limited to the upper classes of societies, lower classes, in particular prostitutes, though not depicted nude in statue, were likely exposed in a more public setting during this period. During the Hellenistic period this concept shifted, with an increase in depictions of women including goddesses Hera and Aphrodite (Shipley, 105). This is exemplified The Aphrodite of Knidos and The Winged Victory of Samothrace, showing the growing acceptance of the female form and a more gender-neutral standard of beauty. The increasing focus on feminine beauty in such pieces was an aspect of the new Baroque style of the period, which used elements such as eroticism as depicted through the detailed, thin draped cloth on the sculpture belted to accentuate the goddesses figure. This was meant as a means of

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764 Words | 4 Pages

The attention to detail once again plays a large role in Venus. At first glance it is a contemporary piece that seems calming to the eye, but in reality, it is an eye-opening view into our society’s consumerism. The closer you get, lots and lots of colorful bags create this piece. The women in the middle is another intriguing add on to the piece. Where she is in the middle of the, so our eyes are first drawn to her, and then to the others surrounding her.

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The carver of “The Venus Figurine of Hohle Fels” was depicting a woman in 40,000-35,000 BCE. The debate is over was this a cult object or just the earliest depiction of art. The carver clearly emphasizes the breast, the vagina, the hips and the thigh region. I would like to say this sculpture is emphasizing being a woman, and talking about the sexuality of a woman.

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754 Words | 4 Pages

Michelangelo was one of the most famous artist from the Renaissance period. He was born on March 6, 1475 and died on February 18, 1564. He was born in Caprese, Italy and he died in Macel de'Corvi, Rome. Michelangelo was first became a painter. Michelangelo was many things.

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The sculpture that remains now is a Roman copy of the original Greek work. It is one of the first representation of a goddess completely in the nude. During this time the representation of any female completely in the nude was almost unheard of, certainly not a goddess. Per a Brown University publication, it is regarded as “One of the most famous sculptures in Classical Greece”. The body of Venus is very soft and womanly much like the Aphrodite of Knidos.

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1164 Words | 5 Pages

Similoluwa Oluwole Professor Bult ART 107 13 November, 2015 Michelangelo and his work: Creation of Adam Michelangelo di Lodovico Buonarroti Simoni, commonly known as Michelangelo, was born on March 6, 1475 at Caprese, Tuscany now known as Italy (Roger 2). Michelangelo, like Leonardo, was a man of many talents; he was a renowned Florentine sculptor, architect, painter, and poet. He is credited as the founder of the high Renaissance style and considered the most influential of late Renaissance artists (Houston 16). His works exhibit his remarkable understanding of human anatomy and muscular structure, a skill which he used to incorporate emotion and liveliness into his works. He rarely painted landscapes; his subject matters were mostly human,

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This is the date of the tiny statuette, probably designed to be held in the hand, popularly called the Willendorf Venus and depicting a corpulent female. Like much early art, she was almost certainly a fertility symbol of some kind. Indian temple art, some dating from at least the 1st century BC, often depicts voluptuous female nudes and again, these erotic figures had a serious religious function, representing various manifestations of fertility

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After his tutor left Florence for Spoleto, Botticelli continued to work on improving his figural style he had learned. Then he took sculptural painting lessons from the leading artists of the 1460s. He was able to incorporate the delicacy of figural and sculptural style, and build his own painting style. Botticelli’s career reached its climax during his mid-years, he had fame, contacts and money. Botticelli lived with his family and didn’t get married, since he was never the greatest believer in marriage.

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746 Words | 3 Pages

Made from parian marble sculpted separately before being fixed with vertical legs, this piece of art is usually thought to portray Aphrodite, the ancient Greek goddess of physical love and beauty. Venus de Milo is a statue of a naked woman with no arms, restoration experts have said that the statues arms and original base or plinth have been lost almost since the work arrived in Paris in 1820. It has been said that this was partly due to an error of identification because when the statue was originally reassembled, the other pieces that came of the left hand and arm were not believed to belong to it because of their overall rough appearance. This goddess is often shown with mystery, her attitude always tends to be unknown. However to this day, many experts are confident that these additional pieces were part of the original work of art despite the variation in the final product since it was often common to spend less time and effort to the parts believed to be less visible of a sculpture, Many sculpture reconstruction experts guess that the separately carved right arm of the Venus de Milo laid across her torso with her right hand rested on her raised left knee, hence her clasping the clothing covering

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1165 Words | 5 Pages

Michelangelo 's life like sculptures and paintings were massively influential to other renaissance artists, his artwork was copied and mocked by many artist, and eventually his art developed into an art movement called Mannerism. Mannerist painters exaggerated and elongated human body proportions. From 1520 - 1580 late renaissance, Mannerism was extremely popular until Baroque art came into fashion. Before Michelangelo’s art came into play, artist during the dark ages drew human bodies one dimensional,

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861 Words | 4 Pages

The Birth of Venus was a two dimensional piece of art, painted on a canvas by artist Sandro Botticelli. This painting is currently located in Uffizi Gallery in Florence Italy. Botticelli worked on this painting from 1484 until 1486, making this painting fall into the category of renaissance paintings. Botticelli paints this image of the mythology goddess, Venus. Venus was the goddess who represented love, sex, and fertility.

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1240 Words | 5 Pages

As Susan Rubin Suleiman says in his book, The Female body in Western Culture: ‘In the visual arts- from the prehistoric Venus of Willendorf to the countless representation of nymph,

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