ipl-logo

Seven Film Analysis

962 Words4 Pages

Film noirs first started to show up in America during the 1940s and 50s. These crime dramas had unique styles, such as certain lighting, settings and characters, that turned them into their own film genre. Films made recently still use these techniques. Some of these characteristics are brought over in the film Seven (1995) directed by David Fincher. Seven is a film noir because of the, the urban landscape, dark lighting and the crime and violence. What exactly is a film noir and why were they created in the first place? Let's travel back to the 1940s, many of these films were made after the second world war. Many of the filmmakers who made noir films had lived through German expressionism in the 1920s and many found influence from it. In …show more content…

The film opens right on a crime scene the victim is an overweight man who is laying face down in a plate of spaghetti. The body has purple and white splotches all over it. During this scene we also get introduced to the detectives on the case. One of the detectives David Mills (Brad Pitt) is a new transfer, Detective Lt. William Somerset (Morgan Freeman) on the other hand is about to retire. Somerset is quiet observing the scene and taking in every detail. While on the other hand Mills cracks a few jokes. Later behind the refrigerator carved into the the wall is the word “Gluttony”. Somerset walks into the captain's office and explains to him that this is only the beginning. Not only was this murder brutal and hard to watch, but it is only the start. However what was even more disturbing was when the killer, John Doe explained why he killed the man. As he says in the film, “An obese man, a disgusting man who could barely stand up... who if you saw him on the street, you'd point so your friends could mock him along with you. Who if you saw him while you were eating, you wouldn't be able to finish your meal.” (New Line Cinema). This took the violence and his crimes to another level, almost lingering on it. This makes the audience think back to the gruesome crime scenes and brings everything together into this one

Show More
Related

Six Degrees Of Separation: Film Analysis

662 Words | 3 Pages

Paul’s desire for success in assimilating into the higher-class mirrors Richard Rodriguez’s expanded “Scholarship Boy” by mimicking his mentors, Paul uses Trent Conway’s teachings by trying to “be like his teachers, to possess their knowledge, to assume their authority, their confidence, even to assume a teacher’s persona” (Rodriguez 552). Thus, Paul uses his ability to mimic and act like a scholarship boy by adopting the language of the dominate culture to blend into higher-class lifestyle. Trent Conway becomes Paul’s mentor by teaching Paul the mannerism and language of Trent’s peers at Harvard University and their families. Also, Paul repeated exactly Trent’s teaching to Rick and Elizabeth on adopting the language of

Read More

Summary Of The Things They Carried By Tim O Brien

1276 Words | 6 Pages

Flashbacks of painful experiences are demonstrated when O’Brien recalls every detail of the man that he killed, such as the star shaped hole in his face and his clean fingernails. The line, “Small blue flowers shaped like bells. The young man's head was wrenched sideways.” , O’Brien juxtaposes beauty with destruction. Here, he has found beautiful things to compare death to in order to make it less frightening.

Read More

Miracle Film Analysis

770 Words | 4 Pages

The film Miracle portrays one of the most significant moments in U.S Olympics history. The thought of a group of college hockey players beating the “lab-made” Russians was almost inconceivable at the time. Although this sporting achievement was immense, the political significance of the Americans beating the Russians was far more significant. Following World War II, Eastern and Western nations faced geopolitical tensions, and eventually, entered into the Cold War. While the U.S and Russia never fired a shot during the Cold War, the tension between the two nations was ever-present.

Read More

Heroism In On The Waterfront Terry Malloy

1199 Words | 5 Pages

The movie "On the Waterfront" is an example of Film Noir which literally means black or dark film. Movies like this were more serious and explored more realistic and depressing subject matters. The movie was mainly about the struggle of the working longshoremen in Hoboken, New Jersey against the gangsters who bullied and extorted money from them. The protagonist of the movie is Terry Malloy.

Read More

German Expressionism In Film Detour

1638 Words | 7 Pages

Film noir is a cinematic style that began in the early 1940s that focused on the crime and corruption that occurs in everyday life. Film noir was influenced by two major film movements, German Expressionism and French poetic realism (Schrader 8). While German Expressionism influenced lighting techniques, realism affected narrative and cinematography. The Great Depression and World War II shaped film noir’s cynical tone that fate is uncontrollable. A classic example of film noir is the 1945 film Detour, directed by Edgar G. Ulmer.

Read More

Scarlet Street Film Analysis

1299 Words | 6 Pages

Film noir movies often have stylistic characteristics such as exaggerated lighting and shadows. Scarlet Street contained many subjective camera shots while also using exaggerated shadows, for example during the first scene in the movie, there is an emphasis on the mans shadow as he walks into the room. Which brings me to a crucial point, Black and white filmmaking. Black and white style is considered to be an essential attribute for a film noir movie, black and white allows the director to emphasize on distorting images, for example use of the venetian blind shot. Another continuous pattern of film noir is to include main stock characters, this film contains: an anti-hero and a femme fatale, these stock characters are always seen in noir films.

Read More

Film Analysis: The Way

715 Words | 3 Pages

At some point of your life you meet very special people that carry very similar interests. This creates bonds that can be a very powerful and important part of your life. Some may say that bonds are created between a series of negative events that leads up to friendship. However, this is not true because in The Way, the main characters come together to walk the same path. Each character motivates each other to achieve the overall reason of why they wanted to walk The Camino De Santiago.

Read More

Casablanca Film Noir Analysis

1687 Words | 7 Pages

Those that believe Casablanca is not film noir usually perceive Film Noir as a genre. Noir is not a genre; Noir transcends genres and behaves more accurately as a style of cinema. As styles go, there can be variations of them as we see now with Post-Noir and Neo Noir, noir elements in a different time period of film technology which makes these films slightly different than the style of classic film noir. Themes of cynicism, impending doom, loss, jeopardy of life accompanied by visuals dominated by shadows, strong lines, and overall darkness to the image make up film noir’s style. Noir is not absolute, the beauty of this style is its vulnerability to variation, which is why Michael Curtiz’s Classic Casablanca is film noir.

Read More

Narrative Conventions In The Searchers

2526 Words | 11 Pages

The Maltese Falcon, a film categorised as Film Noir and The Searchers, a Western genre film, are both from different genres but both reinforce and challenge dominant social and cultural beliefs and values throughout each film. Each genre can be broken down into; codes, conventions and narrative conventions. Codes are aspects of the text that help the audience make meaning.

Read More

The Obstructive Mise-En-Scene In The Film The Lady From Shanghai

311 Words | 2 Pages

One style that the Film noir obviously has in this film is the obstructive mise-en-scene. For instance, at the beginning of the film, when the actress, Elsa, sits on the carriage, and first shows up on the screen, there are many shadows fly fast in front of Elsa. The Obstructive mise-en-scene makes Elsa become extremely mysterious and elusive. Also, this

Read More

Lighting Techniques In Blade Runner

810 Words | 4 Pages

There are many distinct elements of a film noir. Strong lighting features, tough female characters, a twisted love story, and crowded yet simple sets. These are just a few of those elements and they all make Blade Runner a film noir. One of the more noticeable elements of a film noir is lighting. Throughout the film, lighting is used to set the mood and atmosphere of each scene.

Read More

The Last Noir In Alfred Hitchcock's Vertigo

719 Words | 3 Pages

Many argue when the Golden age of Film Noir ended. One on the most common arguments is that Orsons Wells A Touch of Evil was the last of the great Noirs. However, the real last true noir may actually be Alfred Hitchcock 's Vertigo which came out later the same year is the true last noir. The first evidence Vertigo gives us is the main character John "Scottie" Ferguson. Scottie is a ex-detective with a past that haunts him.

Read More

Irony In The Tell-Tale Heart And The Lottery

471 Words | 2 Pages

The demonstration of the narrator's imagination unconsciously leads his own thoughts to grow into a chaotic mess that ultimately ends in a death. By murdering, it’s his own way of finding peace. He is portrayed as being a sadist, sick man with an unnatural obsession for

Read More

Breathless Movie Analysis

1529 Words | 7 Pages

Breathless, originally titled ‘À bout de souffle’, made in 1960 is a movie about a small-time thief who steals a car and murders a policeman. The story is about authorities chasing him while he reunites with an American journalist and attempts to persuade her to run away with him to Italy. Jean-Luc Godard, the director of the movie often quotes, ‘To make a film, all you need is a girl and a gun.’, which is probably the inspiration behind this movie. Breathless was one of the movies that kicked off the French New Wave. Like several of his French New Wave members, Jean-Luc Godard started as a film critic, and wrote for the magazine ‘Cahiers du Cinema’ in the 1950s, when he was in his early 20s.

Read More

Conan The Barbarian Robert E. Howard

289 Words | 2 Pages

Conan the Barbarian was created by Robert E. Howard in a series of fantasy stories published in Weird Tales magazine in 1932.[1] For months, Howard had been in search of a new character to market to the burgeoning pulp outlets of the early 1930s. In October 1931, he submitted the short story "People of the Dark" to Clayton Publications' new magazine, Strange Tales of Mystery and Terror (June 1932). "People of the Dark" is a remembrance story of "past lives", and in its first-person narrative the protagonist describes one of his previous incarnations: Conan, a black-haired barbarian hero who swears by a deity called Crom. Some Howard scholars believe this Conan to be a forerunner of the more famous character.[2]

Read More

More about Seven Film Analysis

Related Topics

Open Document