When the author uses that kind of imagery I can picture what everything looks like. The tone that the author uses is upset. An example from the novel would be when Carley gets mad at Mrs. Murphy says that she can’t call her mom. According to the article, “Then I just have one more
Smile Smile by Raina Telgemeier is a book that talks about the challenges you can face during middle school. The author writes the book using her personal experience of 6th grade to high school. She is trying to let people know that there is many obstacles in life. A big part of your life includes you Middle School experience. The book’s character Raina Telgemeier happens to fall upon the many situations a Middle School can offer.
In the short story "Kath and Mouse" by Janet McNaughton, the character Kath is most interesting because she is controlling and entitled, yet she is also hard working and careful. Firstly, Kath is directly described as a hardworking person by the author in the short story. This is demonstrated by the following quote: "She really worked at it, forty-five minutes every day. Not that anyone else knew. If anyone phoned while she was practicing, we were supposed to say she was out," (McNaughton 62).
Have you ever thought about how difficult it might be to go into a different country knowing absolutely nothing, not even language, and something horrific happened to you or anyone in your family? Don’t you think you would feel so powerless, so helpless, so clueless? This happens commonly and it has never had any attention brought to it, at least not until 1998. Anne Fadiman wrote a book entitled, The Spirit Catches You and You Fall Down. This demonstrated a collision of two complete opposite cultures, but they both have the same goal to help the child get better.
The Spirit Catches You The Spirit Catches you and You fall down centers on Lia Lee, an epileptic Hmong Child who is caught in-between care of her loving parents and the responsibility of her caring doctors. Her parents are traditional Hmong’s who are hesitant towards American medicinal methods compared to Hmong traditional methods. While on the other side stands her American doctors, who were educated in American Universities and are for the most part are very much against treating Lia with anything besides the practice they’ve been educated on. This paper will first provide a short summary of the book which will mainly include the Hmong involvement in the Vietnam War. Followed by two anthropological concepts.
Although often used interchangeably, disease and illness differ fundamentally in their meanings and implications. Disease is the commonly thought of concept in which a person suffers due to a physiological or psychological ailment, while illness refers to a culmination of physical, emotional and social suffering of a person. Disease is perceived as the phenomena that affects an organism, while illness affects not only the patient but also their loved ones and community. This distinction is vividly apparent in The Spirit Catches You and You Fall Down, in which Anne Fadiman relays the approaches to a Hmong child named Lia’s epilepsy by her family and her doctors as well as the tumultuous interaction between these caregivers. It is interesting to understand how Hmong culture and a doctor’s
Karen Joy Fowler depicts a family heavily impacted by an experiment to raise a chimpanzee as their own in her 2013 novel We Are All Completely Beside Ourselves. Fowler illustrates how even though leading character Rosemary attempts to hide her monkey-like attributes, her animality is ultimately unveiled. Through Rosemary’s need for attention, shown through her physicality and impulsive choices, she evinces her animal-like characteristics. Growing up perpetually being in the arms of her beloved chimpanzee sister produced Rosemary’s desperation for physicality.
In her essay, Whistling Vivaldi Won’t Save You, Tressie Cottom talks about Ben Staples essay, Just Walk On By, in which he acts differently in public to ease peoples perspective of him. Tressie mentions this particular essay because of a ill-advised shooting of an unarmed black man by the police. She says that Brent Staples is right to a point, like in the case of Jonathan Ferrell. Mr. Ferrell got into a terrible car accident and when he was able to get out of his car he walked over to someone’s house, who had called the police. When the police showed up they ended up shooting him ten times ultimately killing him.
Have you ever felt like you don’t belong wherever you go? Have you ever felt like nothing is going your way? Lynda Mullaly Hunt, the author of One for the Murphys, intriguingly describes the life of a teenage foster child with many problems dealing with her foster family, her real family, and her friends. One for the Murphys is a story about a twelve-year-old foster child, living with a lovely foster family. After her mom went to the hospital for being abused by her step-dad, Carley’s life changed, from being a Las Vegas girl to becoming a Connecticut girl with a family she never knew existed.
The spirit catches you and you fall down: A Hmong child, her American doctors, and the collision of two cultures by Anne Fadiman illuminates the dilemmas, as well as barriers, persons of various cultural backgrounds can encounter daily, specifically when residing in a foreign habitation of different practices, perspectives and beliefs. This book highlights the difficulties one family must face during a clash between Hmong family cultural beliefs and western medicine. Fadiman (1997) brings our attention to these harsh realties that one can encounter when persons are unintentionally culturally incompetent through sharing the story of the Lia Lee and her parents, Nao Kao and Foua, who look for guidance from western doctors to assist their spiritual
It was a time when refugees were fleeing with almost nothing. Most only brought whatever they had in their pockets or hand(Shapiro). They involuntarily left their home so suddenly that most didn’t have time to bring many, if any, belongings with them. The loss of these belongings made them feel like their lives had been turned inside out. In the novel Inside Out and Back Again, by Thanhha Lai, Ha’s family was forced to flee when the war got closer to their home.
With a broken shoulder, the mother is mentioned, “sitting against the side of the red gutted ditch, holding the screaming baby.” Shortly after, the remainder of the family, excluding June Star and John Wesley, join the mother and baby in the ditch. O’Connor uses this trench to symbolize the family’s grave. The family was lost and helpless as they laid on the side of the abandoned dirt road, unable to resolve their situation. The reader can feel the despair of the stranded and defenseless family as they lay in their metaphorical
The end of the poem you see her in a casket with a new nose and makeup and essentially she looks like a doll. Everyone who is there to see her comments on how pretty she. She is said to now have a happy ending. This poem talks about how this girl was just an innocent girl who didn't have any issues with herself till she reached a certain age.
On September 11, 2001, tragedy struck the city of New York. On that fateful day, two airplanes were hijacked by terrorists and flew straight into the twin towers. Each tower fell completely to the ground, taking thousands of lives with it and injuring thousands more. Not only did that day leave thousands of families without their loved ones, it also left an entire city and an entire country to deal with the aftermath of the destruction. Poet, Nancy Mercado, worries that one day people will forget that heartbreaking day.
On the very first line one may notice the parallelism between the two lorries and how this convey the reader a conflictive situation where confusion is primordial as well as the creation of a state of uncertainty by the use of a rhetorical question; “…but which lorry was it now?”. Moving on, on that same stanza, on line 4, the author brings the image of her mother again, representing her death, along with the parallel folding of coal-bags and body-bags accentuate the role of death in Irish