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Similarities Between Jane Eyre And The Great Gatsby

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Throughout history, mankind proclaims a future world close to utopia; however, the results of the present day veers far from ambitions. Repeating the words from The Great Gatsby’s, Nick Carraway, “ No amount of fire or freshness can challenge what a man will store up in his ghostly heart,” reveals that the vivid imaginations of humans always surpass the true extent of the situation. Furthermore, evidence proves Carraway’s assertion through classic novels such as, The Great Gatsby, Frankenstein, and Jane Eyre. Each of these storylines’ characters fall into an optimistic reality compared to the tangible society surrounding them. Within The Great Gatsby, Fitzgerald transcends his readers into the roaring twenties, following the wealthy Jay Gatsby …show more content…

Frankenstein’s innate creation began life with a positive notion of humankind. As his experiences towards humans became more well-rounded, the monster quickly registered the horrid ways humans received him. Even his own creator refused to grant him any possibility of receiving acknowledgement of his existence. Frightened, Victor cowardly escaped from the presence of the monster and lived a fearful life trying to avoid him. This example of the monster’s ambition accurately adheres to Carraway’s perspective of the high expectations held by individuals. Furthermore, the monster reverses his role from innocence to malevolence as he murders the scientist’s younger brother in order to finally gain the notice of Frankenstein. Desperately, the monster tries every option to prove part of his dream of becoming noticed by humans a reality, but he fails and ultimately burns himself as the essence of his ambitions, the scientist, dies. Exemplified in the monster’s failed dream turned into a revenge plot, the core of Carraway’s observation is shown. After his expectations of humans proved false, he quickly turned against them in a vengeance to destroy their loved

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Khang Nguyen Jasmine Le Ms. Brooks English 4 P4 February 6, 2018 Socratic Seminar Critical Questions 1.Why did Frankenstein run from his creation? Victor is the type of person that cannot handle responsibility well. We first see this in Chapter 3, after his mother’s death, “My mother was dead, but we had still duties which we ought to perform; we must continue our course with the rest and learn to think ourselves fortunate whilst one remains whom the spoiler has not seized.”

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1960 Words | 8 Pages

Blinded by Memories How protagonists of Catcher in the Rye and The Great Gatsby are similar by rejecting reality and how it leads to their downfall? The Catcher in the Rye and The Great Gatsby share the podium when best portraying the American dream and experience. Despite differing greatly, J.D. Salinger’s Holden Caulfield’s experiences and inner aspirations are akin to those of F. Scott Fitzgerald’s Jay Gatsby. The Great Gatsby and the American dream and success it illustrates including: wealth, fame, and roaring parties held by Jay Gatsby may initially seem wholly different from The Catcher in the Rye.

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Frankenstein’s Monster is not categorized as evil by his malicious behavior and is sympathized with due to his creator abandoning him and the role of nature versus nurture taken place II. Monster’s Nature and alienation A. Monster originally had an inquisitive nature yet gentle nature a. Information on the German family was “each interesting and wonderful to one so utterly inexperienced as [he] was” (105) B. With the rejection and alienation from society, the only interactions the monster experiences, he becomes full of hatred a. Rejected by De Lacey family by his looks and labeled a monster b. Tries to save a child but is shot by child’s father C. Reader may feel sympathy towards the Monster’s actions because the readers know that his true nature was not evil and he was misjudged III.

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In the protection of his image of self, which is a direct result of a god complex, Victor Frankenstein rationalizes his arguably terrible choices to combat the guilt that stems from his involvement with William and Justine’s

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The novel Frankenstein brings to light many problems and situations that shed light on the faults of mankind. Cruelty was a huge factor in the novel; throughout Frankenstein is cruel to his body and to his creation. When he first makes the creature he runs from it, leaving the creature to fend for himself; even when reuniting with the creature he continues displays cruelty. The creature, in turn exhibits Victor cruelty right back. Within Frankenstein cruelty can be attributed, often affecting both Victor and the creature; serving as a crucial motivator and revealing their anger, pain, frustration till eventually both die.

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A timeless human goal has always been to set visionary goals to advance the coming generations. Although many results can be successful, a great number of them can turn out deadly. In the novel, Frankenstein, Mary Shelley illustrates the result of a man’s visionary motive of creating life, which consequents into the birth of the deadly creature. The creatures understanding of justice is based on eliminating anyone or anything preventing him from reaching his goal; accordingly, his actions to attempt revenge upon Victor only led to his downfall throughout the novel. The creature’s understanding of justice and it’s revenge against Victor is the driving force of the story because it builds up the anticipation the reader has for the final confrontation.

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When people hear the word “monster”, most people imagine a massive, horrid, and grotesque figure that haunts people. While pondering what a monster is, mankind thinks of the outward appearance. Seldom do people think of man’s internal qualities as being barbaric or gruesome. Authors allow readers to create their own images of these terrifying beings. Frankenstein is a thought-provoking novel that empowers readers to have their own opinions about who the actual monster is and what it looks like.

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Over the past century, Frankenstein has been analyzed and interpreted in seemingly infinite different forms of literature, film, and television shows. Once solely recognized as the story about a brilliant scientist who creates a creature in whom he regrets making after the creature turns out ugly, Frankenstein now represents an internationally recognized and commercialized pop culture symbol for Halloween decorations and costumes. When analyzing and appreciating the true literary essence behind Mary Shelley’s original Frankenstein, one of the most important comparisons to consider remains the underlying influences behind the Creature’s immoral actions and whether or not the blame for these actions belong to Victor or the Creature. When exploring the dichotomy of the Creature versus Victor Frankenstein, one of the biggest and most widely debated questions remains whether Victor should be blamed for the Creature’s destructive actions or if the Creature should be considered guilty for his actions based off of his own free will. Many consider Victor Frankenstein the villain of the story due to his repetitive decisions to abandon and avoid his own “mistake,” the irresponsible choice of creating the monster in the first place, and his obvious negligence of the Creature’s feelings.

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The moment Victor Frankenstein successfully infuses life into his creation he is overcome with horror and disgust. Without further examination he is certain to have created a monster, not a human being (Shelley 35-36). However, despite his grotesque appearance, Frankenstein’s creature was not born malicious. During the first stages of his existence, unbeknownst to Frankenstein himself, his acts are motivated by innocence and virtue, which even earns him the title “good spirit” (79). Frankenstein did not create a monster.

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Victor Frankenstein, through his actions, changed his destiny; sadly, his deeds led to the negative effects destiny had prepared for him. He failed to recognize the “hidden power” destiny holds when he sought to make nature accommodate to his superfluous creation. By disregarding the effects of providing life to a lifeless creature, fate, in the end formed a path of suffrage, and took those most dear to him. Unfortunately, Frankenstein’s recognition of destiny’s power was discovered to late and along with those whom he loved, his happiness and peace were also taken

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There are so many creation myths in this world today; we now believe them to be a gift of literature--attention capturing stories like To Kill A Mockingbird or The Great Gatsby. These stories are filled with imagination and detail. Perhaps this is why we find mythology to be so interesting. However, there are multiple similarities between these stories. These similarities are called motifs; an example of a motif is a chaotic start to the world.

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Such passion is seen in Victor’s ‘noble intent’ to design a being that could contribute to society, but he had overextended himself, falling under the spell of playing ‘God,’ further digging his grave as he is blinded by glory. His creation – aptly called monstrous being due to its stature, appearance, and strength – proved to be more of a pure and intellectually disposed ‘child’ that moves throughout the novel as a mere oddity, given the short end of the stick in relation to a lack of familial figures within his life, especially that of parents. Clearly, Victor Frankenstein had sealed his fate: by playing God he was losing his humanity, ultimately becoming the manifestation of Mary Shelley’s hidden desires, deteriorating into The Lucifer Principle by which the author Howard Bloom notes social groups, not individuals, as the primary “unit of selection” in human psychological

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Frankenstein by Mary Shelley is a gothic novel that tells the story of scientist, Victor Frankenstein, and his obsession with creating human life. This leads him to creating a gruesome monster made of body-parts stolen from grave yards, whom upon discovering his hideousness, the monster seeks revenge against his creator, causing Victor to regret the creation of his monster for the rest of his life. Shelley uses the literary elements of personification, imagery, and similes to give a vivid sense and visualization of Victor Frankenstein’s thoughts and feelings as well as to allow us to delve deeper into the monster’s actions and emotions. Throughout the novel, Shelley uses personification of various forces and objects to reflect the effect in Victor’s actions.

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The “rags to riches” mentality of the Roaring 20’s drove Fitzgerald forward in life which perhaps is the reason that his character Jay Gatsby and him are very similar in that they symbolize the American

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The gothic fiction novel Frankenstein by Mary Shelley centralizes on humanity and the qualifications that make someone human. The content of the novel Frankenstein depicts a monster displaying human traits that his creator Victor does not possess: empathy, a need for companionship, and a will to learn and fit in. Throughout the novel Shelley emphasizes empathy as a critical humanistic trait. The monster displays his ability to empathize with people even though they are strangers. On the other hand Victor, fails to show empathy throughout the novel even when it relates to his own family and friends.

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