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St Kucy's Home For Girls Raised By Wolves Summary

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Karen Russell uses epigraphs from The Jesuit Handbook on Lycanthropic Culture Shock to organize her short story, “St. Lucy’s Home for Girls Raised by Wolves.” The epigraphs provide short descriptions of how the humans running the school think the girls will develop at particular stages of the girls’ education. Each epigraph is followed by the memories of Claudette, the narrator of the story, who was a student at St. Lucy’s. Claudette’s development sometimes mirrors the stages described in the epigraphs, but often differs in significant ways. As a whole, the epigraphs do not reliably describe Claudette’s development. The epigraph suggests that new students will be happy during the first stage of their education at St. Lucy’s, because “everything is new, exciting, and interesting” for the students (p. 225). Claudette describes the fun she has with other members of a pack as they explore the environment of St. Lucy’s, as the girls spray “exuberant yellow streams all over the bunks” (p. 225), but this fun is mixed with anxiety, as when the girls sense “some subtler danger afoot” (p. 228) when the nuns approach the girls to give them names. Claudette’s enjoyment of the new environment at St. Lucy’s is therefore mixed with fear and discomfort. …show more content…

240). The epigraph suggests that by this stage, the girls will be adjusting smoothly to the demands of St. Lucy’s. The events of this part of the story reveal how different Claudette’s experiences of Stage 4 are from the handbook’s descriptions. During Stage 4 the nuns organize a Debutante Ball for the wolf-girls and Claudette struggles to meet the expectations of the dance, including her disastrous efforts to perform the Sausalito. This results in her becoming “just a terrified animal again” (p. 243), which makes it clear that Claudette is still not comfortable in human

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Through all the stages of Lycanthropic Culture shock in “St. Lucy’s Home for Girls Raised by wolves” by Karen Russell, the girls will be making a cultural change. The pack will have to adjust to the “human culture. ” While they are assimilating into this culture, they are going to have to make progress quickly, adapt, and over all, enjoy their new culture. The girls must progress quickly because the monks are expecting them to hook on quickly.

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Claudette shows this when she was digging holes with her sisters (Russell, 227). Claudette complete wolf to almost human. During Claudette’s time at St. Lucy’s she becomes extremely happy to be in her

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The short story, “St. Lucy’s Home for Girls raised by Wolves,” written by Karen Russell is about girls, who were raised by werewolves, being given lessons on how to act more civilized. For instance, the nuns at St. Lucy’s are teaching the girls how to speak, read, and understand english. Prior to their arrival at the home, they would speak in growls due to the fact their parents were werewolves. The nuns teach them english by giving them names and later they start assigning them books based on their reading level. Furthermore, the girls are, in a way, taught to be less compassionate.

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In the short story, “St. Lucy’s Home for Girls Raised by Wolves,” written by Karen Russell, a pack of wolf girls leave their home in the woods for St. Lucy’s in order to be able to live in human society. Within the story, Russell has included epigraphs before each stage from The Jesuit Handbook for Lycanthropic Culture Shock. This handbook was for the nuns at St. Lucy’s to help guide their students. Karen Russell included the epigraphs, short quotations at the beginning of a chapter intended to suggest a theme, from the handbook to help the reader understand what the characters might be feeling or how they will act in a certain stage. In Stage One, the epigraph closely relates to the characters’ development, yet doesn’t consider that the girls could be fearful in their new home due to interactions with the nuns.

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Karen Russell’s short story, “St. Lucy’s Home for Girls Raised by Wolves”, is about a pack of wolf-like girls who go to St. Lucy’s to learn how to adapt to a human life. The stages of adapting shows the character 's development and their traits throughout the story. There are many struggles as they adapt to human life, and epigraphs from The Jesuit Handbook on Lycanthropic Culture Shock informs the nuns on what will occur at a certain point in time. Sometimes the epigraphs aren’t entirely accurate. However, Stage Two’s epigraph is quite accurate with its description to Claudette.

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She is not comfortable in the human culture if she resorts to her natural tendencies. While she is preparing to dance, she, “rubbed a pumpkin muffin all over [her] body earlier that morning,” (Russell 242) to mask her scent. This action not only creates humor but also shows that Claudette is not ready to go back and forth from human culture and wolf culture. Normal humans would use perfume to mask a smell, Claudette chose to use a pumpkin muffin because she knew it would mask her odor. This is not a human action, therefore, she does not meet the expectation of Stage

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The appeal of adulthood and independence reaches its apex in fervent children. However, Maria Mazziotti Gillan, poet of My Daughter at 14, Christmas Dance, 1981, conveys the paternal perspective of viewing one’s own kin experiencing the “real” world through her daughter’s first relationship. The Family of Little Feet, written by Sarah Cisneros, illuminates the negativities of young girl’s eagerness to physically develop in hope of acquiring attention from possible suitors. While both pieces of literature possess varying perspectives of epiphanies, Gillan and Cisneros divulge the significance of cherishing one’s youth, as the realities of maturity divest children of their innocence.

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There are many literary devices used across stories. Color imagery is one of these literary devices that is used when colors give objects a symbolic meaning. In the short story “St. Lucy’s Home for Girls Raised by Wolves” by Karen Russell, girls who have been raised as wolves are thrust into the unknown as they are forced to adapt to human society. Their childhood was spent living with wolves, however they are taken in by nuns of St. Lucy’s who attempt to assimilate them into the human world through different phases. Throughout the story, color imagery is used to emphasize the key theme of unity, establish the conflicted tone, and metaphorically develop Claudette’s character.

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What is needed to adapt a girl who has been raised by wolves? According to Karen Russell’s “St. Lucy’s Home for Girls Raised by Wolves” and “The Jesuit Handbook on Lycanthropic Culture Shock”, trying to eradicate the lycanthropic origins of these individuals is a lengthy and harrowing process. In this text, Claudette is one of these individuals who is being rehabilitated. By the end of her stay at St. Lucy’s Home, she is not prepared to integrate into human society. While Claudette has an aptitude for languages and learning rapidly, she is not yet fully capable of living in a civilized society.

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In “St. Lucy 's Home for Girls Raised by Wolves,” by Karen Russell, a group of girls are brought in to learn how to act like humans. These girls were raised to live just like wolves do. At the home, they are taught how to act more civilized and like humans. Some of the girls adjust better than the others. One of the oldest girls, Jeanette, does very well from the beginning, but another, Mirabella, does very badly.

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Analyze Claudette’s development in relation to the five stages of Lycanthropic Culture Shock. “St.Lucy’s Home for Girls Raised by Wolves”, the short story written by Karen Russell, concenters on the narrator and primary character, Claudette who lived as though she was a wolf for the majority of her life. Once being sent to St.Lucy’s along with the rest of her pack, Claudette began to carve a new path for herself where she would become a well-rounded, decent human. The text, The Jesuit Handbook on Lycanthropic Culture Shock that the nuns at the home follow as a guideline through the process of helping the girls adapt to the human culture, assumes how the pack, including Claudette, develop, act, and feel under the circumstances they state

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In Karen Russell’s short story, “St. Lucy’s Home for Girls Raised by Wolves”, she develops the progression of the characters in relation to The Jesuit Handbook on Lycanthropic Culture Shock. The characters, young girls raised as if they were wolves, are compared to the handbook with optimism that they will adapt to the host culture. The girls’ progression in the five set stages are critical to their development at St. Lucy’s. The author compares Claudette, the narrator, to the clear expectations the handbook sets for the girls’ development. Claudette’s actions align well with the five stages, but she has outbursts that remind her of her former self.

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Karen Russel’s narrator, Claudette in the short story “St. Lucy’s home for girls raised by wolves” has a guilty hope that she fails to adapt to her new human culture and exhibits her instinctive wolve traits showing that Claudette has not successfully adapted to the human culture. Claudette wishes to adapt to the human culture but has a difficult time accepting it. The St. Lucy’s home for girls raised by wolves is for girls to learn the human culture. The faster the girls go through the stages, the faster they have adapted and accepted their new culture and can be released. While Claudette acts as if the human culture is growing on her

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In stages, 1, 2, and 3 Claudette is going through stages to become more civilized. On Claudettes journey to conforming to human, she has faced many struggles in becoming human. To start, Claudette “...was irritated, bewildered, depressed”, her pack is “uncomfortable, and between languages.” She is struggling in becoming human because she is stuck between two barriers.

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