The film Girl’s Trip has been applauded for being a celebration of blackness in the primarily white film industry. The majority of the cast and the writers for Girl’s Trip are people of color. The film was much more successful than its “white counterpart” Rough Night in box office revenue and reviews. However, most of the black characters in Girl’s Trip shift through various controlling images throughout the movie. The reason these stereotypes are less obvious than they are in some other films is because each characters portrays multiple stereotypes and different times throughout the film.
Stereotypes in The Outsiders Stereotypes are a big theme in the novel “The Outsiders” by S.E. Hinton, this book explores the life of 2 rival groups: the Socs and the Greasers. While the novel is about the 2 social classes and their differences, it focuses on the life of a greaser named Ponyboy and the struggles he had as a greaser he went through. The novel will teach the differences between the two social classes, how being poorer than one another makes a difference in the kids' lives, and how to never judge a book by its cover. One way the author teaches us about the theme of stereotypes is through the scene where Ponyboy says “we were poorer than the socs and the middle class”. I reckon we're wilder, too.
Society is built upon a grand scale of assumptions and misunderstandings, all of which tend to lead us in a path for the worst. There is, however, a remedy for our seemingly infinite list of problems that lead us to war, hate, and unrest. Unfortunately, this remedy is not very likely to be found because we have not been looking in the right places, which happen to be right beneath our noses. You see, we as a society have spent our lives writing books, directing movies, and painting murals, and yet we have overlooked our own genius; Footloose, The Breakfast Club, and Dirty Dancing. These three movies all share a common thread, and it’s not their epic soundtracks and classic ending scenes.
The novel, “There There” by Tommy Orange follows the stories of a plethora of characters, sharing many unique experiences with the readers. Themes of gender, identity, community, race, and assimilation can be seen throughout these stories, as the characters experience them firsthand. The journeys these characters experience connect these themes to the terms culture, multiracial person, and stereotype through showcasing the impact that these terms have on the characters and their stories. Culture is a term referring to the practices, arts, and achievements of a nation or group of people. Strong traces of culture can be seen throughout the novel, as the characters all have unique experiences with the same culture.
The movie Humpday, is about two men who get pulled into a dare to make a gay pornographic film together. The movie explores levels of bromance between the two male characters, Ben and Andrew, along with trust and communication levels between Ben, and his wife Anna. With a focus on a LGBT pornographic theme, Humpday covers subjects related to the course such as; sexual explicit materials, sexuality in adulthood, introduction into the LGBT community, along with love and communication in intimate relationships. During the beginning of the film, Anna shows that she has a lot of trust in her husband Ben. When Andrew showed up announced, Ben claimed he had no idea his old time friend was coming, in which Anna responded, “I kind of assumed you would have told me if you had a friend who would’ve showed up”.
“The Blind Side” was a movie about a football player that came from adverse circumstances, such as being in the legal system due to an unfit mother, he was behind academically and he was an orphan at one point. The man goes by the name of Michael Oher, who is now an offensive lineman in the NFL, and he has overcome so many stereotypes and obstacles. In the movie, Michael’s home life was the definition of dysfunctional! His mother was a drug addict, his father could not afford to take care of Michael and his brother, Michael is performing academically at an elementary school level and growing up in a neighborhood ridden with gangs, violence and drugs.
The movie Philadelphia follows the story of Andrew Beckett, a young lawyer suffering from the disease HIV. Fearing it would compromise his career; Beckett hides his homosexuality and HIV status but is later found out, when his colleagues notice the illness’s telltale lesions. Fired shortly afterwards, Beckett decides to sue for discrimination, teaming up with Joe Miller, the only lawyer willing to help. Through a rigorous court case, the two end up winning and set a precedent setting case for homosexuality in the work place When Beckett first started his pursuit of equality, he was met with many hardships, most if not all stemming from prejudice. This prejudice came due his contracted disease which carried many stereotypes at the time.
Throughout history the portrayal of gender roles have been maintained by a specific standard, specifically where the man is the main figure, and the woman is the submissive figure that is being acted upon. However, lately, specifically the last ten or so years, many movies have shifted this ideology. These movies in modern times show increasingly more women in positions of power, as well as in marriages where there is an equal amount of power between both the husband and wife. There are also more movies showcasing non-traditional relationships, such as, domestic partnerships and LGBTQ+ relationships. One movie in particular that showcases a shift in the status quo, in terms of the masculinity and femininity expected from individuals especially that of a relationships, is Tyler Perry’s
The Breakfast Club Often times high school students align themselves with one set group of values or expectations causing a third party to assume one’s personality, otherwise known as a stereotype. These stereotypes whether a jock, a trouble-making jerk, a rich popular kid, a genius, or the weird student that that is very misunderstood; cause people to not take the time to get to know one another. Many people would fit into one of these social categories, as do the main characters in The Breakfast Club, produced and directed by John Hughes in 1984. Hughes argues that everyone is different and no one, not even adults, have the right to determine a person’s worth based on their looks or social status. His argument is effective for its intended audience due his use of exaggerated stereotypes and relatable teenage topics.
There are multiple reasons the I Love Lucy television review belongs as an artifact in the database. From the 1950’s to present time is a major transitional period in American society, particularly in terms of the role of women. The women’s movement had emerged, as the rights of women were being revolutionized. In the case of Lucille Ball, a successful entertainment professional, it’s relevant to consider the image of her comedic role in terms of how women were stereotyped in the 1950’s. In this I Love Lucy television review, the author veered from the dangers of changing the format of the series to explaining Lucille Ball’s success as an actress through her comedic personality as a stereotypical house wife who falls into outrageous situations by her zany actions.
“Get Out” is a spin chilling story yet with a touch of comedy, illustrating what it means to be black in America, to summarize, a black photographer called Chris goes on a trip with Rose, his white girlfriend to visit her parents. Worried that Rose’s parents might be racist, he later discovers that the family has several black “servants” who behave oddly, as if they are controlled. He is later unsettled by the visitors at the party who made racially-charged and gauche comments, chuckling over Chris’s built body and announcing, “Black is in fashion!” Chris later realized the chill that he had sensed was right on the mark. The Armitage family turn out not just to be racist, but to be abusing as well as profiting from abducting blacks.
Lulu Asselstine Mrs. Olsen LA 8 5 November, 2017 Stereotypes and Perspectives When looking at a bunch of bananas in a grocery store, people tend to choose the perfect spotless bananas, since stereotypically food that is perfect looking, with no flaws, taste better. However, people soon realize that when you start to eat bananas that have more spots and are imperfect they turn out to be sweeter and better. This connects to stereotypes because people who follow stereotyped will always eat the perfect bananas; however, people who choose to look through another perspective can realize that the imperfect bananas are better. This connects to The Outsiders because Ponyboy realizes this after he talks with two Socs, kids from a rival group named Randy and Cherry. In The Outsiders, S.E Hinton presents the idea that teenagers can break through stereotypes if they look at life through another perspective; as shown in the book when Ponyboy starts to talk to Cherry and Randy and realizes the stereotypes about them are false.
Gender roles and stereotypes are commonly known throughout society and continuously demonstrated as film as well. Through the work of director Judd Apatow, we can compare these stereotypes to the portrayal of gender in Knocked Up and identify how this film pokes fun at gender stereotypes. As we watch this film and follow the story line of Allison and Ben, we can see how Apatow reversed the gender roles of the two lead characters, Ben and Allison and how this effected the films meaning. In romantic, geek centered comedies such as “Knocked Up”, the roles of men and women are often reversed.
Stereotyping is an issue that affects all ages, genders, and races. Not all stereotypes are bad, but when you maliciously stereotype it becomes a problem. In S.E. Hinton’s young adult novel The Outsiders, stereotyping is a significant issue. There are two gangs in this novel, the “greasers”, and the “Socs”. The greasers live on the east side and are known as “hoods”.
The construction of a self-conscious female gaze is the prime objective of feminist theatres everywhere. British feminist theatre practice as elsewhere is an attempt made by women to claim their rightful space in the creative realm of theatre that was deliberately denied to them by patriarchy. The public gaze on women was always the male gaze, one that always wished to see women as objects. It was an ideological position that patriarchy sanctioned as the normal way of looking at women. Women were always the secondary sexual objects for the gratification of male sexual fantasies.
