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Streetcar Named Desire Fantasy Vs Reality Analysis

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Williams’s.play, A Streetcar Named Desire was based on the fantasy of Blanche and the other characters. The characters in the play were concealed from their reality. The idea of Fantasy vs. Reality appeared to bring on the idea that these characters wanted to escape from their world.
This idea was mostly seen through character of Blanche, but several other characters might be observed in the play too.
Stella fell in love with a blue-collar worker namely Stanley. She was mesmerized by his officer suit and shiny medals in first look. As the play progresses Stella’s and Stanley’s relationship became worst. Stanley’s masculinity overtook Stella. In spite of several beating Stella wanted to maintain her good relationship with Stanley. Stella wanting …show more content…

Mitch became failure to marry with Blanche because his mother was sick at home whom he took care of. When Mitch met Blanche he was attracted to her beauty. It was failure of Mitch who was blinded by his fantasy of marrying a perfect woman. The images of Mitch and Blanche showed he had whisked away by her charm and then his disillusion with who she really was. When Stanley told Mitch about her past he called Stanley a liar and defended Blanche. When Mitch confirmed what Stanley said about Blanche, reality set in for Mitch. Blanche was a liar so he did not want to marry her and escaped from her fantasy and lies.
The characters that brought the idea of fantasy vs. reality and escapism was Blanche. Blanche being Stella’s sister, also came from a rich family. When Blanche’s husband died, she spent her money on their funeral and she ended up losing her home. Losing her home could be compared to a princess losing her castle and money but in this story she didn’t have a handsome prince rescue her.
Blanche was much defamed and got bad reputation in the society for sleeping with different men. She wanted to escape this bad habit so she went to visit Stella. Actually what she acted ted here everything in Laurel didn’t happen. Her fantasy began because she was an old-fashioned lady so called proper and

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She also prefers keeping her past to herself because of all the problems she has had. She prefers for people to not find out what has happened and why she is the way it is. An example is when Blanche panicked because they took off the little paper covering the lamp which made the room dim and got pissed because she did not want to show how she looks. Stanley is shown to be the “manliest man” but he is unstable and irrational when he realizes what he has done when the damage has been done. For example, when Stanley physically abused Stella he realized what he had done when he was brought back to his senses.

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Stella’s sister, Blanche, sees through the illusion and can see how toxic the marriage really is. Stanley and Blanche come from distinctly different backgrounds, Stanley is from the working class while Blanche comes from wealth. Williams uses these two contrasting points of views on marriage, to show the issues of possessiveness, class, and sexism. When it comes to Stanley’s marriage to Stella, one of the most notable characteristics is how possessive Stanley is. An example of this is when Stanley found out that Blanche and therefore Stella, lost their estate.

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She refused to leave him when Blanche insisted and didn’t believe Blanche when it came to her being raped. Blanche, Stella, and Stanley all have the same want to be desired. The ways they act and treat each other back that up. Blanche feels the need to be desired by everyone around her, Stanley by Stella and others, and Stella by Stanley. Their lives revolve around desire.

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The Role of Fantasy and Purpose in Individuals “I don’t want realism, I want magic”- Blanche DuBois (Williams 145). In A Streetcar Named Desire, Tennessee Williams presents readers with the acute presence of fantasy in individuals’ lives. Every character fabricates fantasies in his life to gloss over his struggles and forget each other 's flaws. A Streetcar Named Desire evaluates individual’s use of fantasy as a crutch to avoid the hard truths and give purpose to an empty life. Blanche DuBois, the protagonist of the story, uses fantasy to cope with her world crumbling around her.

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In Scene 10, she deviously claims that she has just received a telegram from the millionaire, Steph Huntleigh, to explain why she is dressed up. At first, Stanley plays along, but once Blanche musters up the audacity to say that Mitch returned to their apartment seeking repentance, Stanley draws the line. He calls her out for her fictitious tales of her past, and states, “We’ve had this date from the start,” just before he maliciously rapes Blanche. Their natures root in primal, animalistic instincts, Stanley like a dirty hog, open and free concerning his sexuality, Blanche like a fox, sly and deceitful. Despite her incessant attempts to destroy her past, Blanche is unable to stop their sexual connection as she has had so many other men.

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In other words, Stella is very aware that her sexual relationship with Stanley can help her sort out any problems between them. Also, shortly before Stanley rapes Blanche, Williams says in the stage directions that there were “inhuman voices like cries in the jungle” (399; sc. 10). Blanche, which means white wood, is out of her element in this jungle of Stanley’s and it is she, who once called Stanley “bestial” (322; sc. 4) and “sub-human” (323; sc. 4), who has now found herself being stalked and charged like prey being hunted by an animal. With his sister-in-law present, Stanley has been unable to fulfill his sexual desires and so he releases them out on Blanche.

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A streetcar named desire was written by Tennessee Williams in 1947, in purpose to show the “declining of the upper class and the domination of the bourgeois middle class in the U.S.A. where the south agriculture class could not compete with the industrialization.” Blanche Dubois the protagonist of our story, a southern beauty that is trapped by the restrictive laws of her society. But she broke them, and eventually put herself in a state, where she had no job and no house. So she had to go to her sister, Stella and live with her and her sister’s husband, Stanley. While staying there, she created a façade for her to hide her flaws and kept acting as a lady, where she is anything but that.

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A Streetcar Named Desire Literary Analysis The late 1940’s were characterized by the emergence out of World War II that led to a dependence on the idea of The American Dream, which meant men were working harder to achieve a more comforting lifestyle and opportunity while women were still fighting the oppression of caused by unequal representation. This idealistic dream is illustrated throughout Tennessee Williams’ “A Streetcar Named Desire”, which has a rigid dichotomy between illusion and reality revealed throughout multiple characters and their dysfunctional lives that are a direct result between fantasy and actuality. Illusion is taken advantage of as an alternative to the unfair circumstances that the characters in “A Streetcar Named

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Quote and Explain, In contrast, Stella has both a husband and a child, she has something to work for, leading her to be accepted into society. Although Stella exemplifies these common traits, she falls under the same category as her sister, Blanche. While being depicted as less in comparison to the opposite sex. The intense description of the stage directions in scene three, depicts Stella as the prey and Stanley as the predator as he vigorously abused

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Tennessee Williams wrote “A Streetcar Named Desire” (Williams, 1947) It is based in New Orleans a new cosmopolitan city which is poor but has raffish charm. The past is representing old south in America 1900’s and present is representing new America post world war 2 in 1940’s. Past and present are intertwined throughout the play in the characters Stanley, Blanche, Stella and mitch. Gender roles show that males are the dominant and rule the house which Stanley is prime example as he brings home food and we learn of one time when he got cross and he smashed the light bulbs.

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In A Streetcar Named Desire, the author Tennessee Williams exaggerates and dramatizes fantasy’s incapability to overcome reality through an observation of the boundary between Blanches exterior and interior conveying the theme that illusion and fantasy are often better than reality. Blanche, who hides her version of the past, alters her present and her relationship with her suitor Mitch and her sister, Stella. Blanche was surrounded by death in her past, her relatives and husband have passed away, leaving her with no legacy left to continue. The money has exhausted; the values are falling apart and she is alienated and unable to survive in the harsh reality of modern society. Throughout the novel Williams juxtaposed Blanche’s delusions with

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Stella lived her life depending on him whereas Blanche was currently on her own after her marriage and had no one to depend on but herself. Unfortunately there was a commotion that occured in scene 4 between Stanley and Stella. Blanche went to check up on Stella and was brutally convincing her to leave Stanley. The way that Stella responded to her made her look naive over the fact that Stanley was the issue. When Blanche and Stella were talking, Stella goes, “Stanley doesn’t give me a regular allowance, he likes to pay bills himself but this morning he gave me ten dollars to smooth things over (Williams, 78).

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To Blanche, Stanley originally comes off as appealing however once he rapes her, he becomes monstrous in her eyes. On the contrary, Blanche is not exactly humane as well. Blanche is the extreme version of how a female was represented in the mid-1900s, but takes crazy too far. As opposed to helping Blanche deal with the world, her fantasizing is more destructive then helpful. Stanley’s violent rape of Blanche is a wake up call from her fantasy life, the final straw in her mental decline, leading to her

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