Constance Bowman Reid presents several captivating observations and narratives about being a woman working in a World War II bomber factory in her memoir Slacks & Calluses. Reid and her friend and fellow teacher Clara Marie, referred to as C.M., decided to spend their summer vacation assisting the allied war effort by working the swing shift at a local aircraft factory. Because of their gender, Reid and C.M were forced to challenge many presumptions and biases that the factory supervisors had about their abilities. Despite proving to be strong workers, the duo had to deal with sexism within the workplace and in the world around them. Due to her unique social positioning, Reid offers an unparalleled perspective on several wartime issues that in total provide a comprehensive story with spectacular historical value.
This procedure is not only hard for patients and their families. It is also hard for the physician. There is a pathologist who has received so much criticism for his actions. Jack Kevorkian. Jack is one of the few medical practitioners that openly uses euthanasia.
In this passage, Mildred, Montag’s wife had overdosed on sleeping pills. Once he found her, he called for help. When the technicians arrived, they hooked her up to two machines, one to pump her stomach and the other machine replaces her contaminated blood with clean blood in order to bring her back to life. A paradox found in this passage is that Mildred is alive and dead at the same time. Bradbury uses descriptive details to show how this machine was almost life-like.
Organ donations from one donor can save up to eight lives, and also change the lives of more than fifty people (“Facts About Organ Donation”). What is simply baffling about this statistic is the fact that most people usually don’t consider that something like organ donation could be that impactful. However, in Mary Roach’s Stiff: The Curious Lives of Human Cadavers, she explores the relevance of this process, as well as many other topics associated with the scientific study of cadavers. The purpose that Roach is trying to convey in this novel is to persuade the audience to think about the impact cadavers have had in history, as well as in the world today, and to consider the options she provides as to what can be done with the human body after
His use of jargon, such as “clamp, sponge, suture, tie, cut” and “hemostats and forceps” shows that the main character is a doctor, as they are the only people with this knowledge and access to these medical supplies.
In the first section, Kalanithi uses analysis to look at the moral aspect of operating on patients. He says that he needs to learn the identity and the wishes of his patients so he can have more respect to them as he operates on their brains and could take one of those away from the patient. He sympathises with other medical professionals by saying “Those burdens are what makes medicine holy and wholly impossible: in taking up another’s cross, one must sometimes get crushed by the weight” (98). The word play he employs adds to the effect of how serious it is to operate on someone and know a doctor might take a person 's identity away if the are a millimeter away from where they were suppose to cut.
“A sailor… chooses the wind that takes the ship from safe port… but winds have a mind of their own” This is one of the things Charlotte Doyle, age 13, learned as she voyaged to her home in Providence, Rhode Island, in the novel The True Confessions of Charlotte Doyle by Avi. Raised in the 1830’s and destine to become a lady, Charlotte Doyle endured many changes through out her 8 week voyage. When Charlotte first set sail on The Seahawk she believed she was better than the crew because she was a higher social class. Charlotte took a liking to the Captain because of his social class and his manners. However, as the novel progressed, Charlotte soon found out Captain Jaggery was cruel to his crew, yet the crew was so kind to her.
Jessica Mitford paints a very satirical picture of the world of embalming and uses her many talents to convey her claim that embalming is ridiculous and that people need to know what exactly they’re paying for. Her tone, style, and use of quotations remains solid throughout and never falters or has her readers doubt her
As Fadiman explains, “Lia’s brain-death was a result of American medicine at its worst and best” (Fadiman 142). It is a no brainer that American has the necessary materials and supplies in order to maintain one’s well being; however, if not properly used or distributed, it make end someone’s life. For example, the medicine that could have helped Lia hurt her instead. Due to the Lee’s misunderstanding of Western medicine, they failed to give Lia her medicine multiple times. The doctors prescribe Lia with medication that might or might not help her; however, the lack of monitoring in Lia’s home disrupted that investigation, clouding the conclusion as to what medication helps Lia.
If I were to describe the life of Charlotte Charke in one word, my word of choice would be “odd.” Her autobiography, A Narrative of the Life of Mrs. Charlotte Charke, describes in great detail the abundance of situations where Charke acted in ways that greatly varied from the perceived norm, which I believe played a massive role in the formation of her identity. Her personal narrative perfectly depicts how identity is constructed through a combination of factors that were outside of her control, as well as the things she could control within her life, or in other words, the situations were agency was involved, and the ones where it was forbidden. Initially, one of the first situations where we see Charlotte Charke being impacted by something outside of her control is her acceptance by others.
Four needles of morphine hidden in the chosen artwork would undoubtedly cause comatose. Yet
All of the senses are addressed in this story, you can taste the bitter sorrow felt by both Huttmann and Mac , and hear Mac’s screaming from the pain. Irony is also found throughout the story because of the idea that we do not have the right to die. Death is something that is unavoidable, no body can escape from death. So some doctors are trying to act ‘god’ , how? Simply because they took away the ability to die as we please!.
In her 1967 essay Behind The Formaldehyde Curtain, Jessica Mitford utilizes the rhetorical devices of diction and verbal irony to illustrate the unthinkable, little-known truth behind the North American funeral industry and its manipulation of death. Through her choice of diction used when describing the process of an embalmment, Mitford shows us the horrifying and questionable truth behind it, prompting us to question the American funeral industry's ethicality. In the 9th paragraph, Mitford states during an embalmment, the blood of the deceased person "is drained out through the veins”. The word “drained” could’ve easily been replaced with “removed” or “extracted”, both of them being more suitable and correct terms, but the author chose it because it has a negative
One thing in the video that sticks out is when it stated that they wanted to test out an idea important to science and society. That was clearly a statement about a research subject not of a patient. They were not rehabilitating her; they were studying her. They ran tests on her brain waves, and at least one researcher concluded that she was brain damage. But in the end, it was inconclusive that she was brain damaged from birth.
What is meant here are castration and sterilization of people, endurance test by cold, temperature, pressure, radiation, implantation of dangerous viruses and many other things. It is remarkable that all experiments were made on prisoners without anesthetics. Many "examinees" even were opened in a live state. The twins were the favourite "patients" of the Doctor. (Gutman, Berenbaum, 317-337)
