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Summary Of In The Longhouse Oneida Museum By Roberta Hill

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Kalyn Blabach ENG 11 Literature Analysis 5-10-24 Literature Analysis As we read Roberta Hill’s, “In The Longhouse, Oneida Museum” we see the almost immediate use of personification. By using this literary device we are allowed to connect to the literature and the Oneida people, who are part of the Iroquois tribe and are known as “the people of the LongHouse”. In "In The Longhouse, Oneida Museum" Hill incorporates personification to emphasize the significance of culture, heritage, and memory in her poem. From the personification, cultural influence is bestowed on the readers, allowing the audience to grasp the connection between culture and writing. Roberta Hill was born into the Oneida reservation near Green Bay Wisconsin, she was and currently …show more content…

When recalling the longhouse, Hill's description is in the form of personification. This is because the Oneida culture has a belief that there is life all around. By giving non-living objects living qualities, a deeper connection to the time and place is fostered. The following is a quote that connects the Oneida beliefs with Hill's writing. “Your roof curing its singing mouth above me.” (Hill, 513). This can be directly tied to the Oneida heritage, singing is an attribute the tribe possesses, and giving the nonhuman being the quality to sing, shows the intimacy Hill and the longhouse hold. Hill's writing offers us valuable insight into the cultural heritage Hill experiences, and we can recognize this through her use of personification. By personifying the Oneida museum, we get the sense that culture shifts the way we view things. Some cultures bestow deeper connections to people, places, or things than other cultures do. Through Hill's personification, we get different effects than if Hill were to describe the furnace

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Using personification, the longhouse is revived from its forgotten place in history by describing it as if it were alive or dead. In Hill’s words, “Those nights when the throat of the furnace wheezed and rattled its regular death” (Hill, 513), it is obvious that a furnace cannot wheeze, but it gives the reader a way to visualize some of the sounds and objects in the longhouse. So not only does personification give the house life, but also character. Hill’s use of personification is also provided in a context that implies her connection to the history and culture of the longhouse. This becomes clear when the speaker remembers the house’s “...roof curving its singing mouth above me”(Hill, 513).

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