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Technical Codes And Conventions In The Film Where's My Mummy

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The symbolic and technical codes and conventions of mystery films often are used to provide the audience with suspense, uncertainty and often satisfaction once the criminal’s identity is revealed. The mis-en-scene of mystery films are conveyed through the set designs, props, and costumes. These symbolic conventions specific to the mystery genre are often also integral to the film’s plot. In Scooby Doo! in Where’s My Mummy (2005), props such as the magnifying glass, torches, weaponry, traps, evidence, and disguises are incorporated to form themes of confusion and mystery by providing the audience with misdirection and plot twists. Colour and lighting are also used to convey suspense and to build tension in the audience. For example, the film’s opening scene successfully …show more content…

Discovered secret passageways are also shaded by green and blue animation and lit by low-key lighting obstructing the villain’s identity from view. The shadows are manipulated to create tension such as when the villain enters through a dark cage and when the mystery gang carried out their final plan during nightfall. These effects provide a sinister and if successful, achieves the plot twist reveal by the end of the film. The aim of the film’s diegesis is to capture the attention and anticipation of the audience until the final reveal. The suspense in mystery films is often further supported by fast paced orchestral eerie music and soundtracks as the detectives are closer to discovery the identity of the villain. Lyrical music is heard during a chase seen, warning audiences of “doom” and “curses”. However, the non-diegetic music is an example of the unknown, as mysteries rely on the fear of the unknown. Additionally, the off-screen echoes of characters such as Shaggy and Scooby screaming for help, place the audience in a position to rely on the protagonist’s

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And the circumstance around him is intense and nervous because he is about to die. Later there’s a sound bridge of hooves’ footstep. This tells audience and the kids hooves are coming. Then the kids scream and run away. When the shot turns to when Hushpuppy looking in the window, the music turns light and quick and also loud.

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There isn't as much soundtrack music compared to other thrillers so the film relied more heavily on the sounds that seem to come from both inside and outside of the shelter. Michelle often uses sounds to convey where she is and deduct whether or not it truly is safe to go outside. The sounds of the film are heightened in order to give to film a more unsettling and tense feeling. Invisible sounds help to create these feelings such as the creaking of the stairs, opening and closing of locks, moaning pipes, and when Michelle believes that she has heard a car above her room. The sounds are used to tell the inner story and convey Michelle’s emotions as she struggles to deal with her current situation.

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In it, she explains how music selection plays a vital part in the strategic creation of trailers and movies; hence, marketers must consider the role and impact music will have on consumers. She particularly expresses how “film music can have a strong influence on viewer attitudes toward characters, especially when the images on the screen are open-ended or ambiguous” (Strobin 5). An example from the trailer that utilizes Strobin’s explanation, is when the music lyrics say “There is nowhere to run to baby” while the visuals of the trailer are police helicopters following three red cars (1:46). This alludes to the fact that the main character is being chased by the cops in a red car and leaves the viewer wondering if he will be able to escape. The music, specifically the lyrics, during that scene is one of the driving factors that keep the audience on the edge of their seats; moreover, interested in the film because it adds to the story alongside the visuals.

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Thirdly, to emphasise on Ms Trunchbull’s evil personality even more, Danny DeVito casts a variety non-diegetic and diegetic sounds. In most scenes she is in there are either eerie, suspenseful or ‘Jaws’ like music. The eerie music casts a spooky effect on the scene which makes her seem horrific. During scenes where she is about to frighten another character, suspenseful music is used as if she is coming to attack like the shark off of ‘Jaws’. These sounds are non – diegetic as the purpose of them are to get a set a tense and haunting mood on the audience per situation.

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This description of the sounds is giving the readers a look at what will be happening later in the

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In this particular sequence there is only a faint sound effect of a ding when Tyler enters the room which can predict the confrontation that is about to happen within the sequence. The communication between father and son is very intense and proves how strained their relationship is. The diegetic sound of Charles helps shows the reality the characters are living in. The non-diegetic mysterious sound starts when Tyler bursts into the conference room. The music truly helps to sets the mood of what is going to happen.

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(Agatha, 2011). The silence provides comfort and serenity. However, when that silence is interrupted with an unfamiliar voice, the ten victims fear the suspense. The inhuman and penetrating voice evokes negative emotions such as panic and dismay, which creates tensions among the individuals. The effect of suspenseful details of sound in this book is very similar to the effect of the auditory imagery in Scooby

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The eerie and dark tones lead to the growing knowledge of the characters’ true intentions and motives.

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The Escaping a werewolf scene is introduced by a growl of a werewolf, which stereotypically anticipates danger. A dangerous chase is then evoked by heavy brass crescendos and eerie broken chords played by strings, building up the intensity of the scene. The climax is then clearly identified by the increase in volume and texture of the instruments used, which represents the tension in the victims and anticipation of the audience. The end of the scene is signalled by the clash of the bin followed by the sudden diminuendo of the music which represents the victims have ran away. Moreover, the music and sound effects help to convey anticipation and tension along with

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In the beginning of the movie they used suspenseful music and imagery to keep the viewer more interested and make the viewer want to know what the “Secret” is and this is part of the logical chain of reasoning known as Pathos. Pathos is

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To the unknown eye, Hitchcock has carefully and skillfully used Mise-en-scene to his advantage, causing the audience to feel fear and a sense of caution towards the character of Norman Bates. It isn’t until we reflect back on the scene and notice how intelligently Hitchcock uses the positioning of props and the characters, lighting, camera angle and staging, that we notice how he has added meaning to his characters but has also to the film, creating suspense and fear from one scene to the end of the film. Ultimately proving the point that Hitchcock “the master of suspense” uses Mise-en-scene to not only help make a brilliant film but also uses it as his disposal to add meaning in his

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It makes the overall work more dark and robust.” Avery said that the variety and doctoring of the sounds made her feel disassociated from her surroundings and engaged in the new occurrences within the video. There is not one specific fear or theme to focus on, but rather a

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Another example of a horror film that uses music to convey a sense of fear that runs down the spine of everyone in the audience is The Silence of the Lambs. As the villain is stalking the detective, the lights go out and the music gets louder and builds the suspense of what the stalker will do to his victim. The use of loud percussive sounds intensives the scene and the higher pitched music puts fear into the

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Furthermore, the shot styles between the films are reflective of each other. The extreme close-ups, slow moving camera, and mis-en-scene are impactful in creating atmosphere. In the third film, the slow moving camera takes on a presence rather than a character, which embodies the omens that are essential to the films

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While returning home for a family emergency, I attended my younger sisters fall band/orchestra concert on October 1st. This performance was in the auditorium of my high school, New Providence High School. My sister plays the violin and has been playing for almost her whole life. The principal performers included assortments of string instruments, including violin, viola, cello, and bass. Also, there was an assortment of brass instruments such as trumpets, french horns, and trombones.

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