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The texas chainsaw massacre analysis
The texas chainsaw massacre analysis
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More handpicked essays just for you.
The texas chainsaw massacre analysis
The texas chainsaw massacre analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In the movie “A League of Their Own”, one can see how the more sexist views of the culture in the 1940s and 50s in America was present in the Girls Professional Baseball League. “A League of Their Own” is a movie about what was once the “All-American Girls Professional Baseball League” which was formed when the young men were sent over to serve in World War II. One of the most obvious cultural views that this movie shows is the feminizing of the baseball players to make them “more acceptable and women like”. Unlike men’s uniforms, that include a full shirt and pants, they were to wear skirts that were very short, too short to play baseball in comfortably. This alone shows how this league was just as much about show as it was about the women’s talent.
It tends to upset the traditional power balance between the sexes and construct women as powerful and men as weak and threatened. The femme fatale was; a woman who seduces, exploits, and destroys her partners. O’Shaughnessy was deceitful and homicidal but also smart and ambitious. Their independence and power can be seen as a positive step in the representation of women. These women did not conform to the traditional role of the wife and mother.
Moorhouse establishment of atypical male characters allow the audience to examine the film from a gender’s
Karen Hollinger is a professor of English at Atlantic University, an author and is also a very strong feminist. Hollinger’s essay, “The Monster as Woman: Two Generations of Cat People,” is an essay merely expressing how most monsters in novels or films are characterized as masculine identities and that viewers forget how powerful feminine identities in novels and films can be. Hollinger’s goal in this essay is to explain that feminine monsters are just as frightening all masculine monsters. She uses many references to movies with feminine monsters and expresses how powerful they are compared to masculine monsters and also expresses that males and females have castration anxieties. I think Hollinger succeeded in a sophisticated way because she
SYNOPSIS The Ladykillers is a 2004 American black comedy thriller film directed by Joel and Ethan Coen. The Coens ' screenplay was based on the 1955 British Ealing comedy film of the same name written by William Rose. The remake was produced by the Coens, Tom Jacobson, Barry Sonnenfeld and Barry Josephson. It stars Tom Hanks, Irma P. Hall, Marlon Wayans, J. K. Simmons, Tzi Ma and Ryan Hurst.
I did not know that the writer of the outsiders was a woman until I arrived at the ”speaking with S.E. Hinton …” page at the end of the book. On the page, she talked about the reasons that she disguised her name and her real life experience socializing with boys that led her to write The Outsiders. The novel tells a story of rivalry between two boys’ gangs, the greasers and the socs, from the perspective of a 14 year old boy. Abate (169) acknowledged that, compared to other novels of similar theme, The Outsiders was “lack of true profanity, drug use, and sex acts.” Is it characteristically a touch of femininity that women writer produce when writing about violence?
Throughout history the portrayal of gender roles have been maintained by a specific standard, specifically where the man is the main figure, and the woman is the submissive figure that is being acted upon. However, lately, specifically the last ten or so years, many movies have shifted this ideology. These movies in modern times show increasingly more women in positions of power, as well as in marriages where there is an equal amount of power between both the husband and wife. There are also more movies showcasing non-traditional relationships, such as, domestic partnerships and LGBTQ+ relationships. One movie in particular that showcases a shift in the status quo, in terms of the masculinity and femininity expected from individuals especially that of a relationships, is Tyler Perry’s
What would it be like if the main characters’ genders were reversed? For example, it would then mean that Erik’s name can be an Erika and Tamara could be Thomas. Of course that would change the story, but it would also flip the characters’ positions. If Erika (Erik) were to still be in some type of organization like she was before (The Hitler Youth) she might be in the League of German Girls or she might be a nurse like Tamara was. Erika wouldn’t be drafted since she’d be a girl and if she wanted to go to the League of German Girls, BDM in German, she could.
The thesis the author Dana Britton poses in the article is to determine whether "organizational policy, practice, and slot of hierarchy is "Gendered""(Britton,p. 419). the main goal is to determine if gender plays a major role in work and social relations. The author supports her arguments by using examples from others works on the same topic to support her theory. Britton addresses three different aspects as to how gender plays a role in the workforce. First, by ideal- typical bureaucratic organization is inherently gendered.
In Carol J. Clover’s essay, “Her Body, Himself: Gender in the slasher film” she attempts to analyze the various aspects of the Slasher film and how they deal with gender. In the essay, she gives broad overviews of the characteristics that usually describe the killer and what she
Gender roles are defined as “the role or behavior learned by a person as appropriate to their gender, determined by the prevailing cultural norms,” (Oxford Dictionary). Over time, gender roles have drastically changed in the United States and many other places. In recent history, men and women had completely different expectations and standards to which they were held. Men were considered to be superior to women in many ways. During this time a patriarchal lifestyle was common.
“Gender roles have always been crucial in the horror genre” (Blakeley). The roles of women in horror movies have evolved through the last decades from being almost inexistence to actually surviving the odds. There are more horror movies that portray women as the badass villains and of course the sweet survivor, the “final girl.” Nonetheless, these advances do not mean much when their roles have not been detached from the stereotypes constructed by the misogynist society we live on.
Delve Into the World of Star Wars: The Force Awakens Through the Gender Lens “A long time ago, in a galaxy far, far away…” Star Wars fans worldwide recognize the opening crawl as it appears on the big screen for the first time in ten years. The film gives a warm welcome to familiar faces and greets a new group of up-and-coming actors and actresses, as well as a new conflict. The Dark Side is back in the form of The First Order, and Kylo Ren, son of Han Solo and Leia Organa, has plans of being greater and more evil than his grandfather, Darth Vader.
Amanda Putnam’s essay, “Mean Ladies: Transgendered Villains in Disney Films”, is a compelling piece on gender portrayal and views in Disney films. Putnam opened the essay with a personal anecdote about her daughter. Her daughter wanted a Disney movie without a “mean lady”, as in most Disney films the villains are scary, evil women. The real life evidence strengthened her claim that children are noticing the characterization of female villains in Disney films. The antidote was brought fill circle when she referred back to her daughter in the final paragraphs of her essay.
It’s a classic comparison. Ancient vs modern. Misogyny vs liberation through love. The Taming of The Shrew vs 10 Things I Hate About You. Are these films love stories about men liberating women, or are they exercises in misogyny?