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I grew up hearing the saying that a little girl could have an old soul, or that someone is well beyond their years. These sayings are popular to societies, because they try to explain why certain individuals differentiate from the acceptable norms in ways that may be more complicated than just personality traits. In The Awakening, Edna Pontellier is no exception. Her society’s expectations differ from who she is and how she is willing to act so that she would fit in. Chapter one of The Awakening begins the story with several examples of how Edna does not fit in with her society.
Women during Edna’s time were supposed to be dedicated to their husbands and children, however, Edna yearned for her own independence, and as a result of wanting her own independence Edna knew that she was seen as a terrible person. For instance Edna wanted to “…try to determine what character of a woman I am; for, candidly, I don't know. By all the codes which I am acquainted with, I am a devilishly wicked specimen of the sex. But some way I can't convince myself that I am. I must think about it" (27.4).
Published at the turn of the century in 1899, women had limited writes and privileges in the traditional, patriarchal society, leaving many feeling limited in personal pursuits. A woman’s place was in the home and there would be no arguing about that. The story takes place in Louisiana where the families depicted were financially well to do, especially those on the scenes set on Grand Isle. Women in The Awakening seemed to truly embrace their roles of wives and mothers, finding these responsibilities to be fulfilling, even exciting. Edna was the quintessence of domestic achievement for a woman in the late 1800s, yet despite her advantages she became dissatisfied with her role as wife and mother.
Moreover, when her children tumbled, she will not pick them up just let them get up on their own. In contrast to Adele, Edna is not contributing herself to her family as well as Adele. Edna tries to fit in as the role to be a good mother, but, she cannot definitely, to be a mother-woman cannot fulfill her eagerness to be a special, independent and egocentric person. In Chapter XVI, Edna said to Adele, she would give her money and her life to children, but never herself. And that is what she is trying to understand and recognize.
Edna continually questions whether or not she is destined to live a life of subordination or if she can find her own freedom. Edna Pontellier’s defiant nature is brought out
Edna Pontellier in the novel, The Awakening, is a self-driven woman determined to become independent and free whilst undergoing a significant change in behavior throughout the novel. She attempts to withstand societal expectations by doing certain things that were not socially acceptable during this time period. While doing so, she experiences many different struggles during her awakening. These struggles that Edna undergoes may be described as internal as well as external. In the awakening, there is a constant conflict between inner and outer Edna.
Edna is struggling to choose a identity between a mother, wife, lover etc. She seems to not want to be subject as the possession of anybody. She focuses on independence even denying Robert of her love towards him which if she chose to stay with him, she would be associated with him and therefore labeled. She looks up to Madame Reisz as an independent woman, pursuing her passions and doing as she pleases. "I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn 't give
The title, The Awakening, signifies the self-realization of Edna Pontellier and her own personal awakening. Edna’s character undergoes a dramatic lifestyle and spiritual change. She begins the novel as the typical old fashioned housewife that is expected to look and act a certain way. Edna was a respectable housewife who yearns for a social, spiritual, and sexual awakening
The Awakening is a novel written by Kate Chopin that follows a woman named Edna Pontellier on her journey to self-awareness. Edna lived a comfortable lifestyle with her husband and two children in Louisiana during the 19th century. Despite obtaining all aspects to a perfect life, Edna became dissatisfied after meeting Robert Lebrun in Grand Isle. Robert sparked a desire for unlawful lust as well as a yearning for independence in a society full of conformed standards. Edna was unable to handle the pressures associated with achieving personal freedom which ultimately led to her death.
Edna’s life is less rough than the women because Kate Chopin the author of the Awakening plays with the connection of reality vs. appearance. This connection highlights the situation of people as she puts on a mask to fit the social expectations. In the novel we can see, Edna lives in a life with two different personalities. We can see this at the beginning of the book in chapter 7, “even as a child she had lived her own small life all within herself. At a very early
Edna’s inner identity reaches the breakpoint where it is necessary for her well-being that it is expressed. At this point, nothing else matters besides her intuitions and desires. This brings difficulty to her familiar relationships and friendships due to her rejection of living according to her role as a mother and a wife. Even though this conflict is addressed, it does not make an impact on her decision to remain a bit selfish through this time that she is finding herself. As a way of explaining her state of mind, Edna states that she "would give up the unessential; I would give my money, I would give my life for my children; but I wouldn't give myself.
Edna sets personhood limits on how much she would give up for her children through a recalled conversation with Adele where Edna spoke her views on motherhood: “I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn’t give myself” (47). Her statement is revealing because Edna goes against what society says a woman is supposed to feel towards her children. She would give up superficial things like money, or a even a vital thing - her life - for her children. However, Edna states her unwillingness to become a ministering angel where to reach divine status she would have to erase her personhood, who she is as an individual. Edna will not give up her self for anything.
At the beginning of the novel, Edna had appeared to be recognizing the fact that her life revolves around her husband and her children, and that it is her main duty to care for them. It is mainly Mr. Pontellier, her husband, who tries to establish an image of her being a both a perfect partner and wife. He views her as an object that must be suitable for the eyes of society. According to him, his wife is a “valuable piece of personal property which has suffered some damage” (Chopin 2). He is controlling over her appearance and actions.
In The Awakening, Edna represents desire, impulse, and rebellion. While Adele represents the socially accepted woman, she is submissive, obedient, and a homemaker. This drastic contrast facilitates Chopin's emphasis on Edna’s rebellion, and how drastic it was for the time period. “Edna's experience of self-discovery, "tangled" and chaotic and therefore "vague" or hard for her to comprehend, touches upon a core issue, of individual variation and the uncertainty involved in its creation, expression, and consequences.” (Glendening).
This novel, The Awakening, is about a woman named Edna Pontellier learns to think of herself as an independent human being. Also, Edna Pontellier refuses to obey against the social norms by leaving her husband Leónce Pontellier and having an affair with Robert Lebrun. Kate Chopin describes societal expectations and the battle of fitting the mold of motherhood in the Awakening by how Edna Pontellier and Adele Ratignolle contribute to their family in different ways. Edna Pontellier’s attitude toward motherhood is that she is not a perfect mother-women. Adele Ratignolle’s attitude toward motherhood is that she is a perfect mother-women.
