The Cow Poem Analysis

Humans and animals have from the beginning of time always coexisted in nature and invaded each other 's space. Humans, however, rely on animals and nature to provide them with the basic necessities to survive. Our homes, food, water, and even clothing materials all come from these natural resources. As humans, we exploit these animals and disturb their habitats to build homes and to give ourselves everything we need. Hudgins 's "The Cow" asserts what could be an admirable but evil relationship between man and animal through a use of verbal irony and symbolism, to create a sense of vivid images, attesting to the distance but a connection between man and animal.

Hudgins poem uses savagery in order to clarify the various types of

Although many people would develop faint and be emotional if they saw an animal they invested a significant measure of time with slaughtered, the speaker is unmistakably used to this and has even lost count of the cows. This deadness is in all likelihood a numbing impact of growing up encompassed by this lifestyle. The author engrains grisly images even further into the audience, by finishing the poem with a harsh realization. The cow possesses velvety margarine that was made while it was still alive and is utilized to "slather her chops,"(31). The figurative dialect creates visual images and meaning all through the poem from its encompassing of a childlike adoration for a cow. Nonetheless, startlingly changes into a vague description of the butcher on a homestead. The initial "I love the red cow," (1) appears to establish an immediate emotional connection between the cow, the speaker, and the listener, to demonstrate how relationships are established even when they aren 't intended to and how difficult it can be once you reach the point at which the connection is

By portraying the life and appropriate utilization of a cow through the eyes of a farm kid, Hudgins weaves a lovely representation of human holding. We declare love for some things throughout everyday life, except do we adore anything really? Likewise acquired for cross-examination is the materialistic desensitization of our general surroundings. Through a terrible picture of the cows used in death, Hudgins requests that the reader take a gander at his general surroundings and think about the things and the belonging he uses and parts with once a day. Portraying the life and demise of such a cow through this young man, Hudgins questions the meaning of adoration, as the young man "cherishes" the cow, yet fiercely takes everything the creature has, including its life; and debate the realism that has turned out to be rampant in today