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Film analysis of the dark knight
Analysis of the movie the dark knight
Dark knight movie analysis essay
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The face of normal, everyday heroes starts to look like the face of Superman, and a disconnect between what people
From a young age, children are told that the good guys are the ones wearing the superhero suit: they help those in need while maintaining a good reputation among others. But, most heroes are only known by their “stage name”, like Superman, and Clark Kent doesn’t get the everyday recognition of the people around him, like his alter ego does. If people learn that Clark Kent and Superman are the same, they will view him in a better light. But when an everyday person sees themselves as a superhero, their ego can grow unreasonably high. Geraldine Brooks, in her novel March, shows that an obsessive need to look like the hero is just a ruse for an inflated ego.
This paper describes three particular scenes throughout The Dark Knight and elaborates on those scenes in terms of three specific psychological principles. The psychological principles discussed in this paper is Kohlberg 's theory of postconventional morality, the social trap theory, and antisocial personality disorder. One scene that illustrates Kohlberg 's postconventional morality is Batman 's rather rough interrogation of the Joker. In this scene, Batman is interrogating the Joker in order to receive directions regarding where Harvey Dent and Rachel were (they were strapped up to chairs surrounded by bombs in different locations).
1. Introduction The Dark Knight is part of the Batman trilogy. In this movie, it focuses more onto Batman and The Joker. The Joker is known to be one of the most fearful criminals in Gotham city because of his attacks that is unpredictable and causes chaos towards the city.
Gifted with incredible endurance and super strength, the ability of flight, and an impeccable moral compass, Superman is the quintessential superhero that Americans of all ages have admired and looked up to since his conception in 1938. In Brad Bird’s 1999 feature animation The Iron Giant, the fifty-foot metal protagonist is no exception. Hiding out in a barn, he peers at an issue of the Superman comic book like an amused child with his eyes wide and mouth agape. His closest human companion, nine-year old Hogarth, sits before the giant and explains to him, “Sure, he’s famous now, but he started off just like you! Crash landed on Earth…he only uses his powers for good, never for evil.”
Bob Kane’s fictional vigilante, Batman, is Gotham City’s greatest hero, capable of overcoming difficult challenges and defeating intimidating opponents. However, does the resilient hero have what it takes to face the struggle of love? In “Batman and Psychology: A Dark and Stormy Night”, Travis Langley, the author, delves into the mind of Batman to offer readers his professional opinion regarding Batman’s mental health after experiencing the most unfortunate event of his life, the death of his parents. Dr. Langley carefully analyzed every appearance Batman has made, whether it be comic or film, and studied Batman’s behavior to decode his hidden mental processes. He covers a wide range of mental illnesses such as posttraumatic stress disorder (PTSD), phobias, obsession, etc.
Batman vs Superman For my compare and contrast paragraph I chose Batman vs Superman. Batman and Superman are alike in a lot of ways but there some differences. There are both alike because they are both super heroes, both from DC, and both are good at what they do. Batman in different from Superman is that Batman can’t fly and Superman can fly because his powers. Another thing is that Batman fights in Gotham the most crime ridden city.
Superhero comics contain many conventions such as morals, a motive, extraordinary superpowers, a back story, and so on. Batman and Superman are a couple of superheroes from a wide variety of superhero comics. Both of them try to protect mankind from any hurt, harm, or danger that may come. A similarity between both of these superheroes is that they want justice in the world. With so much crime and torture going on in the world, mankind looks for a higher power to help stop it.
Be that as it may, I will look at Batman to decide the kind of psychological
The film that will be analysed is ‘The Dark Knight’ which is a drama/ crime film directed by Christopher Nolan, which was released on the 16th of July 2008. The director is trying to convey good vs evil through Lighting, sound, props, costumes, setting, camera angles and camera shots. The main characters in ‘The Dark Knight’ are Batman/ Bruce Wayne (Christen Bale), Harvey Dent/ Two-face (Aaron Eckhart), Joker (Heath Ledger), Rachel Dawes (Maggie Gyllenhaal) and Commissioner Gordon (Gary Oldman). The scenes which will be investigated are Wayne’s party, the SWAT car chase and Jokers interrogation.
In the novel “Batman Under The Red Hood” Batman is fighting whoever is under the red hood. Then Batman’s mask is torn off and the Red Hood takes his hood off and Batman seems to know him but it is kept a mystery from the reader. The story leaves the identity of the person behind the Red Hood a mystery until about halfway through the story. We find that Black Mask is gathering help from Mr. Freeze and Amazo the android that has the powers of the seven members of the Justice League. The Red Hood seems to be in a turf battle with the Black Mask by turning his men against him and stealing his shipments of weapons.
“I believe whatever doesn’t kill you simply makes you stranger” (The Dark Knight, 2008), this is the stand out sentence that the main antagonist, The Joker (Heath Ledger) speaks in the opening scene of the movie. Not only does this line set up the suspense for the rest of the movie but it also sets up the suspense for the opening scene of the movie. ‘The Dark Knight’ is a film directed by Christopher Nolan that builds suspense and intrigue throughout the movie, the director uses mise-en-scene, mise-en-shot and editing to put a seed of meaning for the viewer to draw from. This essay will analyse the opening scene of ‘The Dark Knight” mainly focusing on mise-en-scene, mise-en-shot and editing, where meaning can be taken away from the movie. This can definitely be seen in the opening scene of the movie, it has all the components to make it the perfect scene and the viewer will be able
Christopher Nolan’s Dark Knight Trilogy constitutes a rather contemporary manifestation of an extensive body of artifacts in media culture. Media culture, Henry Giroux holds, “has become a substantial, if not the primary educational force in regulating the meanings, values, and tastes that set the norms, that offer up and legitimate particular subject positions – what it means to claim an identity as male, female, white, black, citizen, noncitizen” (2-3). Being the most popular remediation of the Batman over the past two decades, the Dark Knight Trilogy reveals contemporary attitudes of mainstream Hollywood film to issues revolving around sexuality and gender as two of the core facets of identity. In particular, the representation of masculinity,
Stephen King’s birthplace is Portland, Maine. His parents are Donald and Nellie Ruth Pillsbury King. Stephen King is a university of Maine graduate, he graduated with a B.S. in English and a minor in dramatics. King has several major achievements for his literary masterpieces. King is most known for writing novels, short stories and screenplays; not many people know about the children’s book he published.
One of my favorite movies The Dark Knight relates directly to the philosophy of utilitarianism. The theory of utilitarianism focuses on how to increase the amount of happiness in a society. In addition, utilitarianism seeks to distribute happiness to the most people in a society (Pojman and Vaughn 191). In the movie The Dark Knight the characters make important moral choices and utilitarianism can be used to understand the motives of the characters. There is a bigger picture to The Dark Knight instead of just being an action movie because of how the character’s decisions in the movie can be compared to utilitarian principles based on whether the characters make the right moral decisions.