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Similarities between ancient greek art and egyptian
Greek civilization history
Greek civilization history
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The sculpture represented an olympic event that was obviously important to the ancient Greeks and it suggests that the ancient Greeks valued people that are fit and
Response Paper 1 Justin Chau For my research paper, I am going to two about two types of art throughout certain time periods in history. What I am going to compare and differentiate are types of art within the Prehistoric time period, and the Roman time period. Within time periods in general, there are artworks that are relevant throughout their existing time period, and picked up later in future generations, where people can learn about their past cultures and various types of art. For the first time period, the Prehistoric period, it includes the Paleolithic culture and its art. It is divided into three parts.
During the classical period from 500 to 300 B.C., the ancient Greeks experienced an age of long-lasting cultural developments. The developed in the areas of democracy, literature, but most importantly in art because art embodies that Greeks ideas and theories to be perfectionists. The Greeks created long-lasting developments in the areas of art during the golden age. According to document 2, Greek architects created one of the finest and most advanced buildings in the entire Ancient world. Not only did the Greeks create appealing buildings, but they would concern the areas of proportion and accessibility.
”-Melissa Bury. The Ancient Greeks had a fixation on an “ideal” world. This was prevalent in their architecture, and in their art of the human body. However, the Greeks pursuit for perfection ends up being just a pursuit, as the goal never can be or will be
Creating an amazingly life-like appearance to its sculptures, not only demonstrated, in my mind, a higher intelligence, but is defiantly a tribute to their focus on superior strength and fitness. Although the realistic style was soon changed to create an even more ideal human figure, the understanding of the human body and how to recreate it through art was only the beginning of Greece’s contribution to the “classical ideal.” After their rise to power, gained by their triumph over Persia, the Greeks again changed the way we see art. This time they turned to their knowledge of geometry, focusing on the creation of grand architecture as their medium.
The ultimate purpose of the art object until the Hellenistic period is to be a figure of human perfection and the Ideal, most commonly in the form of a ruler or a deity via body politics. Anatomy and physiology of the statue or relief is often used to further the pancultural concepts of the Ideal as opposed to the physical representation of a specific, imperfect person. The conept itself speaks volumes about the culture from which it originates, and what that culture valued most of its people and of their lives. However, as the centuries thundered by and civilizations rose and fell, there is a clear shift in the artist’s attitude towards his or her art, and the artist begins to wean away from an aesthetic realm of perfection to the portrayal of a specific
Ancient Greek culture is majorly influential in Western culture. Major works of literature, art, and political structure from ancient Greece remain relevant to modern Western society. However one can contrast these two societies by observing and valuing the art of ancient Greece. One can differentiate ancient Greek culture and modern Western culture by analyzing the treatment of religious figures, attitude towards emotion, and reaction towards nudity in each society. Ancient Greece was a polytheistic society.
Throughout the Archaic period, the majority of Greece’s affluent cities were ruled by tyrants. This “age of tyranny” as it was named, was not only a transitional stage in the Greek polis’ political development, but in the development of art during the Archaic period as well. A Greek tyrant was someone from the aristocracy that gained his political power through a military coup. In order for the military coup to be successful, along with the continuation of the tyrant’s new-found power, he needed the full support of the people.
During the ancient times many cultures and races viewed art as something important for their lifestyles and part of their culture. Portraiture was one of the often used forms of art that either represented someone who once lived or a god that they worshipped. These forms of art were really important for various reasons, whether it was for worship, remembrance of the person or god, remembrance of an important day, tomb markers, etc. Three examples of portraitures made during the ancient times are: ‘Victory Stele of Naram-sin’, ‘Hatshepsut with Offering Jars’, and ‘Khafre Enthroned’. Each of these three pieces of art played a big role on the lives of the owners because it depicted them in the way that they wanted to be depicted.
Ushistory. Org states “Ancient Greek art emphasized the importance and accomplishments of human beings. Even though much of Greek art was meant to honor the gods, those very gods were created in the image of humans”( Ushistory.org, 1). Ancient Greek sculptures made of either stone or wood and very few this day. Some sculptures the greeks made were freehanded, human form and preferred nudes.
Ancient Greek shaped the ideas of the what art should look like, and Greek culture plays such an important role of building the foundation of the western civilization. His ideas is absorbing, spreading and developing along with the conquered by Rome. Greece is kind of materialism, they barely believe the world in the mental, they prefer the world is all made by material instead. All the art work is the best example of Greece philosophy of life. The ideas of democracy, wisdom, religion is reflected in the Greek artwork, also represent the ancient people’s intelligence and creativity.
Art was, and still is, a very popular form of expression within societies. In Ancient Greece, visual arts such as paintings, pottery, and architecture were just some of the many significant mediums through which art was created. These artworks flourished and were found all over cities expressing their values of religion. The government also had a strong influence on the creation of large scale artistic projects, reserving land for the creation of temples and palaces. One such reservation was made for the building of the Acropolis, home to one of the greatest Greek buildings the world, The Parthenon (see figure 1).
Uncontrolled emotionalism and shameful truth were now common characteristics to most of them. Still throughout the hellenistic, many sculptures were distinguished by their calmness, grace, and compassion for human suffering. The Ancient Greek sculptures were commonly made from stone or wood and very few of them are still existing to this day. Many were made to reflect the image of a freestanding human form even when the statue was of a god, and for this reason many of the sculptures were naked, the Greeks saw nudity as something beautiful. Other of the sculptures showed athletic figures, to essentially portray what the Greeks perceived as an ideal human and what it should look
The people believed in the worship of multiple gods, a polytheistic society. Most Greeks and Romans were deeply loyal to the gods they worshipped and tended to find inspiration from their worship of gods and muses. Hence their love for their sculptures of curvy naked ladies, tales of mythology because of the taboos attached to them and the freedom to choose their religion of Gods or deities. (MindEdge, 2014). B4.
Sculpture specifically focused on both human potential and achievements, plus the human experience. Firstly, the Greeks often sculpted humans instead of animals or monsters, which is human-centered enough. When they did sculpt gods or goddesses, these deities were anthropomorphic, having human characteristics. Classical sculpture used nudity to depict the ideal human form; subjects were often young male athletes or soldiers, epitomizing human potential and achievement. Hellenistic sculpture was more realistic and emotional, where the subjects were everyday people; this style focused on the struggles included in the human experience.