The quote “Life isn’t about waiting for the storm to pass it’s about learning how to dance in the rain” means that we should learn how to our lives even at struggling times of our lives. There are times when we are feeling down or going through tough times. Weather it’s bad grades or a tragic event. I can make a text to text connection from this quote. In the book “We Beat The Street” by George W Jenkins, Rameck Hunt, and Sampson Davis, is about a how three african americans from Newark, New Jersey became successful doctors.
In Karen Russell's short story, “St. Lucy’s Home for Girls Raised by Wolves”, a pack of wolf-girls are sent to a church to transform them into human-girls. As they journey through their transformation there is a guide called, The Jesuit Handbook on Lycanthropic Culture Shock that helps the nuns running St. Lucy’s. The book describes the transformation in stages to help determine the girls’ place as a human. Claudette, the narrator, arrives at St. Lucy’s with her pack to begin their transformation. She struggles through most of the stages, but succeeds in only a couple of them.
The House on Mango Street recounts many disturbing violent stories. One of the most notorious characters is Sally. She is a beautiful girl who is maltreated by her father. Sally’s conduct is not decorous. She likes to be surrounded by boys and she has a promiscuous attitude (Kuribayashi, and Julie).
Cleaning houses are a girl’s best friend. Or is it diamonds? In The Dirt Diary, by Anna Staniszewski, the main character, Rachel Lee, must clean houses with her mother in order to pay back the money that she stole until her mom finds out about her purchase. Rachel uses the money to buy a one way ticket to Florida, where her father ran off to, to bring him home.
The room comforted him, the air was warm and cozy, and the smells in the home were nowhere close to the ones in the disgusting pound. The smell of their lovely house was glamourous and homely and made all the dogs pleasantly overjoyed. The man and women always have the biggest and joyous smiles and, The touch there nice, cheerful hand brought a pleasant joy to Rufus as he lay upon the floor getting pet. When, Rufus awoke the next morning to a fresh breakfast and a delicious,taste bud tingling meal he knew this was where he belonged. He knew this was his new home and this is where he would be forever.
Some people think that the dog was better off dead, “'Why’n’t you get Candy to shoot his old dog and give him one of the pups to raise up? I can smell that dog a mile away. Got no teeth, damn near blind, can’t eat'" (Steinbeck 18). Readers often refer to this quote to assume that the dog was suffering and should be killed off for its own good. Many people perceived the situation differently because it is a dog not a child, not a woman, not a man.
And Christopher Mulholland’s is nearly a year before that-more than three years ago’” (Page 66). It is highly peculiar for an extremely cheap bed and breakfast to have only a few visitors over the course of three years. This piece of information may reveal that the landlady has an ulterior motive besides earning money and receiving visitors. A final foreshadowing clue that convinces readers of what will happen to Billy Weaver is, “‘No thank you’, Billy said.
But it was for Billy because it was for something he wanted something he needed and had worked ever so hard for. Not only does he get the dogs but he also loves his family and brings them gifts too. That is the loving part of undertaking a mission. All around Billy tried his hardest and didn’t give up. He ended up getting what
What is right and what must be done are two different concepts. Often times, life requires people to do what must be done in order to save themselves, or others, from negative consequences. The characters in John Steinbeck’s Of Mice and Men illustrate how people implement remorseful decisions with astute intentions to help ease the consequences for those they care about. Lennie is a sizable, amicable guy.
The dead dog became the major symbol of house’s alienation. The system let the injured and exhausted animal in, but did not do anything to try to improve its condition. It returned to habitual schedule that was a more important link to the past than the family’s pet. “The dog frothed at the mouth, lying at the door, sniffing, its eyes turned to fire. It ran wildly in circles, biting at its tail, spun in a frenzy, and died” (Bradbury 2).
Pet owners say that they will take care of their pets no matter what. Bilger’s argument is that people’s love for their pets has gone too far. Although Bilger is incorrect because some people use the money to help their pets, he is primarily correct because people spend their money on stuff their pets don’t need and how some pets are forced to endure more than they have to. I concede that bilger is wrong because In “The Last Meow” the Leverings were willing to spend 15,000 dollars on their cat Lady to help her. Shawn Levering said “If Lady comes through this thing alive, I won’t think about it twice.”
The author of One Flew Over the Cuckoo’s Nest, Kesey, presents the ideas about venerability and strength by using his characters and the way they interact with each other to establish whether they are a submissive or a dominant, tamed or leading, venerable or strong. Kesey uses strong personalities to show the drastic difference between someone who is vulnerable and someone who is strong. Nurse Ratchet is a perfect example of how Kasey presents the idea of strength over the venerability of others (the patients). Keys also exhibited vulnerability throughout characters such as Chief Bromden and his extensive habit of hiding himself in all means possible from Nurse Ratchet. Another idea presented by Kesey is a character’s false thought on what
What surprised you about each of these works? In The Birchbark House, I was surprised when Old Tallow told Omakayas the story about why she and Nokomis, her grandmother, didn’t get the chimookoman’s sickness when the rest of her family did. I had completely forgotten that Omakayas was the only survivor of smallpox on Spirit Island. The book was very intriguing making the brief prologue forgettable until I was reminded of it.
To be trapped in one's own mind may be the worst prison imaginable. In Charlotte Perkins Gilman's "The Yellow Wallpaper", the narrator of the story is constantly at battle with many different forces, such as John, her husband, the yellow wallpaper that covers the walls of her room, and ultimately herself. Throughout the story the narrator further detaches herself from her life and becomes fixated on the yellow wallpaper that surrounds her in her temporary home, slowly driving her mad. The narrator of "The Yellow Wallpaper" is a major and dynamic character as she is the main character of the story, and throughout the story her personality and ways of thinking change drastically.
Henrik Ibsen’s A Doll’s House is a play set in 19th century Norway, when women’s rights were restricted and social appearance was more important than equality and true identity. In A Doll’s House, Nora represents 19th century women entrapped by society to fulfill wifely and motherly obligations, unable to articulate or express their own feelings and desires. Ibsen uses Nora’s characterization, developed through her interactions with others as well as her personal deliberations and independent actions, language and structure in order to portray Nora’s movement from dependence to independence, gaining sovereignty from the control of her selfish husband, deceitful marriage and the strict social guidelines of morality in 19th century Norway. Initially, Nora appears to be a dependent, naïve, and childlike character; yet, as the play unfolds, she appears to be a strong, independent woman who is willing to make sacrifices for those she cares about as well as herself.
