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Effects of peer pressure amongst the youths
Peer pressure and its effects on the youth
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In the nineteenth century, woman had no power over men in society. They were limited in their freedom, as their lives were controlled by their husbands. Some women did not mind this lifestyle, and remained obedient, while some rebelled and demanded their rights. “The Yellow Wallpaper” by Charlotte Perkins Gilman, and “The Birthmark” by Nathaniel Hawthorne, are short stories that exposes the lifestyle women lived in the nineteenth century. The protagonists from both stories, Jane and Georgiana, similarly lived a male dominated lifestyle.
While looking through a feminist lens and reading/watching both Romeo and Juliet and West Side Story, one notices a lot about women. How they are depicted, how they’re treated, and what opportunities they’re given. However, the question most observed in both stories is how much agency they have. Agency is defined as the ability to change their circumstances and when analyzing text in a feminist perspective, women often have little to no agency. From a feminist literary lense, both Romeo and Juliet and West Side Story depict female characters with agency stripped from them.
In “The Painted Door” by Sinclair Ross, “The Yellow Wallpaper” by Charlotte Perkins Gilman, and “Behind the Headlines” by Vidyut Aklujkar, inequality and dissatisfaction are central topics shared by all the stories. Ending with some sort of a rebellious act which changes the protagonists’ lives, the three authors deal with the fact that inequality or isolation may lead to a breakout behaviour of the victims. The wives, Ann from “TPD,” the protagonist of “TYW” and Lakshmi from “BH,” are dissatisfied with their lives as they live in inequality and loneliness; this causes them to finally act out in some way, standing up for themselves. their breakout behaviours not only change their own lives but also the lives of their husbands. Inequality
Confinement can tear a woman apart, but the desire for freedom from society is embedded deep in the heart of all strong
Despite its dull, ordinary setting, “I Stand Here Ironing” by Tillie Olsen is an extremely deep short story covering complex socio-economic issues spanning over two—very eventful—decades. The story shows how economic hardships could physically alter the stereotypical gender roles, while cultural traditions kept them mentally intact. When these two elements contradicted each other, they left women, like Tillie Olsen’s character, feeling emotionally responsible for the consequences. Although her husband left her and she was forced to assume the role of both the breadwinner and the homemaker at only nineteen years old, she blames herself for neglecting what was thought to be her primary duty as a woman: motherhood. As the reader can tell from
Her refusal to submit to her social destiny shocked many Victorian readers when the novel was first released and this refusal to accept the forms, customs, and standards of society made it one of the first rebellious feminism novels of its time (Gilbert and Gubar). This essay will discuss the relationships Jane formed with the men she encountered throughout the novel and will attempt to identify moments of patriarchal oppression within the story. The first act of patriarchal oppression Jane experiences is quiet early on it the novel, during her childhood years spent at Gateshead. It is here where she must endure to live
where women were treated not equally as men . in this era women were controlled by the dominant male in their family like our protagonist Emily Grierson was controlled by her father, who thought all men weren't good enough for his daughter as a result Emily was all alone when her father died and Louise Mallard controlled by her husband. She describe her husband as full of love and always nice to her but, she is relieved that she gets to live freely after he died. Which indicates that she wasn’t treated that well as she
Sylvie and her mother are expected to follow rules and to do chores with no questions asked. When Sylvie leaves the house in the early hours of the morning with her mother, Sylvie is thoroughly confused. Her main question when she left with her mother to Halifax was “how would Pa and my brothers cook their dinner? How would they make their bed?” (Wilson, 1990, p. 2).
Ultimately, the series follows a slow but steady progression of the roles that women played in British society. While their pre-war lives were marked with domesticity, women eventually found opportunities that allowed them to pursue other means of employment and fulfillment in the years after the
Kingston’s mother exposes the story of her aunt to her as somewhat of a warning. Kingston’s mother explains to her how crucial it is to understand that what she does as a woman in their society is looked upon closely
Growing up as a woman has been quite difficult in this generation, however, growing up around thirty years ago must have been more difficult. Back in the 1900’s, women had different social norms to deal with in society. Women had to stay at home, be housewives, do the laundry, and cook while men went out and worked to obtain money for their family. In Story of an Hour by Kate Chopin, she tells the struggles that women went through back in the 1990 's and the social norms that women had to go through. Chopin addresses many instances of symbolism to portray the feeling Mrs. Mallard has about her own thoughts and experiences with or without a man in her life.
There are no such things as crime, violence, or diseases on this island. Although the women depend on themselves to cook, clean, take care of the children if they want any children, and to work. In Charlotte Gilman’s short novel “Herland” (1915) she creates a world with only women who shows they can survive without men. The Utopian society provoked in “Herland” is a more desirable life style to live according to the everyday American house wife. The women in Herland are viewed as independent and self-taught, which is what the American house wives today would like to be viewed as
Despite her age, Sheila is handled by society with the competence of a child. With very few responsibilities and little to no authority over her life, someone (either her family, the Berlings or Gerald) is constantly controlling her. This treatment of women in the 1910s was unfortunately very common and household work and minding children fell onto their shoulders. Women of this time could not live a comfortable life alone without a man providing an income, they had no right to vote, essentially belonged to their husbands, and were generally only employed in low-wage menial jobs. Despite Sheila and Eva Smith being of like age, the Birling’s juxtaposed idea of Eva Smith being able to provide for herself, whilst Sheila is expected to be provided for by her husband or family, highlights the different expectations women are held to from different social classes.
It is seen as a modern classic that has attracted studies and banishment in equal measures. It cemented the author as one of the greatest modern-day writers, a feminist classic, and a warning of what might happen in the future. Does the character shape her own destiny? To answer the question, it is imperative that she is not in control of her own destiny. Since the dystopian government took place, it began slowly limiting women
This novel is also autobiographical. Throughout history, women have been locked in a struggle to free themselves from the borderline that separates and differentiate themselves from men. In many circles, it is agreed that the battleground for this struggle and fight exists in literature. In a