Fighting till the end was a much more glorified action rather than obeying the commands from the enemy. This mindset remained throughout the Pacific War, resulting in millions of deaths, especially with the Japanese. In addition to the violent war strategies, the use of propaganda began to flourish during the war. Chapter 2, “Know Your Enemy”, allows the reader to further understand what the films, booklets, and other forms of publicity were composed of.
War, Literature & the Arts: An International Journal of the Humanities, vol. 27, Jan. 2015, pp. 1-20. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=aph&AN=115168580&site=ehost-live. Accessed 25 April 2018. United States Department of Defense.
In war, there is no clarity, no sense of definite, everything swirls and mixes together. In Tim O’Brien’s novel named “The Things They Carried”, the author blurs the lines between the concepts like ugliness and beauty to show how the war has the potential to blend even the most contrary concepts into one another. “How to Tell a True War Story” is a chapter where the reader encounters one of the most horrible images and the beautiful descriptions of the nature at the same time. This juxtaposition helps to heighten the blurry lines between concepts during war. War photography has the power to imprint a strong image in the reader’s mind as it captures images from an unimaginable world full of violence, fear and sometimes beauty.
This sense of hostility springs forth from the misconstrued view of literature being the superior art form among the two, extending to the apparent artistic inferiority of cinematic adaptations, which seemingly “betrays” its source material. But the idea of cinema as a potent and dynamic art
Over the fifteen weeks of the first semester of film school, we were taught many interesting types and styles of early world cinema which were extremely informative and influenced the filmmaking style of the whole class and made us better filmmakers instantly. One such ‘ism’ which inspired me the most was German Expressionism which is a unique characteristic of Weimar Cinema. In this essay I am going to talk about the history of this ‘ism’, its impact on cinema, some significant works and how it inspired me and influenced my filmmaking style. German Expressionism is one of the earliest artistic genres to influence filmmaking, and one that ostensibly prepared for some other cutting edge artistic styles and techniques. It is an artistic genre
Photography In Wartimes Wars are disgustful events in the sense that they lead to death and destruction. Wars are motivated by different reasons, but their effects often remain the same. Over the centuries, many artists have tried to capture events in war through paintings. Overtime technological advances have enabled people to bring more real and graphical images of war to the masses.
In what X considers to be transitional literature by ABV, ABV mixes science fiction with myth… The end result is a play that By virtue of complex technical devices, Antonio Buero Vallejo effectively portrayed the moral consequences of the Spanish civil war still present thirty years on in his drama El tragaluz. One of the most significant devices used by Buero Vallejo is the dramatization of time. This essay will examine Buero Vallejo’s use of temporality in unveiling the human condition and its demise, the impact of war on the family and what Buero considered the changing values of society in the wake of technological encroachment in the twentieth century.
In “Aesthetic of Astonishment” essay, Gunning argues how people first saw cinema, and how they are amazed with the moving picture for the first time, and were not only amazed by the technological aspect, but also the experience of how the introduction of movies have changed the way people perceive the reality in a completely different way. Gunning states that “The astonishment derives from a magical metamorphosis rather than a seamless reproduction of reality”(118). He uses the myth of how the sacred audience run out the theater in terror when they first saw the Lumiere Brother Arrival of the train. However, Gunning does not really care how hysterical their reaction is, even saying that he have doubts on what actually happened that day, as for him it the significance lied on the incidence--that is, the triggering of the audience’s reaction and its subsequence results, and not the actual reactions and their extent. It is this incident, due to the confusion of the audience’s cognition caused by new technology, that serves as a significant milestone in film history which triggered in the industry and the fascination with film, which to this day allows cinema to manipulate and
Over the past century, film has served as a powerful means of communication to a global audience and has become a vital part of the contemporary culture in a world that is increasingly saturated by visual content. Due to the immediacy and the all-encompassing nature of film, the process of watching a film, is widely perceived to be a passive activity by the general masses. However, quoting Smith in his article about the study of film, “nothing could be further from the truth.” The study and understanding of film as an art form enhances the way we watch and appreciate films. It requires the audience's active participation and interaction with the film in order to fully comprehend the directors' intention behind every creative decision.
There are three types of conflict present in the lives of all people. Struggles are necessary in real and fictional narratives to advance the storyline and to help one reach their goals. These obstacles are particularly abundant in action stories. A classic adventure story, Richard Connell’s “The Most Dangerous Game” demonstrates the aforementioned three types of conflicts, man versus nature, man versus man, and man versus self. Conflict between man and nature is exhibited in the short story “The Most Dangerous Game”.
This essay will discuss how the film uses these two techniques, in reference to the film, and to what ideological and political ends are the techniques used in the films with specific references from the film to support the argument. A Man with a Movie Camera is based around one man who travels around the city to capture various moments and everyday
War Photography is a unique powerful form of photography and very effective to get people to respond. With photography being new among the expressive arts, photography is expected to be an representation of what is really there and war photography calls on the objective of telling the truth. Images can be
Film takes photography to another level. Film, or the cinema “is objectivity in time.” For the first time with film “the image of things is likewise the image of their duration, change mummified as it were”. Bazin argues "only the impassive lens, stripping its object of all those ways of seeing it, those piled- up preconceptions, that spiritual dust and grime with which my eyes have covered it, are able to present it in all its virginal purity to my attention and consequently to my love.
This essay will discuss the statement by William James, “-whilst part of what we perceive comes through our senses but another part (and it may be the larger part) always comes out of our head.” (James, 1890). This excerpt relates to the topic of perception, which can be defined as the acquisition and processing of sensory information to see, hear, taste, or feel objects, whilst guiding an organism’s actions with respect to those objects (Sekuler & Blake, 2002). Every theory of perception begins with the question of what features of the surrounding environment can be apprehended through direct pickup (Runeson et al. 2000). Is it only vague elemental cues that are available, and development and expansion through cognitive processes is required
In this essay I will write about the strengths and weaknesses of perception as a way of knowing. Perception is the way we perceive the world through our senses. We use all five of our senses, which are sight, hearing, smell, taste and touch to understand the world and interpret it. We can then say it’s a Primary way of knowledge. We can also say that, because the senses is the way our body communicates, we have at least three more senses: kinesthetic sense, which is our awareness of our body’s dimensions and movement; vestibular sense, which is the awareness of the human’s balance and spacial orientation; and organic sense, which is the manifest of the internal organs (for example, hunger or thirst).
