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Analysis of movie genres
Exploring genre in film
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Lin-Manuel Miranda's musical "Hamilton," inspired by Alexander Hamilton - one of America's founding fathers - has had a lasting effect on American culture and politics. Combining hip-hop, R&B music and other elements, the show tells Hamilton's tale through vibrant imagery. Lin-Manuel Miranda was deeply affected by his social and cultural environment, creating a musical that captures the aesthetic, political values of its time while reflecting those same cultural traits. Musicals fall within the genres of historical fiction and musical theater, each having their own distinct stylistic, dramatic, and formal characteristics. This analysis will explore the cultural and aesthetic values, as well as the historical background, of the musical "Hamilton," to gain a more in-depth appreciation for its impact. "
A lot of developments were being made in the 1942-1945 time period. The US started to really get involved with World War ll, and race wars were breaking out in a number of major cities. Even with all of this madness going on Richard Rodgers & Oscar Hammerstein ll were able to create two beautiful shows, Oklahoma! and Carousel. These two amazing pieces of theatre have some dynamic characters that shed light on the rural American economic, social, and sexual complexities of that time.
Another type of music is rap music. Older generations don’t really like the idea of the fast-talking rappers cussing every five or so words, but the younger generation seems to enjoy it. Rock music is a fast-paced more edgy sound
The Wizard of Oz and Wicked are both very successful and well-known broadway musicals. Both of these musicals are based off of the same story, but each give a slightly different meaning to it. While they are both based on a similar tale, these two broadway musicals have many characteristics that are similar and differ from each other. This paper will compare and contrast the characters, theme, and plot.
Personally, Phantom of the Opera was the first musical I had ever seen. I remember being in middle school and my dad suggesting that I watch it and me shaking my head because I did not even like opera. Begrudgingly, I agreed to watch it and after seeing the whole thing it shocked me. I was so surprised with how much I enjoyed seeing every second of it. That show really got me interested in the theatre world.
Music is a way of expressing feelings and is made for celebrations, entertainment, and dancing. Music is a great way to connect with others. Leading up to the 1920s, the most popular kinds of music were classical, opera, and ragtime; classical music is symphonic, usually with a full orchestra, opera is a form of theater where a song tells a story through lyrics, and ragtime has a syncopated or ragged rhythm. There are many forms of music aside from these three, but those genres of music helped pave the way for how music is in the 1920s and up to today.
The Addams Family musical is inspired by the creations of the legendary American cartoonist Charles Addams, who lived from 1912 until 1988. Addams had a wonderful childhood complete with devoted parents and middle-class comforts. His first foray into art was at the age of eight when he was arrested for breaking into a Victorian house that was undergoing repairs and drawing skeletons all over the walls. According to Linda Davis, Addams’ biographer, young Charles was “known as something of a rascal around the neighborhood.”
When I attended Shrek the Musical put on by Wylie High Schools Theater Department, I admit that I did not have high expectations. I had always enjoyed the Shrek movies, but was not prepared to witness the green Ogre come to life before my eyes. From the moment the characters marched down the isle of the auditorium, it was evident that many talented people had put time in effort into making this performance enjoyable and memorable. Shrek the Musical consisted of a tremendous cast, beautiful music, awe inspiring scenery in addition to heart felt imagery.
Canadian's thoughts of human rights were advanced much sooner than the 1970s. Canada was pioneer nation to receive human rights as the establishment of worldwide governmental issues. What's more, in this rights upset process, Canadians are locked in into standards of human rights and set up a standout amongst the most refined human rights legitimate administrations on the planet. The 1940s to 1970's was the Canadian human rights revolution era. At the start, the focus was on civil liberties, which after 1970 moved to human rights.
The Odyssey, by Homer, presents the encounter with “six heads like nightmares of ferocity” (XII. 109. the sea monster Scylla. Odysseus and his crew are sent into an inevitable fate between two locations, Kharybdis and Scylla, in which they lose their lives and their respect towards their leader. Due to Odysseus’ decision being limited and not properly thought of, he was unaware of the pains and wounds that would follow arriving on the Island of Helios. The crew, still scarred from the previous events, show their ignorance towards their leader’s orders by their actions.
The plot of the film revolves around Kathy Selden filling in as the voice of Lina Lamont, a silent film star with a voice not appropriate for sound. Before WWII, it was not important for musicals to have realistic aspects, and the plot was not needed to hold the numbers together. As time passed, in the mid-1950’s, film became more authentic and psychological. Along came the “integrated musical”, where one tried to imagine a situation where an individual would sing in the real world.1 Singing in the Rain was a realistic depiction of what the film industry went through during that transitional time. Many of the incidents in the movie were based off real people and experiences.
Tg beneath the surface” (Weakland). Jerome Robbins fully integrated all of the elements of musical theater including music, lyrics, book, and dance to produce something entirely unique. Jerome Robbins was changing the face of musical theater entirely. West Side Story also broke the rules in a thematic way. West Side Story was the first show to portray that musicals could be based on painful stories.
In looking at the quintessential films of the 1980s through the lens of the Eddie Murphy moment, the particular elements of shifting U.S. feminism and nuclear energy stand outside of the Murphy influence and their effect on New Hollywood. Silkwood (Nichols, 1983) offers a look at these elements through the socio-political impact of second wave feminism, nuclear power fears in the shadow of the cold war and a Hawkish national agenda under President Ronald Reagan, the de facto politics of labor intimidation, and small budget film, as levers of change for Hollywood. The period from 1980 to 1983 is stamped by the Reagan era excess of dangerous jobs for large paychecks, post-Viet Nam transience, and the social failure of families, marriage, education,
Two songs that I would argue stood out to me the most within the musical A Chorus Line were “I Can Do That” and “Dance Ten, Looks Three”. “I Can Do That” to me describes how anyone that is in the industry of theatre essentially got their start. Without trying to generalize, it often seems that there was a pivotal moment that showed to a person or a character
However, the musical on its own its a fantasy, a dream of hopes, and a dream of a Hollywood romance. We can interpret that both characters didn’t choose to daydream about the other, yet it was purely efficient due to their physical